The old coaching inn on the green. The Sunday morning toll of church bells. The ducklings paddling on the pond. The soft sound of leather against willow. Nothing, absolutely nothing, defines England’s idea of itself more than the sleepy rural village. World events can shake our island nation. Population growth can swell our cities. Who
Are you a deathist? A deathist is someone who accepts the fact of death, who thinks the ongoing massacre of us all by ageing is not a scandal. A deathist even insists that death is valuable: that the only thing that gives life meaning is the fact that it ends — an idea not necessarily
A few years ago, a group of Native American leaders drove 12 hours from Oklahoma to Denver Museum of Nature and Science, a natural history museum in the Rocky Mountains of Colorado, to collect 26 sets of human remains. When Chip Colwell, the museum’s senior curator of anthropology, explained to them that, though the remains
If Britain’s prehistoric monuments have had a magnetic attraction for generations of artists, it is perhaps because they have long been seen as works of art themselves. ‘The whole temple of Avebury may be consider’d as a picture’, enthused the antiquary William Stukeley in 1743, while ‘my God how sculptural’ was Barbara Hepworth’s response to
In the north transept of Westminster Abbey, there is a memorial by Joseph Nollekens to three British captains killed at the Battle of the Saintes. It is hard to imagine that many visitors notice it, but when the news of the battle reached London from the West Indies in May 1782, it inspired the same
According to Private Eye, executives at the Daily Mail were alarmed by the impending publication of Adrian Addison’s new history of the paper. They expected an onslaught. So their hearts must have sunk when they saw the cover of Mail Men. Stephen Fry, who may hate the Mail more than anyone alive, pronounces it ‘a
This is a gem of a book for Radio 4 lovers, particularly those of us who work out which day of the week it is by who’s speaking on the station at 9.02 a.m. Published the week that Midweek was abolished for ever, it is Libby Purves’s story of the programme she presented for 33
It is 50 years since the publication of Very Like a Whale, Ferdinand Mount’s first novel. ‘Mr Mount’s distinguishing feature as a novelist,’ Mary-Kay Wilmers wrote in her sniffy, uncomprehending Times Literary Supplement review, ‘is that his analysis of society is obedient to Conservative economic principles.’ In the ensuing half century Mount has proven resolute
pkkkfffffffrrrffff-ffff! pkkkfffffffrrrffff-fff! Hobble leg, hobble leg, Hobble leg owhmmm! Into the bottle of fluff, rubbed the stuff under! pkkkfffffffrrrffff-ffff! pkkkfffffffrrrffff-fff! This is the voice of Tennyson reading ‘The Charge of the Light Brigade’, as recorded by Thomas Edison in 1890 and phonetically or farcically transcribed in a novel by Nicholson Baker over a century later.
It is estimated that the world’s insects perform an annual pollination service for all humankind worth $215 billion. In return, every year, we run up a pesticide bill of about $40 billion to exterminate them (this doesn’t include the $10 billion costs in social and environmental damage wrought by the same chemicals). Why is it
Science fiction is not the first thing one thinks of in connection with the Polish poet Czeslaw Milosz, though the Nobel Prize for Literature has in fact been awarded for science fiction poetry — Harry Martinson’s Aniara was an epic about a spaceship. Then again, many English speakers probably don’t primarily associate Milosz with poetry
Helen Dunmore’s new novel concerns lives, consequential in their day, that pass away into utter oblivion. Appropriately, the ‘solitary and no doubt rather grim middle-aged man’ of the opening pages is unnamed and never appears again, once he discovers a forgotten grave near the pathway of the title. Bearing the image of a quill, the
Min Kym is a violinist, but if you Google her name you won’t find sound-clips or concert reviews, touring schedules or YouTube videos. What you’ll get are news reports. Because one evening in 2010, when Kym was waiting for a train at Euston Station, her 300-year-old Stradivarius violin was stolen. Almost three years later it
The name Maud Russell creeps almost apologetically into a few 20th-century diaries such as those of her friend Violet Bonham Carter. Generally, she keeps her head below the parapet — not a bad place for a diarist, since it allows her to observe without being noticed. She is certainly worth knowing about. The wife of
This slight book comes with heavy baggage. In 2009, Rampling handed back a hefty advance for her contribution to a conventional authorised biography, and then used the Human Rights Act to prevent Barbara Victor from publishing anything based on their collaboration, on the grounds that it would violate her right to privacy. The Mail typically
The Argentinian writer César Aira is a prodigy: at the age of 68 he has published, according to a ‘partial bibliography’ on Wikipedia, 67 novels (plus non-fiction, plays and translations into Spanish from four languages). It’s a record made only slightly more believable by the fact that the novels are mostly around 100 pages long.
The most appealing phoenix in literature is surely the eponymous bird from E. Nesbit’s 1904 classic, The Phoenix and the Carpet. A mysterious egg arrives in the children’s nursery on Guy Fawkes night (J.K. Rowling’s phoenix, ‘Fawkes’, is the clear literary descendant), and the five children, whose adventures unfold in an atmosphere of benign neglect,
It’s the early 20th century, and two strange-looking boys, purportedly twins named Iko and Eko, are playing in a circus band in one of the many stopovers on the freak-show circuit running from Ohio to Texas. The brothers are ghostly pale, with thick white dreadlocks and red eyes — natural albinos who, when they are
Thanks to Henry Williamson and Gavin Maxwell I have spent hours in the company of otters, though I have only seen two. The first was harried, fleeing towards us along a shoreline, apparently pursued by spirits. From The Otters’ Tale I now know that was a period, the late 1980s, when the otter was heading
The title might be taken as a provocation. In the compressed language of digital media, white tears, like first-world problems or man flu, are an ersatz version of the real thing. More plainly, the gripes and complaints of white people are, according to certain social codes, unearned and inauthentic. This zeitgeisty novel gives us two