Though underestimated in the English-speaking world, Nikolai Leskov is one of the greatest of 19th-century Russian writers. Donald Rayfield has described him as ‘Russia’s best-kept secret’. Richard Pevear’s excellent introduction to this selection includes Anton Chekhov’s account of how Leskov — ‘his favourite writer’ — said to him at the beginning of his career, after
Peter Stanford likes cemeteries. Daily walks with his dog around a London graveyard acclimatised him, while the deaths of his parents set him wondering about customs of mourning and places of burial. Over a couple of years he visited a number of sites, including the war graves of northern France, the catacombs of Rome and
Excitement over the extraterritorial birthplace of authors on Granta’s recent list of Britain’s best young novelists must have been old news in the United States, where the New Yorker’s equivalent exercise four years ago turned up Americans from China, the Dominican Republic, Ethiopia, Latvia, Nigeria, Peru, Russia and Serbia. Roughly speaking, this immigrant fiction makes
It is fair to assume that Professor Matthew Cobb has often been asked if he is related to Professor Richard Cobb since he begins the acknowledgements of his new book by announcing that he is not. Richard Cobb wrote books about France — where he was known as l’étonnant Cobb and, according to his obituary
It is a safe bet that Alex Salmond has no immediate plans to embrace Allan Massie as one of Scotland’s National Treasures. A Unionist in an increasingly nationalist country, a traditionalist in a time of change, an ungoogler engulfed by the internet, and an amateur of creative activities, cultural and sporting, when the fashion is
It is a measure of Lady Thatcher’s standing that her death has been followed not only by the mealy-mouthed compliments from political opponents which are normally forthcoming on such occasions but also by robust denunciations. Nobody would have sung ‘Ding, dong, the Wizard is dead!’ after the deaths of Jim Callaghan, John Major or Alec
Largely unheard since their original performances or BBC broadcasts between 1939 and 2011, these readings of 12 short stories by their authors are a treasure trove. * E.M.Forster’s 1948 reading definitely conjures up a past era. His philosophical debate in ‘Mr Andrews’ concerning two souls in ‘interspace’ — of a righteous Englishman and a Turk
Master your disappointment. The Politics of Washing: Real Life in Venice (Hale, £9.99) is as far from the fantasy-relocation genre of hapless writer transposed to sunny European idyll with cast of gurning locals and comic anecdotes involving insects as Prospero’s unnamed island was from Stratford. Mercifully, Polly Coles stuck to a year’s tenancy; she and
Wilhelm Gustloff was a Nazi leader in Switzerland, who was shot dead in his Davos apartment by a Croatian Jewish medical student in 1936. Hitler at the ensuing state funeral promised that Gustloff would remain ‘immortal’ under the Third Reich. But his name is now only remembered because it was bestowed on a ship which
‘The Firs’, ‘Hillcrest’, ‘Innisfree’ I An aerial view. A brochure maps it out And full possession guaranteed Within the year: time for the prefab plots to sprout Before the moves and backyards turn to seed. II Look, engines pushing upwards, shovels plough Until the hill is taken, then a kerb Whitewashed, colonial style, now caps
‘One afternoon in September 1942,’ Edward Stourton opens this important and rewarding book, ‘a young man and a young woman could be seen sitting on the back steps of a farmhouse in south west France, looking up at the Pyrenees.’ It is like the first image in an album packed with snapshots set against this
The following novel re-assessment is typical of Andrew Lambirth: Although Eileen Agar exhibited with Miro, Magritte and Ernst, she was never a ‘card-carrying surrealist’. The origins of her work were rooted in ‘the great English Romantic tradition’ — medieval illumination, William Blake, Edward Lear. Lambirth approaches painters and paintings not through the prism of current
In the early 1950s Kurt Vonnegut became the manager of a Saab dealership in Cape Cod, a job which often involved him taking prospective clients out on test drives. Keen to demonstrate the Saab’s front-wheel drive, Vonnegut would take corners at a tremendous lick, leaving his often elderly passengers ‘sickly and green’ afterwards. Vonnegut’s early
For the English-speaking world, the book that more than any other defines the magic — or fairy — tale is Children’s and Household Tales by Jakob and Wilhelm Grimm, first published in Germany in 1812, and translated (or adapted: it was seriously toned down) into English by Edgar Taylor in 1823. For the Grimms, as
David Sedaris writes principally for The New Yorker. Urbane, then, American, smart. But is he a memoirist, a fabulist or an essayist? He is most often described as a humorist, but he’s not funny like, say, Woody Allen. He’s no Stephen Leacock. The aim of his writing is not to make the reader laugh. Which
There is a much reproduced image of the great Welsh poet R.S. Thomas towards the end of his life. A gaunt and angular figure leans defiantly out over the half-gate of his cottage on the Llyn peninsula, wild of hair, curmudgeonly and altogether unwelcoming. The photograph, taken after Thomas’s retirement as vicar of the fishing
for Stuart Henson So Petrarch lived here? First saw Laura here, invented the sonnet and began a craze that turned to ‘tyranny’ (your word). These days they’re hardly de rigueur, but there’s the fear that if you can’t balance seven hundred years on fourteen lines and five rhymes, then the Muse will leave for Tony Harrison.
At the start of 2004 Howard Leedham, a former British special forces officer who had taken up US citizenship, addressed the raw Pashtun recruits he had made into a US-backed militia capable of operating on the Pakistan-Afghan border, surely one of the world’s most hostile environments. He told them about Lawrence of Arabia’s famous cross-desert
A year before he died from emphysema in 1990, the composer-conductor Leonard Bernstein agreed to be interviewed by the music journalist Jonathan Cott for Rolling Stone. Dinner with Lenny (OUP, £16.99) is the transcription of their 12-hour conversation, in which Bernstein’s frenetic energy — ‘Byronic intensity’ is how Cott puts it — is as vividly
In this memoir Julia O’Faolain, author of seven distinguished novels and many short stories, asserts that she has nothing to say about the ‘inner Julia’, because being a writer she is more interested in observing other people. And, importantly, ‘I write because Seán and Eileen did.’ Some women stop identifying themselves as their parents’ daughter