How welcome it is to find a book published by a small private concern in this age of conglomerates; the more pleasing when one knows that the Perpetua Press is the creation of the poet Anne Ridler’s husband Vivian, former Printer of the Oxford University Press, and that it is still run from their Oxford
In 1903, the final volume of Laird Clowes’s seven-part History of the Royal Navy thudded on to Britain’s bookshelves: 4,385 pages of broadside-by-broadside chronology from 55 BC to 1900 AD that were in print for almost a century. Nobody has attempted to follow it on that scale, until Professor Rodger that is. His 1997 volume,
Richard Wollheim died last year, aged 80, after a distinguished academic career as a philosopher fascinated by aesthetics and psychoanalysis. He had recently completed this memoir of his childhood. Posthumous publication reveals it to be a masterpiece — an unclassifiable work of startling originality in which the acutely sensual and confusedly cerebral experience of infancy,
There is no comfortable way to read or appreciate this vast book without the benefit of a lectern. How many households now possess such a thing? I certainly don’t, and the frustration that this immediately caused — it’s hard enough to pick the book up in one hand, let alone hold it balanced to peruse
The crusades have had a bad press lately, for reasons which are not far to seek. They were characterised by the three things that the modern age has found most abhorrent about its own recent past: religious enthusiasm, racism and colonial settlement. More generally, they were inspired by a belief that there is a divine
Unfortunately for this volume commemorating the 150th anniversary of the Daily Telegraph, most people today are keener to read about the paper’s somewhat scandalous recent experiences and mysteriously uncertain future — about which it has nothing to say — than about its long and worthy past. So the timing of this chatty and jolly tome
Professor McIntire disowns any claim to have written a conventional biography of the Cam- bridge historian Herbert Butter- field. His book is a detailed, scholarly study of the intellectual odyssey of a complex character, who wrestled all his life with the problems of writing history. As such it is not an easy read.a His biographer
This is one of those lovely Persephone reprints with a pearly grey cover and endpapers like the maids’ bedroom curtains in a Victorian country house. The title, too, suggests that one is in for a soothing read. Marghanita Laski provides a complete dramatis personae, to add to the reader’s comfort. If one were to confuse
What are the essential elements that make a good book of letters? The first is mild spite. Had John Gielgud spared us his catty asides (such as his amusement at Larry’s latest attempt at Iago) his letters would have been horribly dreary. The second is a lively correspondent. Fanny Kemble’s vivid letters describing the horrors
An avalanche in a French ski resort is thought by some to have been caused by American warplanes flying low in order to refuel on their way to bomb some hapless Balkan country. This is the first clue to one of the main themes in Diane Johnson’s L’Affaire: the dislike, mistrust and misunderstanding of all
The word ‘camp’ is often used as shorthand for ‘homosexual’. Its wider cultural sense has been best defined by Susan Sontag: the sublime treated as ridiculous or the ridiculous treated as sublime. In Sontag’s first category might be Marcel Duchamp’s daubing a moustache on the Mona Lisa. And in the second? Well, suppose somebody wrote
As plans gather pace to commemorate the 60th anniversary of the end of the second world war, there are certain to be renewed calls to record the reminiscences of ex-servicemen in this conflict ‘before it is too late’. Most of these efforts, however well intentioned, are useless from a historical point of view. The Imperial
People, that’s to say some critics, just don’t get it about R. B. Kitaj. They dislike the way he paints, running things past us in dead heats, so to speak, drawing things together with a Huck Finn-like disregard for propriety. He’s bookish, it seems, and full of himself, which annoys them, and he can be
The introduction to Alone! Alone! is very good. It’s modest and candid, and everything Rosemary Din- nage says about book-reviewing is spot on (e.g. ‘If it’s about misery, send it to Dinnage’ — funny, I thought that was me.) Especially this: ‘It’s sometimes like writing a diary, or a running commentary of evolving ideas.’ That’s
This lucid account by a practised hand of what went on in Europe during that final year of the second world war addresses a question that has puzzled many people. Why, after putting the German army to rout in August 1944, did it take Anglo-American forces until May 1945 to secure victory? Field-Marshal Montgomery, with
The Duke of Wellington once bumped into Nelson in a minister’s anteroom. Nelson had no idea who Wellington was (it was before he was famous), and at first Nelson talked entirely about himself, and in a style so vain and silly that Wellington was disgusted. Then Nelson briefly left the room, checked out Wellington’s identity,
Atheists were rare before the mid-18th century. The 200 years from then to the mid 20th century were their moment, especially among intellectuals. Much opinion imagines their success will continue. Professor McGrath thinks it has already turned into decline. ‘Religion and faith are destined to play a central role in the 21st century.’ He here
Atheists were rare before the mid-18th century. The 200 years from then to the mid 20th century were their moment, especially among intellectuals. Much opinion imagines their success will continue. Professor McGrath thinks it has already turned into decline. ‘Religion and faith are destined to play a central role in the 21st century.’ He here
It was one of his own poets who described Charlemagne as ‘father of Europe’, over 1,200 years ago. Pres- umably that is why the publishers call him father of a continent, although in this case the continent was more notional than geographical. About a third of the land-mass bowed down to the big man by
Tom Shone, the ex-film critic of the Sunday Times, is out to pick a fight. The clue is in the subtitle of this book, a surprisingly sympathetic history of Hollywood’s most despised school of moviemaking. To the untrained eye, it will simply conjure up Dr Strangelove: Or How I Learned to Stop Worrying and Love