These sprightly flowers are no cowards. They poke forth sun seeking heads, proudly proclaim when earth remains clenched in winter’s pale dead. See, before you rise to your day, these shattering yellows hold sway, say something we cannot, or have forgotten, in garden, park and verge, believe, before there is proof, of what will come,
The first Marquess of Dufferin and Ava is largely forgotten today — rotten luck for the great diplomat of the Victorian age. In the second half of the 19th century, Dufferin zoomed around the empire, hoovering up the sweetest plums in the diplomatic service: Governor-General of Canada, ambassador to the courts of Russia, Turkey and
Duncan Neville is an unlikely hero for a novel. Approaching 50, divorced and the butt of his teenage son Jamie’s utter contempt, Duncan is also the eloquent yet mild-mannered editor of the Francombe Mercury, a local newspaper on its last legs. Francombe too has seen better days, not least since its pier burnt down in
One day in 2011, while perusing her bookshelves, Ann Morgan realised her reading habits were (to her surprise) somewhat parochial. No worse than most English-language readers’, perhaps, but still with dramatic, unnecessary bias towards the Anglophone, with only Freud and a single battered Madame Bovary representing the other 90-odd per cent of the global population.
If you’d been asked at the beginning of the year whose new novel would feature ogres, pixies and a she-dragon called Querig, I suspect you might have taken a while to guess that the answer was Kazuo Ishiguro. Admittedly, since his career-establishing 1980s triumphs with An Artist of the Floating World and The Remains of
For 30 years Kim Gordon was one half of a cool couple in a cool band. With her husband Thurston Moore she formed Sonic Youth, who sprang partly from the New York art world and partly from the post-punk No Wave music scene. Idealised and romanticised by their fans, they seemed to represent a radical
I’ve got a mathematical problem. Birth of a Theorem is by one of the great geniuses of today, a cosmopolitan, liberal-minded man who helps his wife look after their children, likes big-hearted folk songs, welcomes diversity and wears the same jewellery as I do. But as a contribution to the genre of popular maths, the
In the pre-dawn hours of 20 September 1918, a train, its headlamp off, heading eastwards out of Kransnovodsk on the Caspian sea, came to an unscheduled standstill among the lonely desert dunes of Transcaspia. From one of the two carriages stumbled a group of bound and blindfolded prisoners, who were pushed and dragged up to
The crucial thing to remember about the music business is that it’s a business. If you happen to be creating great art as well, that’s a bonus, but it has never been compulsory. Only in the music business could someone who hates music as much as Simon Cowell clearly does become so rich and powerful.
Nobody Is Ever Missing takes its title from John Berryman’s ‘Dream Song 29’, a poem which I’d always thought related to Berryman’s strange sense of guilt over his father’s suicide. At the heart of Catherine Lacey’s novel there is another suicide that brings with it enormous pain and grief, that of the heroine Elyria’s adopted
Looking at the brightly coloured front cover of this book, I felt cheerful; turning it over and seeing the word ‘gender’, my heart sank. When I was a kiddy in the early 1970s, the word (especially when combined with ‘bending’) seemed full of fun and flighty possibilities — David Bowie in a dress, Marc Bolan
This is not quite another story about a man who never was. But it is about a man who certainly wasn’t what he said he was. The context is Russian intelligence operations of the 1930s, especially those of the NKVD (known later as the KGB) during the Spanish civil war. In Britain we tend to
The illuminations of Andrew O’Hagan’s fifth novel are both metaphysical and mundane. In the course of its taut plot, they encompass Blackpool’s elaborate decorations and a moment of understanding between a grandmother and grandson; epiphanies about the nature of masculinity picked out by the tracer fire and explosions in Afghanistan; and a photograph of an
Why increase the number of suicides? Better to increase the output of ink! wrote Vladimir Mayakovsky in 1926 in response to the death of a fellow poet. Four years later, aged 36, he shot himself. What drove the successful author, popular with the public and recognised by officialdom, to suicide? Bengt Jangfeldt provides some clues
‘Double ouzo, hold the Coke,’ Mum ordered at the Mkushi Country Club bar, during spanikopita night. ‘My daughter’s a lesbian.’ The Greek farmers blinked at her uncomprehendingly. ‘Oh, don’t pretend you don’t know what I’m talking about. You bloody people invented it.’ Alexandra Fuller’s wild parents make good copy, as was clear in Don’t Let’s
The school holidays in the final furlong and the next new phase and term in clear sight. This is when the thousands receive their plain envelopes informing them whether they have made the grade, precisely. And we look on, remembering or not remembering a future built on hopes and inadequacy, not knowing what is right
‘We all know there will be no real politics.’ A prominent Russian TV presenter is speaking off the record at a production meeting in 2001. ‘But we still have to give our viewers the sense that something is happening. They need to be kept entertained. Politics has got to feel … like a movie!’ When
‘If the war is lost, then it is of no concern to me if the people perish in it.’ Bruno Ganz, who not so much portrays Hitler as becomes him in Bernd Eichinger’s 2004 film Der Untergang (Downfall), spits the Führer’s nihilist venom so convincingly that the fundamental insanity of Nazism is at once laid
There was nothing remarkable about the Whitshanks. None of them was famous. None of them could claim exceptional intelligence, and in looks they were no more than average….Their family firm was well thought of. But then, so were many others. But like most families, they imagined they were special. So, you know what you will
It is a common prejudice about modern politics that it is all focus groups and spin, all public relations and advertising. The rather heartening conclusion from Sam Delaney’s history of advertising in politics is that this is a calumny on the political trade. Delaney has spoken to everyone involved in political advertising since the phenomenon