I have to declare an interest. In the late 1980s, I travelled with the author of this book. After university we went to run the bulls in Pamplona together, while our neighing contemporaries were being strapped into their first pinstriped suits. Then we went to Africa, where his family had lived since the 1930s. That
At the Italian seaside last week I flicked through the hotel’s copy of a translation of Gombrich’s Story of Art. The publisher had reproduced Reynolds’s portrait of his friend Giuseppi Baretti to a larger size than any other British picture. ‘Ottimo,’ said the text, and by some odd process of displacement I was all the
Dear James, Thanks for sending me a copy of your … what shall we call it? Memoir? Novel? Anyway, I really enjoyed it. You’ve completely captured what it was like to be an Oxford undergraduate in the mid-80s — all that Sloane Ranger crap, the Pimms, the seccies. Every time I turned the page I
‘When I die,’ Robert Lowell told me, three days before he did die, in 1977, at the age of 60, ‘Elizabeth’s shares will rise and mine will fall. But mine will come back.’ Elizabeth, in this context, was Elizabeth Bishop, who with Randall Jarrell was Lowell’s correspondent and best friend in the art. His temperament
Courts can be a tool for understanding the present as well as the past. The behaviour patterns of courts and courtiers are often a better guide to the workings of modern regimes than constitutions or ideologies. In The Last Days of Hitler, Hugh Trevor-Roper analysed the government of the Third Reich as a ‘cannibal court’.
For some reason, almost every time I plunge into too hot a bath I find myself thinking of my days as a public schoolboy – presumably a ‘tosh’ must have been one’s principal pleasure at an impressionable age – and more often than not a half-remembered line from Frederic Raphael’s haunting School Play, shown on
Perhaps this strange volume is a bang on the nose for political correctness, but one cannot be sure. It could have been written in the 18th century by a deranged sage determined to scotch the more famous Encyclopaedia of the Enlightenment and its absurd faith in progress and human perfectibility. Published on April Fool’s Day,
Happiness writes white, it’s said: so too, one would think, does Antarctica. How is it possible to describe an environment which tolerates almost no life, which is derived from a single substance, and which is for the most part a single colour? Early explorers were simultaneously horrified and enthralled by the continent’s awesome singularity. Scott
Sprawling, teeming with people and flooded with an almost malevolent brilliance, this book is the literary equivalent of some vast conurbation. As with a conurbation, it is difficult to identify the heart – and heart here means not merely centre but humanity. Trapped, as in one of Mark Gertler’s most famous pictures, on a constantly
There are two literary facts in English which it is almost impossible to examine, to see clearly. They are Shakespeare and the King James Bible. In both cases, the impossibility derives from the same point; that critical standards of what great English writing means stem so completely from Shakespeare’s peculiar virtues and from the values
Fergus Fleming is the author of three volumes of narrative history, the best of which, Barrow’s Boys, gives a rollicking account of 19th-century Arctic exploration. Now he has lighted on the ‘conquest’ of the Sahara, and it is a gripping saga, little known beyond the popular image of a kepi-wearing French officer riding into the
translated by Krishna Winston The advantage of Crabwalk is that it is only a third as long as G
Norman Mailer was 80 years old on 31 January 2003, so let us salute the last of all the knights. He was very famous very quickly, with The Naked and the Dead, and for nearly six decades he has poured forth rich and provocative novels, biographies, non-fiction bouts of reportage – it’s hard to know
The story begins at the ch
There was recently, in the serious and excellent Saturday Guardian review, a short piece on Oor Wullie, a small boy whose cartoon adventures divert the readers of the Sunday Post in Scotland. It was written by Ian Jack, distinguished editor of Granta, the influential literary magazine. The article mentioned a number of things that touched
The pleasure boat captains who ply the coast of the Gulf of Salerno beneath Gore Vidal’s Ravello flat are inconsolable at the thought that the grand old man of American letters is returning to his homeland. The round trip that departs from Capri, and chugs past Positano and Amalfi, finishes with a flourish, as the
If this had a third act it would make a superb film, for the cast list is virtually a re-run of Front Page, with Richard Addis, formerly of the Daily Express, now, magically, of the Canadian Globe and Mail, as the hard-bitten editor Walter Burns, and Stephanie Nolen, a young and eager reporter on the
How’s this for a good opening? ‘I took out a gun and painted the bullets gold.’ If that were a novel the author would win prizes; but he isn’t a novelist, he’s a nutcase. Let’s call him ‘J’. J was convinced that his wheelchair-bound grandmother was a vampire. He visited her one morning, did her
In June 1959, A. L. Rowse was sitting on a train in the United States, writing up his journal. He was in the middle of describing an enjoyable encounter with Elizabeth Bowen in New York. Unfortunately, he was interrupted by a young woman asking if the seat beside him was vacant. Rowse indicated with his
One balmy summer afternoon in my final year at prep school, a group of my fellow-prefects and I gathered under the apple trees on the slope by the croquet lawn where only prefects were allowed, and reminisced about the five years we’d spent together. ‘Do you know, Delingpole,’ said one of them, ‘it was you