Reborn: Susan Sontag, Early Diaries, 1947-1964, edited by David Rieff Swimming in a Sea of Death: A Son’s Memoir, by David Rieff Susan Sontag, who died in 2004, was one of the late- 20th century’s famous public intellectuals. A stupendously well-read novelist, essayist and critic, strikingly good looking with her white badger-lock, she was engagé,
Stephen Chambers, by Andrew Lambirth Of the same 1980s generation as Peter Doig and the Young British Artists (Damien Hirst, Tracey Emin et al), Stephen Chambers has always pursued a far more maverick, and profoundly more interesting, path. Starting out as a well-regarded, heavy-duty abstract painter while still a student at St Martin’s School of
At least one very startling claim emerges in this study: according to her own account, Wallis, Duchess of Windsor, never consummated her first two marriages. Indeed, she never allowed any man (before the Duke of Windsor, presumably) to touch her ‘below the Mason-Dixon line’. If this is true, it makes a nonsense of the Abdication,
Putin and the Rise of Russia, by Michael Stuermer For many years, Professor Michael Stuermer has been one of the West’s most respected authorities both on Russia and on Germany. As at home in English as in his native German, he has pursued not only an academic career, but has brought lustre to the usually
Arthur Miller, 1915-1962, by Christopher Bigsby Arthur Miller was born in 1915 in Jewish Harlem, the son of immigrants from the shtetl, enjoying comfortable family wealth until his father’s business collapsed. The key events in forming his political outlook were the Depression, the Spanish Civil War, the Cold War — and the slow-to-dawn truth about
‘The 20th century was not kind to Pakistan’, Tariq Ali says in the first sentence of his latest book on his native land. ‘The 20th century was not kind to Pakistan’, Tariq Ali says in the first sentence of his latest book on his native land. The glib opener is a taste of what’s to
And Then There Was No One, by Gilbert Adair And Then There Was No One is a metaphysical murder mystery, a deconstructionist detective story, a post-modern puzzle — all of which could, very, very easily, become as arch and wearisome as persistent alliteration. But Gilbert Adair — though fantastically clever-clever, and horribly addicted not only
James Scudamore is evidently fascin- ated by borderline personality disorder. His characters veer between moments of machismo-fuelled rage, extravagant eloquence and intense introspection. The Amnesia Clinic (2007), which earned him the Somerset Maugham Award for writers under 35, was set in Ecuador and depicted the tribulations of adolescence. For his second, bolder novel, he crosses
Land of Marvels, by Barry Unsworth Land of Marvels is so topical, and so cute, that its title can only be read with some irony. A tale of oil, archaeology, and impending war in Mesopotamia (it’s the first world war, but Barry Unsworth clearly intends us to ponder the parallels with more recent history), it
This is the time of year for dutiful appraisal of current garden books. The heart sometimes sinks at the thought of conning the same old material in a newer and glossier arrangement, but Ronald Blythe’s Outsiders is a genuinely original find. Like Akenfield, his portrait of an English village, his latest work breaks the mould.
A Book of Silence, by Sara Maitland The BBC sound archive has a range of different silences: ‘night silence in an urban street’; ‘morning silence, dawn, the South Downs’; ‘morning silence, winter moor’; ‘silence, sitting room’; ‘silence, garage’; ‘silence, cement bunker;’ ‘silence, beach’. You only have to read those phrases to know, viscerally, that their
‘Blinker’ Hall, Spymaster, by David Ramsay The first world war admiral, ‘Blinker’ Hall — so-called for the obvious reason — is less widely known than Jellicoe, Beatty & Co., but his contribution to victory and history was arguably greater. He was the Director of Naval Intelligence (DNI) who ensured the success of Room 40, the
Flying to Athens on one of his last visits to Greece, Simon Gray started reading a novel by C. P. Snow, one of those old orange Penguins. After 50 pages he ‘still had no idea what the story was about’. It seemed foggy, ‘but an odd sort of fog, everything described so clearly, and yet
In these hard times it is gratifying to find one Christmas present which has remained virtually unchanged in price for the last seven or eight years — the children’s book. Most of the illustrated books for the very young and the increasingly elaborate pop-ups and stories incorporating various pockets, inserts and DVDs are produced in
Susan Hill reappraises Charles Dickens’s classic You may be sure you have done more good by this little publication, fostered more kind feelings and prompted more positive acts of beneficence than can be traced to all the pulpits and confessionals in Christendom. So wrote the Edinburgh critic, Lord Jeffrey — not an easy man to
Every year, when winter descends on the country, one of English literature’s great works always finds itself pulled down from my bookshelf: namely, William Thackeray’s immortal Vanity Fair. The reason is simple: no degree of chilliness in the air can extinguish the book’s incredible warmth and humour. It is a tonic. Being an accepted classic,
The Allure of Chanel, by Paul Morand, translated by Euan Cameron Should anyone ever ask me that daft magazine question about who you’d invite to your dream dinner-party (‘anyone in the world, alive or dead’) my answer would be short: Mademoiselle Gabrielle Bonheur Chanel, on her own, with only an ashtray between us. And maybe
James Patterson likes rape, torture, mutilation and death. So do his readers. Who doesn’t? It has been estimated that Patterson’s lifetime sales of thrillers have now topped 150 million, and that one in every 15 hardbacks bought in the world in 2007 was a Patterson novel, which means that we must all like rape, torture,
The Pursuit of Laughter: Essays, Articles and Reviews, by Diana Mitford, edited by Deborah Devonshire Nancy was the only one of the six Mitford sisters who, throughout her life, bitterly complained of the fact that she had not been sent to school. Her younger sister, Diana, on the other hand, dreaded the very thought of
This unassuming book is in fact a valuable addition to the Proust bibliography. The author, himself a painter, has had the apparently simple idea of extracting all references to works of art in the great novel in an attempt to demonstrate Proust’s knowledge of, and reliance on, paintings to give resonance to his characters and