Jamie’s Ministry of Food (Channel 4, Tuesday); Ian Hislop Goes off the Rails (BBC4, Thursday) ‘People have a problem with me,’ claims Jamie Oliver, but I’m not one of them. I’ve had my doubts in the past — overuse of phrases like ‘luvly jubbly’, the Sainsbury’s ads, the general extreme jealousy of his stupendous wealth,
An old friend in journalism, well aware that he was prone to conspiracy theories, especially where his own career was concerned, used to say to me, ‘Just because I’m paranoid doesn’t mean the bastards aren’t out to get me.’ So were the authorities out to get Aidan O’Brien when they convicted him and jockey Colm
Although I waste a lot of time these days gazing longingly at advertisements for luxury cruises in the Daily Telegraph, I don’t think I could ever leave England for good. Although I waste a lot of time these days gazing longingly at advertisements for luxury cruises in the Daily Telegraph, I don’t think I could
Robin Holloway on the unique orchestra layout that produces the Festspielhaus’s unique acoustic There was no space in my report last month, on a first visit to the Bayreuth Festival, for what was in retrospect its most exciting quart d’heure, a privileged informal investigation of the unique orchestra layout that produces the Festspielhaus’s unique acoustic.
The first Rolls-Royce I drove was a 1960s Shadow, across the Cairngorms on the glorious A939 to Tomintoul. It was a memorable drive, clear skies, snow-capped mountains, little traffic. When we returned to his Speyside house the owner suggested I try his Jaguar XJ6, which he thought a better drive than the Shadow. It was:
Cold War Modern: Design 1945–1970 V&A, until 11 January 2009 It’s difficult not to admire the ambition of the V&A in mounting exhibitions which summarise and explain the great historical movements in design. There have been notable successes in the past, particularly with their surveys of Art Nouveau and Art Deco, but the closer the
Ivanov Wyndham’s Theatre Now or Later Royal Court Rain Man Apollo Great directors have the power to alter taste. Michael Grandage’s avowed aim with this revival of Ivanov, which opens the Donmar’s year-long residency at the Wyndham’s, is to secure the play a permanent place in the repertory. But even a director as sure-footed as
Otello Welsh National Opera, Cardiff La fanciulla del West Royal Opera House Otello, for me the most perfect though not the greatest of Verdi’s operas, continues Welsh National Opera’s survey of his late works, in a new production by Paul Curran. The first night was a much tamer affair than it should have been, though
The BBC World Service’s drama department has been drastically cut back over the last few years and plays, squeezed out by news and current affairs, are difficult to find. But they’re usually worth looking out for on the website, or listed in ridiculously tiny print in the Radio Times. There’s often something a little bit
The best enterprises look to the future but honour their past, which is why it was encouraging that the Royal Horticultural Society should last week have returned to the Inner Temple gardens to hold a show, almost a century after the last time it did so. The Great Spring Show was staged there from 1888
Earth: The Climate Wars (BBC 2); Amazon (BBC 2); Tess of the d’Urbervilles (BBC 1) A Church of England official has issued an apology to the descendants of Charles Darwin for the Church’s ‘anti-evolutionary’ fervour towards his Origin of the Species. I wonder if in about 150 years’ time the BBC — presuming it still
Ancient Landscapes — Pastoral Visions: Samuel Palmer to the Ruralists Victoria Art Gallery, Bath, until 19 October Don’t be misled by the title: although in its entirety this is a wide-ranging exhibition, it was organised by Southampton Art Gallery (and thus draws heavily on that remarkable permanent collection) and was originally intended for a much
Alan Powers on Parliament Square Does nobody love Parliament Square? Days before the Mayoral election, Tristram Hunt called it a ‘terrible place: inaccessible, ugly, polluted and grotty’ in the Guardian. When the Mayor of London cancelled the scheme for pedestrianising at least two of the roads around the square within days of his election, there
Don Giovanni Royal Opera House La Rondine Peacock Theatre This latest revival, for which the opening night received a great deal of publicity, and which began with Tony Hall, the Royal Opera’s chief executive, welcoming Sun readers and bidding them to come again — but at what price? — sported as distinguished a cast as
Matthew Bourne’s Dorian Gray Sadler’s Wells I often wonder whether in a society so greedily obsessed with the commercial acquisition of good looks Dorian Gray’s disquieting handsomeness and prolonged youth would still mean anything. Liposuction, steroids, laser hair-removal and impossible fitness programmes have eroded and detracted from what once was the notion of ideal beauty,
Although I spend my time working with counterpoint, and know jazz is as capable as any other sort of music at yielding the greatest delight in it, how jazz musicians organise their ‘compositions’ remains a complete mystery to me. I could more easily write a symphony than join in with a jam session. Are they
Pineapple Express 15, Nationwide Pineapple Express is a ‘stoner’ comedy from the seemingly inexhaustible, super-producer Judd Apatow and, in its defence, probably wasn’t made with a middle-aged housewife such as myself in mind. As it is, I’ve only ever done pot once and did not like it (my knees went). Apatow was, of course, also
Saint François d’Assise Royal Albert Hall As the climax of the Proms centenary of Messiaen, The Netherlands Opera brought his vast opera Saint François d’Assise to a sadly uncrowded Royal Albert Hall. And by Act III there was room for the prommers to lie in the arena as if they were fellow recipients of the
Joan Rivers: A Work in Progress by a Life in Progress Leicester Square Theatre Liberty Globe Sons of York Finborough Let’s hear it for those ageing babes and their one-gran shows. Hip, hip, hip-replacement. Britt Ekland and Elaine Stritch are already at it, and here comes Joan Rivers who wastes no time wasting the opposition.
Francis Bacon Tate Britain (sponsored by Bank of America), until 4 January 2009 At Tate Britain is a glorious centenary show of paintings by one of our greatest modern painters, Francis Bacon. It’s more than 20 years since the last Bacon retrospective at the Tate, but the Bacon industry has been chugging steadily away in