Wedding Day at the Cro-Magnons Soho The Internationalist Gate The Black and White Ball King’s Head You can tell when a culture has lost its way because it starts handing out awards. There’s a small club of annual prizes that have some legitimacy. Oscar, Bafta, Booker, Olivier, Nobel — all provide worthwhile verdicts on the
You might think that the revival of the 1950s radio classic Journey into Space was a desperate move by Radio Four to cash in on the success of the new Dr Who. Even the title sounds incredibly dated. Who now cares about space? But when the serial first hit the airwaves via the Light Programme,
In those distant days when I used to hang out on Facebook one of my favourite user groups was ‘I hate Catherine Tate and she shouldn’t be in the new series of Doctor Who.’ I don’t remember many of the members’ exchanges being particularly witty or illuminating, but then they didn’t need to be. The
Nigel Hall: Sculpture + Drawing 1965–2008 Yorkshire Sculpture Park, until 8 June As you drive into the 500 acres of 18th-century parkland which provide the magnificent setting for this retrospective of Nigel Hall’s work, you are met by a tall sentinel-like sculpture, which stands near the entrance. Called ‘Crossing Vertical’ (2006), it’s a dynamic column
Laura Knight at the Theatre Lowry Galleries, until 6 July Ascot racegoers whose binoculars wandered from the track in 1936 might have spotted something unusual in the car park: a Rolls-Royce with its back door open and an artist working at an easel inside. Odder still, the artist was a woman — Laura Knight —
Bliss Royal Court Peter Pan, El Musical Garrick The Last Days of Judas Iscariot Almeida The Royal Court’s anointed one, Caryl Churchill, has translated a new play, Bliss, by the Canadian writer Olivier Choinière. Bliss goes like this. Four shelf-stackers dressed in supermarket fatigues stand in a communal lavatory. They narrate a long dreary tale
Lost Highway Young Vic Aci, Galathea e Polifemo Middle Temple Olga Neuwirth’s Lost Highway, which was first performed in October 2003 in Graz, gets its first UK outing at the Young Vic in a production by ENO. It is impossible to imagine it being better done, and the roar of applause which greeted it at
It is three years since I last wrote about my iPod. When I first bought the blighter, my then 12-year-old son warned me that it would prove a disaster and he was absolutely right. Unable to cope with the technology required to load the thing I enlisted the help of my nephew, Tom, who agreed
The relentless downgrading of the News to a series of shocking revelations about child abuse, bearded terrorists and the ghastly incompetence of our Olympic pretensions sent me straight to the World Service where even the shortest of hourly bulletins contains enough information to remind us that life goes on beyond our own limited horizons. On
Robert Dukes (born 1965) is one of our finest younger artists. Now enjoying his second solo show with Browse & Darby (19 Cork Street, W1, until 2 May), this painter in the great tradition of European realist art proves that he can deliver the goods while continuing to break new ground. The chief joy of
Kate Royal’s name may not be instantly recognisable, but she is fast emerging as one of our great lyric sopranos. At the age of only 29, she has an exclusive contract with EMI and is booked to sing in the world’s major opera houses and concert halls. She is impressing both music critics and audiences
Leatherheads PG, Nationwide Leatherheads is George Clooney’s third outing as a director and the first in which he plays a starring role, and it must have looked good on paper, just as anything with George Clooney’s name attached to it probably looks good on paper. A musical based on the plumbing-supplies aisle in B&Q would
Why is it so difficult to make engaging television programmes about classical music? Time and again I have watched earnest and expensive attempts fail, despite every care in the planning, coming away grateful that the effort was made but aware that nothing lasting had been achieved. I felt like this after seeing the most recent
God of Carnage Gielgud Never So Good Lyttelton Into the Hoods Novello Nothing terribly original about Yasmina Reza’s new play, God of Carnage, which examines the idea that civilised behaviour is a decorative curtain that masks our true savagery. Two nice smug bourgeois couples, while attempting to patch up a row between their sons, descend
Carmen Royal Opera House What is an opera house for? The question would sound silly if it weren’t being asked in a particular and, in this case, rather peculiar context: that of the latest press release from the Royal Opera, which lists productions of opera and ballet for next season, but begins by excitedly letting
According to a recently divorced friend of mine, the sex opportunities when you’re a single man in your forties are fantastic. Apparently, you don’t even need to bother with chat-up lines. You’ll be hanging about at the bus stop, or wherever, and, bang!, a flash of meaningful eye contact then back to her place for
Cranach Royal Academy, until 8 June Friend of Martin Luther, and court painter to the Elector of Saxony (who was Luther’s protector), Lucas Cranach the Elder (c.1472–1553) has been called the leading artist of the Reformation. He produced many devotional images and religious scenes yet to us Cranach is known for other subjects — palely
Son of Rambow 12A, nationwide Son of Rambow is the tale of two young boys — one from a strict religious background; the other a troubled troublemaker — who come together to shoot a backyard version of Rambo: First Blood to enter it into the BBC’s Screen Test competition. It is a British film, set
As in real life, it’s considered faintly reprehensible in music to have a sweet tooth. Greens are good for you, and so is The Velvet Underground, but right now I’m thinking about going up to the shop at the end of the road and buying a packet of Maltesers, having just listened to a Take
Two dramas, both based on real life; two deaths by shotgun; two black men destroyed at their peak (although both plays seemed intent on suggesting that their destruction came just as their powers were failing). Radio Four has been reliving the events of 1968, and on Saturday Jon Sen’s play focused on the assassination of