Fifty People Who Buggered Up Britain, by Quentin Letts As readers of the Daily Mail know, Quentin Letts leaves no turn unstoned. His withering parliamentary sketches have left the blood of wounded politicians over the walls of Westminster. Wearing his theatre critic’s hat, he swims against the prevailing tides to tease dramatists and directors, and
Magic Moments: The Books the Boy Loved and Much Else Besides, by John Sutherland Curiosities of Literature: A Book-lover’s Anthology of Literary Erudition, by John Sutherland John Sutherland’s life has been devoted to the enjoyment of books and the passing on of that enjoyment to others, whether through his columns in the Guardian and Financial
Coda, by Simon Gray Were Simon Gray alive today, I could not have reviewed this book. Friends should not review each other’s work or reviewing becomes a form of puffery. But death changes everything. Coda, so named because it rounds off the trilogy of ‘Smoking Diaries’ (The Smoking Diaries, The Year of the Jouncer and
Annie Leibovitz at Work, by Annie Leibovitz, edited from conversations with Sharon DeLano When Annie Leibovitz started out as a photographer in 1968 her heroes were Henri Cartier-Bresson and Robert Frank. Cartier-Bresson’s ‘decisive moment’ turned out to be the antithesis of the celebrity portraits that have defined her career — not only posed but contrived
Past Imperfect, by Julian Fellowes ‘But why should people want to read about us?’ exclaimed my cousin, a debutante of the season of 1968, which forms the backdrop of this new novel by Julian Fellowes, author of Snobs, winner of an Oscar for Best Original Screenplay (Gosford Park) and screenwriter of the new film, The
The English House: The Story of a Nation at Home, by Clive Aslet Earlier this year a brave publisher republished in two volumes and nearly 800 pages the classic book on English domestic architecture, The English House, by Hermann Muthesius. It had first appeared in German as Das Englische Haus in 1904. Clive Aslet’s new
Wrath of God: the Great Lisbon Earthquake of 1755, by Edward Paice Portugal in the 18th century was at once a mystery and deeply familiar to the British. Deeply familiar, as one of Britain’s most enriching trading partners, providing Brazilian gold in exchange for British textiles and other manufactured goods. A mystery, because Portugal appeared
There’s this cow nuzzling a bunch of roses though floating belly up over a matchwood village where smoke springs from every blessed chimney and a po-faced couple issues forth, poised either to sink back among the onion domes or zoom to the far corner where the Eiffel Tower teeters on two legs in moonlit snow.
The Atmospheric Railway: New and Selected Stories, by Shena Mackay In Waterstones bookshops there are little signs dotted among the fiction shelves, to prompt readers towards new purchases. The signs suggest that if you liked, say, Evelyn Waugh you’d also enjoy Nancy Mitford; or if Ruth Rendell is a favourite you might like to try
A Fraction of the Whole, by Steve Toltz Pollard, by Laura Beatty Chatto & Windus Inside the Whale, by Jennie Rooney Chatto & Windus Slaughterhouse Heart, by Afsaneh Knight Doubleday AFraction of the Whole, by Steve Toltz, was one of two debut novels on the Booker shortlist — and is, one could argue, a more
A Mercy, by Toni Morrison You may or may not agree with the New York Times, which a couple of years ago voted Toni Morrison’s Beloved the greatest work of American fiction of the past quarter century. (What about Updike’s Rabbit novels, you might ask? Or Philip Roth’s American Pastoral? Or Marilynne Robinson’s Housekeeping? Or,
Ken Follett is a cult in countries such as Japan, Italy and Spain — in Spain, in fact, there is a statue to him, inaugurated in January this year, in the town of Vitoria-Gasteiz in the Basque country. In Britain he is also loved, but perhaps not with the fanatical devotion he deserves. Most people
Chesterton refuses to go away. You may think he should have done so. Orwell tried to show him the door: Chesterton was a writer of considerable talent who chose to suppress both his sensibilities and his intellectual honesty in the cause of Roman Catholic propaganda. In the last 20 years of his life … every
Like the crusader knight in Ingmar Bergman’s The Seventh Seal (1957), we all eventually lose our chess game with Death. And that includes Bergman himself, who passed away only last year, leaving an immense cinematic void as he did so. He bequeathed us 62 films, a good proportion of which are among the greatest and
‘There was a hand in the darkness, and it held a knife.’ The Graveyard Book has one of the most arresting opening sentences one could imagine. Fortunately, Neil Gaiman then leaves melodrama for something much more interesting and thoughtful. By chance, as a toddler, Bod, the central character of the story escapes the assassin who
Home, by Marilynne Robinson Marilynne Robinson’s magnificent previous novel, Gilead, was structured as a letter by the elderly, ailing Reverend John Ames to his young son. A persistent theme was the fear that Jack Boughton, the black sheep son of his dearest friend, would exercise a malign influence on his wife and boy after his
Thomas Beecham: An Obsession with Music, by John Lucas Damn awful thing, what! [The Ring] — Barbarian load of Nazi thugs, aren’t they? ‘No one can honestly maintain that the lives of musicians make exciting reading’, claimed Beecham in his autobiography, A Mingled Chime. If you were to have a wager, you would put it
Homicide, by David Simon; Death Dyed Blonde, by Stanley Reynolds David Simon was a Baltimore Sun reporter who, having spent a Christmas Eve observing the city’s homicide squad, somehow got the department’s permission to spend an entire year with them as a ‘police intern’. The result, in 1991, was this stunning book, now published for
Dostoevsky: Language, Faith and Fiction, by Rowan Williams While the Anglican communion has been disintegrating, its symbolical head, the Archbishop of Canterbury, has been writing an analysis of Dostoevsky’s novels. This in itself presents a need for explanation: Dostoevsky has generally been assessed as an habitué of the territory between agnosticism and atheism, but Rowan
Every new biographer of Shakespeare walks splat into the same old problem. What to say? Since he can’t tell us anything we don’t know, he must either tell us things we do know or things we don’t need to know. Jonathan Bate’s ingot-heavy volume announces, in its lackadaisical title, an intention to take all possible