Before I get on to TV, can I tell you about my horrible health-scare thing, oh, can I, can I? Right, well I’ve been having this horrible health-scare thing and I’ve been out of my mind with worry — to the point where I’ve been saying, ‘Oh, please, God, let it just be cancer…’ Very
King Idomeneo Birmingham Osud Royal Albert Hall Last year Birmingham Opera Company imported La traviata from Verona, and performed it to huge and enthusiastic audiences. Result: the Arts Council, in its infinite malignant imbecility, axed its grant, along with that of many other institutions which survive on an annual budget that would keep one of
Time to pay tribute to New Tricks, which ended its most recent run on BBC1 this Monday. The penultimate episode had 8.9 million viewers, which meant that more people watched it that night than Coronation Street. It has a good claim to be the most popular programme on television. All of this brings much satisfaction.
The first-ever visit of this ardent Wagnerite to his festival at Bayreuth coincides exactly with my 20th anniversary of contributing this column to The Spectator. How satisfying to combine them! Whatever reservations, the experience of seeing all seven mature music dramas within nine days in Wagner’s own theatre was pretty mindblowing. I’ll begin by setting
Love National Gallery, until 5 October It’s that time of the year — some call it the Silly Season — when a themed exhibition visits the Sunley Rooms of the National Gallery, after previously showing at Bristol’s City Museum and Art Gallery, and the Laing Art Gallery, Newcastle upon Tyne. This is the seventh in
Ben X 15, Key cities August is a hopeless month for movies — it’s when the big studios dump their worst films on us, pretty much — and so there is very little worth seeing, let alone reviewing. I did think about seeing the new Will Ferrell comedy, Step Brothers, but after catching the tail
Gone Too Far! Hackney Empire Eating Ice Cream on Gaza Beach Soho Piaf Donmar Anyone for a knife crime comedy? Bola Agbaje’s attempt to get laughs from our anxieties about blade-wielding teenagers might have been a disaster if the script hadn’t been so witty and its examination of the subdivisions within black culture so penetrating.
‘The only way you can help us,’ said the young student on the archive recording, his voice thin and wavering through the ether, as if emasculated by the Soviet tanks that had just invaded his native city, Prague. ‘Don’t forget Czechoslovakia.’ The streets were filled with young people, who were bravely trying to talk with
Leaving Archa Theatre, Prague With the theatre playing such a large role in the social and political history of the Czechs, it is no wonder that former president Václav Havel’s new play has a political theme. Nor is the subject surprising: a leading politician comes to the end of his term of office. The surprise
Fifty years ago, when the Irish Georgian Society was founded, the bulldozer was a familiar sight in Ireland, trundling along elegant urban terraces and drawing up at the gates of country houses. One of the bulldozer’s prominent Dublin victims half a century ago was No. 2 Kildare Place. This 1751 gem, just next to the
West Side Story Sadler’s Wells Tête à Tête Riverside Studios, Hammersmith West Side Story is just over half a century old, and unlike most famous musicals of its period, or any other, it doesn’t just get ‘revived’ every now and then, it is very much in the repertory — but of what? There’s hardly such
Deep Cut Traverse Jidariyya Royal Lyceum 4.48 Psychosis King’s Theatre Eco-Friendly Jihad Underbelly Please Don’t Feed The Models Underbelly Scaramouche Jones Assembly Rooms Absolution Assembly Rooms Snap! That’s the sound of the credit crunch biting into attendance figures at Edinburgh. This year the Royal Mile teems with unloved luvvies urging discounted tickets on sceptical punters,
It’s not so bad being awake at three in the morning, with an unseasonably chilly wind blowing and the rain lashing at the window, when it gives you the chance to catch up with the World Service. During the day it’s always such a hassle to find the network unless you’re fully converted in all
One of my ambitions this summer is to try not to see even the tiniest glimpse of Olympics coverage on TV. This isn’t mainly a protest about how boring athletics are generally; or about China’s human rights record. It’s more that my hatred of the modern world has risen to such a pitch that I’m
Dybbuk King’s Theatre Britt on Britt Assembly Rooms Surviving Spike Assembly Rooms Perhaps it should be the Inter-notional Festival. The posh bit of Edinburgh, the International Festival, is incurably besotted with the idea of conceptual hybrids, of cross-fertilisation between cultures. Their first offering is Dybbuk, a show about Jews, ghosts and exorcism, set in Poland
Hamlet Courtyard Theatre, Stratford-upon-Avon Star casting at Stratford runs the risk of propelling a show into an orbit hard to track or make sense of. Such is inevitably the case with the casting of David Tennant as Hamlet. Director Gregory Doran apparently got the idea from the BBC’s Who Do You Think You Are? In
Rise and Fall of the City of Mahagonny Usher Hall Ysaye Quartet Queen’s Hall The Two Widows Edinburgh Festival Theatre The Edinburgh International Festival got off to a soggy start this year. The Usher Hall, where as always the opening concert took place, is heavily shrouded, while Stage Two of a renovation process which will
Josef Maria Auchentaller (1865-1945): A Secessionist on the Borders of the Empire Palazzo Attems-Petzenstein, Gorizia, Italy, until 30 September The story that unfolds in this fascinating exhibition is a strange and poignant one. The Viennese-born Auchentaller was a contributor to the Munich Secession of 1892 and a key player in the Vienna Secession of 1897,
Lecturing on a course in Seattle has taken me away from London in recent days, and therefore from the excitement of Roger Wright’s first Prom season. As Wright himself said in a preliminary interview, if the season goes well he will claim it as his first; if it goes badly he can reasonably say that
What a dilemma. The synchronised diving, with young Tom Daley taking part for Team GB, was due on at 7.30 on Monday morning, but that’s when I have to write my column. How could I watch the Olympics on TV when I should be writing about radio? And yet, having missed the cycling and Nicole