If you could resuscitate a hunk from history, who would you choose? The secretive Whitehall ministry in Kaliane Bradley’s striking debut is working on time travel, facilitating the removal of various Brits from their own era to (roughly) ours. The candidates were all due to die anyway, so the risk of altering history is minimal.
In 1967, the unexpected worldwide success of Bonnie and Clyde blindsided the Hollywood film industry, which then spent the next half decade attempting to adapt to the changing tastes of the new youth audience it had apparently captured. No matter that the picture took a pair of vicious, sociopathic thrill-killers who in real life were
Looking around London on the eve of the millennium, it would have been difficult to think that the UK government had an adviser on architectural design. The 1990s had been a dismal decade. Yet such a body existed in the quaintly named Royal Fine Art Commission, refounded in 1924. The original Commission had been created
I had held Beauty’s sceptre, and had seen men slaves beneath it. I knew the isolation, the penalty of this greatness. Yet I owned it was an empire for which it might be well worth paying. —Olivia Shakespear, Beauty’s Hour (1896) All the Rage is a perfect title for a book about terrible beauty. The
In the hot summer of 2020, during the Covid pandemic, Olivia Laing and her husband Ian moved from Cambridge to a beautiful Georgian house in a Suffolk village and began work on restoring the neglected, extensive walled garden behind it. She was vaguely aware that the garden had been owned and loved by the well-known
Memories. Good days. Bad days. In 1992, U2 mounted their Zoo TV tour. U2 being U2, the gigs were over-earnest affairs, their showbiz razzmatazz never emulsifying with their agitprop posturing. But disbelief was colloidally suspended the night the show hit Stockholm – and U2 were joined on stage by Benny Andersson and Björn Ulväeus for
As ghosts go, Maria Vaduva, who haunts Enlightenment, is not a patch on the wild, tormented figure who stalks the pages of Sarah Perry’s previous novel, Melmoth. Where Melmoth, in rage and despair, haunts everyone complicit in history’s horrors, Maria is crossly plaintive. The disappearance of this unrecognised 19th-century Romanian astronomer from Lowlands House, a
Real wages have barely increased for more than a decade. Banks have had to be bailed out, and many still exist on a form of state life support. Growth has stalled, taxes are at 70-year highs, yet governments are still bankrupt. Unless you happen to be part of a tiny plutocracy made up mostly of
When workmen demolished an ancient building in Cheapside in 1912 they saw something glinting out of a broken wooden box. They had stumbled on what became known as the Cheapside Hoard – a collection of jewels dating from around 1600, its star, the Cheapside Emerald, a wonderful stone holding a miniature watch. It came from
Philip Notman is going through what looks like a midlife crisis. Travelling home from an academic conference, he feels sick and disoriented to the point where he is barely able to function. Back in London, he can’t quite explain to his wife Anya, or indeed to himself, what’s ailing him. Is it just me, he
When she first starts working as a security guard at the Guggenheim Museum in New York, Bianca Bosker is so bored that she prays someone will touch the art. ‘Do it, I urged silently from my spot by the wall. Do it so I can tell you not to.’ She’s to stand for hours on
George Mallory bookended the 20th century history of Everest with his pioneering attempts in the 1920s to climb the mountain – and with the spectacular discovery, in 1999, of his body high up on the North Face, preserved by the ice for 75 years after he had failed to do so. His flip remark to
This absorbing and wild debut feels at once muzzily folkloric and sharply contemporary. It follows Nell, an artist who lives on a wind-whipped island without ties or commitments – until, that is, a group of women living an even quieter life commission her to make an artwork that will tell their story. The Inions, as
This volume of short essays – originally written for the New Yorker in the 1940s and 1950s but never before assembled – provides ample evidence that the great S.J. Perelman could misspend his youth with the best of them. It’s also the closest thing to an autobiography he ever completed: a series of comic reflections
Enver Simsek’s life story was one familiar to many migrants. He moved from Turkey to a small town in Germany, then worked hard in a factory during the week and as a cleaner at weekends before starting his own business as a florist. By the turn of this century, he employed almost a dozen people
Between 1789 and 1871 Paris went through five kings, two Bonapartist empires, two republics, several revolutions and a Commune. Each had been an attempt to accommodate or neutralise one of two visions of France. The oldest was traditional and conventional; it mourned the ancien régime, and preferred the safety of autocracy over the chaos of
Pearson Converse teaches literature at Verlaine University, Pennsylvania. She exists in an alternative universe to our own in which the Mental Parity Movement holds sway. There is intellectual levelling, and no ‘cognitive discrimination’. This is high satire, exaggerated, crude, inviting ridicule of the social system portrayed, close to the great satirists of the 18th century
In January 1948, George Lucas, an unremarkable 21-year-old Roman Catholic who had just been demobbed from the Pay Corps, was living unhappily in Romford with his ill-matched parents, who relentlessly taunted him about his homosexuality. He would shortly get a job at the War Office and so embark on a lifetime’s career as a civil
In recent years, far from diminishing, the number of books on the Nazis, Occupied Europe and the Holocaust – events that now lie three quarters of a century in the past – seem only to grow. New archives are opened and attics are raided for forgotten diaries and letters. One historian who has mined them
Colm Toibin’s new novel starts with a bang – or rather, the results of one. It is only on the second page that an Irishman arrives at Eilis Fiorello’s house and threatens to leave his wife’s love child on her doorstep, it being also the doorstep of the father, Tony. ‘If anyone thinks I am