Shelley (and later Paul Valéry) suggested that all literature might be the work of a single Author and that, throughout the ages, writers have merely acted as His (or Her) amanuenses. A visit to any large bookshop today seems to confirm this thesis: an infinitude of almost identical accounts of Da Vinci conspiracy theories, immigrant
John O’Sullivan has done much more with this book than provide three potted biographies; he has laid out a compelling account of how the Cold War was won, furnished us with a manual of political leadership and told us the inner secrets of a love story. At the heart of this story of the Eighties,
On 2 July 1816 the French frigate Medusa, en route for Senegal, ran aground on the dreaded Arguin sandbank off the west coast of Africa. Incompetent seamanship had landed the vessel there and attempts to refloat the Medusa over the next couple of days proved to be in vain. The decision was therefore taken to
This book is about the Cowley Road, which runs for about a mile and a half south east out of Oxford towards a place where they assemble motor cars. Most of it was built up between 1830 and 1940, in many varieties of cheap and sometimes cheerful brickwork for the housing and lodging of ungenteel
Poor Colin Wilson. Has there ever been such a spectacular decline in an author’s fortunes? His first book, The Outsider (1956), was an overnight sensation. Hailed as a literary breakthrough by Philip Toynbee and Cyril Connolly, it earned him £20,000 in its first year of publication — the equivalent of £1 million in today’s money.
Protests against international business are nothing new. Probably the wittiest, and certainly the most brutal, took place long before the first trashing of a Starbucks, way back in the early 1st century BC. This was a period when the Roman Republic, lacking a bureaucracy of its own, had opted to privatise the provincial tax-system —
In managing too carefully the revelation of truth, parents often betray it. Graham Swift’s new novel is narrated by a mother and addressed to ‘you’, her teenage twins, boy and girl. It involves us, as voyeurs, in the revelation of a truth that will come as a bolt from the blue to the children. But
In May 2004 the Royal Shakespeare Company was beginning to emerge from one of the more turbulent periods in its history. It had fled expensively from the Barbican, had an unhappy season at the Roundhouse, and run up a substantial deficit. Its plans to demolish the listed Memorial Theatre in Stratford- upon-Avon and replace it
and from the summerhouse, the viewis, first, that unmarked area of grass,where stood the Air Force quarters of a fewof England’s Few, that rings with silent laughs,our chipping green for practice golf. Beyond —the orchard’s gorgeous blossom, later fruitfor village children and the Anderson,now apple store. Then, topiary in privetand in box; my sculptor’s hands
Recently, Adam Mars Jones accused me in the Observer of being in some ways worse than Hitler, because at least Hitler had an excuse for idolising the German upper classes, namely race science, which I didn’t. I was outraged, and seriously considered suing him. I have since calmed down a little and see now that novels
John Evelyn would find our agonies about food all too familiar. He was impressed with the modern ‘miracles of art’ whereby plants were forced in hot beds and meats and fish were preserved for months or years; but nothing tasted better or was more wholesome than fresh ingredients. He was preoccupied by healthy diets, noting
A summary of the events that take place in this novel might run as follows: a lost boy (who may be the soul of a comatose adult) walks around a hospital with an apple tree growing inconveniently in his stomach. He explores most of the floors, some of which are in a different dimension, and
Degas once complained to Mallarmé that he had been trying to write a sonnet, unsuccessfully, though he had had such a good idea for it. ‘Alas, my poor Edgar,’ was the reply, ‘poems are made with words, not with ideas’. A neat comment, but is it always possible to distinguish between the two? Even a
In the horror that is the Iraq war reporters usually broadcast from the safety of the vast Green Zone where Coalition civilians eat, sleep, make policy and issue statements. What we see on television are pictures taken by non-white photographers; the face-to-camera commentary usually comes from within the Zone. We can only surmise what life
Patrick Bishop’s much praised Fighter Boys brought new life to the story of the Battle of Britain; by analysing the backgrounds of the pilots he added a dimension of who-they-were to the well-known what-they-did. Rescued from the status of national myth, they became people again. Trying the same with Bomber Boys is harder. Flying bombers
E. Nesbit once pointed out that, in order to write good books for the young, it is not necessary to enjoy a close relationship with children in adult life. The essential thing is to retain a true and vivid memory of one’s own childhood; not only of events and people, but of feelings and emotions,
Janet seems to have her life neatly organised. She’s hardworking, she has a nice boyfriend, she lives in a comfortable house and she drives a dark-green Golf. Recently, however, she has been receiving messages from her mind. Seizures (which also occurred in her childhood) will strike without warning and leave her humming with nervous tension
When in November 1975 Franco died, he still possessed the powers granted him by his fellow generals after the outbreak of the Civil War. Such powers, a French general observed, had been enjoyed by no leader since Napoleon. For 36 years, ‘all important decisions’, in John Hooper’s words, ‘were taken by one man’. In the
Ironically, they rode a tandem bike,that warring pair, though any two less like to live in tandem would be hard to find.He rode in front. She took the seat behind. They quarrelled as they puffed up Devon hills.‘You pedalling?’ ‘Of course!’ ‘I swear it feels as if you’re not,’ he snarled. He spoke his mind.She
The ability to manufacture discontent from whatever materials are to hand is one of the most consistent characteristics of human nature. In Hubbub, pithy historian Emily Cockayne roams the seamy, stinky and squelchy side of English life: ‘The experiences presented here are unashamedly skewed towards the negative . . . . I am deliberately not