It would not have surprised their friends in the 1930s when Peter Watson had a fling with my grandfather, Robert ‘the Mad Boy’ Heber-Percy. Both gorgeous young men were known for their risky sexual escapades. What did ruffle feathers, however, was when Watson subsequently gave the Mad Boy a car. Cecil Beaton was so jealous
Edward Thomas was gloomy as Eeyore. In 1906 he complained to a friend that his writing ‘was suffering more & more from a silly but unavoidable nervous interest in the children’s movement in and out of the house’. The following year, he noted, I have no ‘interests’ at all, and marriage, he said, is ‘continually
‘Lately, the paradoxical turns of recent Russian history… have given my research more than scholarly relevance,’ remarks Oleg Khlevniuk in his introduction. Indeed, in Putin’s Russia Stalin’s apologists and admirers seem daily to become more vocal. The language of the 1930s is used in televised tirades against ‘internal enemies’ and ‘foreign agents’. Stalin himself is
We know a great deal about Samuel Johnson and virtually nothing about his Jamaican servant, Francis Barber. The few facts of which we can be certain are these: born into slavery, Barber was aged about seven when his owner, Colonel Richard Bathhurst — who may, Michael Bundock suggests here, have been his father — brought
This is not a book to be read in solitude. Not for the obvious reason that it’s frightening, but because every few lines some fascinating or unexpected fact forces you to exclaim: ‘Blimey! Listen to this …’ The three authors are American psychology professors. As young academics they were much influenced by the work of
T.H. White complained that the characters in Walter Scott’s historical novels talked ‘like imitation warming pans’: those in Amitav Ghosh’s Ibis trilogy, of which Flood of Fire is the final volume, talk like a whole Benares brass bazaar. As an avid reader of both Hobson-Jobson (the dictionary of Anglo-Indian slang) and Patrick O’Brian, I thought
Years ago, in an ill-conceived attempt to break into natural history radio, I borrowed a nearly dead car from a friend in West Hollywood and drove across town to the Los Angeles Zoo to report on a project to save the California condor from extinction. By the 1980s the number of condors had — thanks
Look up Tracey Thorn’s live performances with Everything But The Girl or Massive Attack on You Tube and you’ll find the comments posted beneath it full of praise for the liquid melancholy in her lovely voice. The simple sound of air passing from her lungs, across her larynx and out of her lips in the
Since you remain reluctant, let us imagine that one’s selfhood is a work of art — a maquette in clay, as may be, and each life event enacted by the sculptor. In he creeps to the damp-room on his crepe-soled shoes again and again. In time the work proceeds via a series of flukes and
It is almost inconceivable that there could be a more densely detailed book about Napoleon than this — 800 crowded pages to get him from his birth in 1769 to his acclamation as First Consul for life in 1802. When completed in three or more further volumes, this will be an extremely comprehensive study. As
As all writers know to their cost, first novels are never really first novels. They make their appearance after countless botched attempts at the perfect debut — a debut that always lurks just out of view, but seems tantalisingly easy for everyone else. My first published novel was fifth down the line. It was a
that’s what she said. Of course, I begin to find fault: a shrub partly obscures the view, there’s a glint of car windows and, if I listen hard enough, I sense the thrum of traffic. I’ll admit the colours are strong, mid-summer: yellows of wheat-fields, oaky greens, and the hills’ hazed blue. A single cloud
‘The crime novel,’ said Bertolt Brecht, ‘like the world itself, is ruled by the English.’ He was thinking of the detective story and the tribute was truest in the ‘golden age’, between the great wars; the period covered, hugely readably, by Martin Edwards. Edwards’s primary subject is the Detection Club, whose members included the giants
‘I had had a fantasy for years about owning a dairy farm,’ says Mary Norris, as she considers her career options in the first section of this odd but charming cross between a memoir and a usage guide. ‘I liked cows: they led a placid yet productive life.’ Instead, she found a productive life —
Two ambitious volumes of interviews with artists have just been published. They are similar, but different. The first is by Richard Cork, a veteran with a Cambridge education who enjoyed a distinguished stint as art critic at the Times. He is nicely old school: chatty and avuncular. The second is by Hans Ulrich Obrist of
As Dear Mary so wittily demonstrates, our need for advice is perennial. But fashions change. Mary would probably take issue with The Handbook of the Toilette (1839), which advises that one should take a weekly bath whether one needs to or not, and also with the recommendation of Cassell’s Home Encyclopedia (1934) that ‘bloater cream’
At the eye of apartheid South Africa’s storm of insanities was a mania for categorisation. Everything belonged in its place, among its own kind, as if compartments for scientific specimens had been laid out across the land. Or, as Christopher Hope puts it in his caustic new satire, people were ‘corralled in separate ethnic enclosures,
How many books are there about Shakespeare? A study published in the 1970s claimed a figure of 11,000, and today a search of the British Library catalogue yields 12,554 titles that contain the playwright’s name. But good short introductions to Shakespeare’s life and work are not exactly plentiful. Students and teachers are therefore likely to
Funnily enough, after my editor sent me these three books to read, my guts started playing up. Suddenly, food seemed to go straight through me. At first I wasn’t bothered, but when it didn’t get any better I began to worry. I went to see my doctor. She told me to bring her a piece
Louis the Decorator and his chums in the antiques trade use the word ‘airport’ adjectivally and disparagingly. It signifies industrially produced folkloric objects (prayer mats, knobkerries, masks, toupins, necklaces, tribal amulets, djellabas etc) which are typically sold by hawkers to departing holidaymakers. This is the basest level of fakery and is ignored by the otherwise