First, a quote from the novel under review. The context: it is a flashback scene of the behaviour of a character at a birthday celebration for her aged mother. She is confessing her bulimia to a crowded room: ‘I make myself sick! I vomit! I vomit! I vomit! I lock myself in the lavatory while
Gordon Corera, best known as the security correspondent for BBC News, somehow finds time to write authoritative, well-researched and readable books on intelligence. Here he explores the evolution of computers from what used to be called signals intelligence to their transforming role in today’s intelligence world. The result is an informative, balanced and revealing survey
Is it possible to tell a good poem from a bad one? To put the question another way: are there objective, even scientific, standards for evaluating literature? Helen Vendler has no doubts. Her spiky new collection of essays begins with the insistence that it is possible to prove how one poem is ‘superior’ to another,
At last, a snappy pop philosophy book which offers to sort out absolutely none of your personal issues. If anything, it will make them worse. ‘There are,’ Francis O’Gorman admits, ‘serious problems for me with the ethics of writing on worry.’ Since words are the very stuff of worry, O’Gorman (himself a worrier) suspects that
In 1929, when Edwin Lutyens handed over the newly completed building site of New Delhi to the Viceroy, Lord Irwin, many believed he had created a capital for a British empire in India that would last if not 1,000, then at least 100 years. It was, as Lord Stamfordham wrote, ‘a symbol of the might and permanence
‘Lobbying,’ writes William Waldegrave in this extraordinary memoir, ‘takes many forms.’ But he has surely reported a variant hitherto unrecorded in the annals of politics. The Cardinal Archbishop of Cardiff (‘splendidly robed and well supported by priests and other attendants’) had come to lobby him (then an education minister) against the closure of a Catholic
When I didn’t recognise the number and saw the text with kisses, but no name — ‘Thinking of you: they’re playing Native New Yorker’, I racked my brain and was filled with shame. Was this the divorced father and one-night stand, or was this someone who had heard me sing in hospital when I was
This morning, as I commuted through Hendon Central, I remembered you telling me you saw that day’s newspaper there on a board, announcing the king had died, how life stalled for a moment. This evening I got the call I’d long dreaded, telling me you were dead. ‘We are not a grandchild,’ Thatcher might have
Rosalio Reta was 13 years old when recruited by a Mexican drug cartel. He was given a loyalty test — shoot dead a man tied to a chair — then moved into a nice house in Texas. Soon he was earning $500 a week for stakeouts and odd jobs, but the big money came from
As every schoolboy knows, ‘the empire on which the sun never set’ was British, and ‘blue-blooded’ was a phrase applied to the nobility who ruled it for most of its history. And every schoolboy is wrong. The phrase was coined to describe the dominions of the Holy Roman Emperor Charles V (or Charles I of
The great conundrum of French history is the French Revolution, or rather, the sequence of revolutions, coups and insurrections during which the nation was repeatedly destroyed and recreated. How is it that a heap of cobblestones, furniture and overturned vehicles — handcarts in 1848, 2CVs in 1968 — erected at particular points on the Left
Operation Thunderbolt was, Saul David contends in this gripping book, ‘the most audacious special forces operation in history’. In June 1976 Air France Flight 139, travelling from Tel Aviv to Paris via Athens, was hijacked above the Gulf of Corinth by two Palestinians from the Popular Front for the Liberation of Palestine and two Germans
The scene: a funeral parlour in New York. Doors clang as a family relative, the ‘black sheep’, saunters in halfway through his brother’s eulogy and brazenly strolls down to the front pew, ignoring the scandalised glances. He’s late, a whisper spreads, because he had a meeting with director James Toback. Wait. James Toback? Lame! The
The title of Victor Pelevin’s 2011 novel stands for ‘Special Newsreel/Universal Feature Film’. This product is made by the narrator, who pilots his hi-tech camera without leaving his room, propped up against cushions. The corpulent Damilola Karpov lives in Byzantion, or Big Byz, an ‘offglobe’ hovering over what’s left of the old world after the
Well, you can’t say he wasn’t warned. Swimming pools, Nancy Astor told her son, Bill, were ‘disgustin’. I don’t trust people in pools.’ If he wanted to swim he should take a dip in the River Thames, which flowed through the grounds. But when his horse won the Oaks, Bill Astor built his long-desired pool,
Financial crises are nothing new in Greece. Back in 354 BC, at a time when Frankfurt was still a swamp, the Athenian general Xenophon wrote a briefing paper designed to help his city negotiate the aftermath of a disastrous war. His proposals mixed supply-side reform with Keynesian stimulus. The regulatory powers of Athenian officials, so
A chance in a million: he was perfectly cast In the role of his own life, though he almost flipped When told it was all in the future, and not in the past, And someone (who?) had forgotten to give him the script. He tried his damnedest, but there were other factors That made the
The first mermaid we meet in this intriguing, gorgeously produced book is spray-painted in scarlet on a wall in Madrid, holding a heart not a mirror. Not your average mermaid, then; but as the folklorist and playwright Sophia Kingshill delves further into their complex cultural history, it becomes clear there’s no such thing. Mermaids can
A.N. Wilson has had a tempestuous journey on the sea of faith. His first port of call was St Stephen’s House, in Oxford, the Anglo-Catholic seminary where he trained for ordination in the Church of England. He jumped ship at the end of his first year and travelled to the wilder shores of atheism, writing
‘Genuine invective is an almost lost art in our wild satirical age,’ Dennis Potter complained in New Society in 1966. Now, as the British Film Institute celebrates the life and work of ‘the writer who redefined TV drama’, Oberon Books, with perfect timing, offers this collection of Potter’s critical abuse in journalism and interviews at