Not a single line of this highly distinctive memoir happens out of doors. All of it takes place in rooms: the dining-rooms and living-rooms, mainly, of five elderly, thin, Jewish bridge-playing ladies, Bette, Bea, Jackie, Rhoda and Roz, in a desirable suburb of New Haven, Connecticut. Their napkin rings are made of silver, porcelain, tortoiseshell,
On her arrival in Russia in 1914, Gerty Freely finds it refreshingly liberal compared to her native Britain: here servants are treated well, parents encourage self-expression in children, poor students are given support, and intellectual discourse flourishes. Gerty comes to Moscow as the governess to a rich aristocratic family and stays through the war, the
King Kong, the story of a violently amorous gorilla, Me Cheeta, the autobiography of a slanderous Hollywood chimpanzee, and now this, a benign biological, psychological and cultural survey, comes in further recognition of the versatility of our primate cousins. Both collateral branches of our family seem doomed (too many humans, too few apes), unless. .
Patricia Highsmith was an accretion of oddities — a woman who doted on her pet snails and carried a selection of them in her handbag, who abandoned her native America for a restless life in Europe, and who turned a habitual paranoia into literature. Now, 20 years after her death, her reputation has been substantially
Football, unlike cricket, has for the most part been ill served by its writers. For every Brian Glanville and Ian Hamilton (the latter having employed his critical authority to become a first-rate reader of the game), the purveyors of hackneyed analysis are legion. In recent years there has been a propensity to celebrate tactics and
Contrary to popular myth, the exuberant flame of life in the English country house was not extinguished by tears at the end of the Great War. And in his deliciously jaunty and wonderfully knowledgeable book, Adrian Tinniswood, social historian and country house authority, also upturns the story that huge numbers of Britain’s loveliest houses disappeared
Discussions about the short story too often fall into a false dichotomy that can be characterised, in essence, by a quibble over a consonant. Carver or Carter? On the surface, it would be easy to present Philip Hensher as the Raymond Carver-like elegiac naturalist, giving glimpses of disappointed lives and misunderstood epiphanies, and Helen Oyeyemi
If you had the resources, Georgian Ireland must have been a very agreeable place in which to live. It was certainly more prosperous and peaceful than it would be after the 1848 famine. This idyllic world is captured in Patricia McCarthy’s scholarly and highly entertaining work, which stretches from the start of the building of
When I wrote for the NME as a schoolgirl in the 1980s, it was recognised that there were musicians who deserve derision — those whose egos and clothes’ bills dwarfed their talent — and those who commanded respect. Wilko Johnson, one-time guitarist of Dr Feelgood, was of the latter. Whether pacing moodily on stage, hammering
‘Ah! Scrubbing the deck! My childhood dream! As a child I had once seen a sailor hosing the deck with a large hose while another sailor scrubbed away with a stiff, long-handled brush with bristles cut at an angle. I had thought at the time that nothing in the world could be jollier.’ This is
Book reviews, John Updike once wrote, ‘perform a clear and desired social service: they excuse us from reading the books themselves’. It’s a theory, I’m afraid, that doesn’t apply to this review — but it certainly does to this book: an impeccably wide-ranging collection of Ferdinand Mount’s own non-fiction reviews, including for The Spectator, over
Curtis Sittenfeld’s novel Eligible is a page-turning romantic comedy which is very funny and entirely ridiculous: each of the short chapters is as unwholesomely addictive as a Pringle coated in crack cocaine. It’s clearly influenced by writers like Tina Fey, Nora Ephron and Nancy Meyers. But that isn’t the point. Because with a certain punky
If you’ve been watching Game of Thrones recently, you’ll have seen an old folkloric fantasy in which a bewitching young prophetess, a charismatic war leader, slips alone into her private chambers and removes an enchanted necklace. Beneath it, she’s just one more withered crone. We, the viewers, having happily feasted on her naked body, now
‘Of all civilisation’s occupational categories, that of soldier may be the most conducive to regular drug use.’ The problem with this statement — the first words of this book — is the problem with the book as a whole: it may be correct, and there again it may not be. Even the captionless cover photograph
Cults, the desert, natural disasters. Artists, bankers, terrorists. Cash machines, food packaging, secret installations. Mediaspeak and scientific jargon. Crowds and capital. Language and death. Just as it used to be possible to play Ballard Bingo with the work of the late 20th century’s other great literary monomaniac, so Don DeLillo’s themes have remained astonishingly consistent
The rough English translation of Kamasutra is pleasure (kama) treatise (sutra). In the West, since it was first (rather surreptitiously) translated and published back in 1883, the book has generally been associated with a series of beautiful, ancient illustrations of a couple determinedly coupling in a variety of fascinating — and often utterly improbable —
Unlike Shakespeare, who kept himself out of all his works, except the Sonnets, Dante was endlessly reworking his autobiography, even when supposedly writing on politics or arranging love poems to his dream-women. The core of this new book about him can be found in a sentence following Dante’s banishment from Florence, and his setting out
Deirdre McCloskey has been at work for many years on a huge project: to explain why the world has become so much richer in the past two centuries, and at an accelerating rate since 1945. This is the third and final volume in the series. In it she argues that ‘our riches were not made
Martin Stewart’s Riverkeep (Penguin, £7.99) has a list of books and writers on the cover: Moby-Dick, The Wizard of Oz, Ursula Le Guin, Charles Dickens and, less ambitiously, Neil Gaiman, Philip Pullman and Skellig. And, right in the middle, Riverkeep. Pff, you think: they wish! But you know what? Having read the book, there are
Whimsy, satire and deadpan humour: welcome to the world of Andrey Kurkov. If you know Kurkov’s work, The Bickford Fuse will be no surprise and need no introduction. It’s not Death and the Penguin or A Matter of Death and Life (read them first), but it’s certainly Kurkov in welcome and familiar mode. For newcomers
