Whatever else this is, an intimate portrait of Mrs Parker Bowles it is not, or at least not one written by the author. This is a scissors-and-paste job, the bones of earlier would-be biographers whitening in every chapter, which gives it an air of California or Bust. Clearly done at speed, there are many errors
The work of the obituarist is not unlike that of the book reviewer. Both have to tell their reader what the subject of their piece is all about; both have to pass judgment on its merits and demerits; both have to provide something which will be entertaining as well as informative. Under the direction of
Here’s a real cure for anyone with a bad case of things-are-getting-worse-itis. Written in 1962 principally for the American market, London Perceived has now been republished over here for the first time in 40 years, which seems staggering. I’ve never read a better summary of London or Londoners. And it has hardly dated at all.
As a historical novel Thomas Gage is more Hardy than Tolstoy. The classic historical novel — as concocted by Walter Scott and perfected by Tolstoy — gives the reader an unexpected viewpoint from which to witness a great historical moment. Fictional characters with fictional relationships are the centre of attention, but they weave in and
This is an exceptional biography, which is just as well, since I don’t think one could bear to have the heartbreaking story it tells recounted carelessly. John Clare is one of the great Romantic poets, but his history and origins have always meant that he was either treated with neglect or used by his admirers
This is not exactly an autobiography — John Mortimer has written three already, one about old age — but more like a collection of reminiscences designed to inspire and warn his grandchildren of the delights and pitfalls of life. It is a testament, the ‘Will’ of his title, in which he bequeaths to them the
Martha Gellhorn, an American who lost faith in America, was one of the most important war-reporters of the 20th century. She was not interested in briefings from the top brass, though she sometimes used her blonde charm to get the top brass to fly her where she needed to go. What she did, in her
If it is to be interesting, contemporary history has to be a battle between good guys and bad guys. In his The Roaring Nineties Professor Joseph Stiglitz lets the reader know at an early stage in the proceedings that he is a good guy. As he says in the preface, when he first fell in
All the clichés are true: travel refreshes the taste for living; it brightens the jaded mind, it stimulates and deludes. The border that is crossed in leaving the familiar behind is the same one whether the journey is travel at its most serious — on perhaps the Terra Nova or the Endurance — or a
As you went into the tower door of the church at Marsh Baldon (Oxon), there used to be two wall-tablets. One was to the relations of Sir Christopher Willoughby, who died in 1808, and the other was To the Memory of Friends, listed as John Lane, Elizabeth Lane, Phanuel Bacon, Margaret Bacon and Ann Barton.
What is going on here? What on earth is going on here? Christopher Ricks, the world’s leading critic of poetry in English, Frank Kermode and the American Helen Vendler his only rivals, has devoted, has lavished 500 pages of hard-core, hardback, exegetical analysis to the words which propel Bob Dylan’s songs. The issue is not
The great popular success of Forster’s Howards End, published in 1910, meant that he was under pressure to set to work on a new novel, and in the following year he did so, but in a mood of self-doubt. He told himself it was wrong to force oneself to write; that before attempting a new
World history is pitted with world wars. Last century was conceited enough to call its pair the First and Second. One of the turning-points of that Second was the Anglo-American landing in Normandy on 6 June 1944, of which the 60th anniversary falls next year. David Stafford, a leading 20th-century historian (once a professor at
Very occasionally one comes across a book which, in its unexpected delights, inspires one to leap about wild with praise, and rush out to buy copies for friends. This first work by William Newton, retired doctor, will surely have this effect on many readers. It is, simply, the story of remarkable teenage years in the
The perfect anthology, like the perfect hors d’
Yeats was a great poet who was also the industrious adept of a batso mystical philosophy. Do we have to absorb the philosophy before we can appreciate the poetry? If we are lucky enough to be in a state of ignorance, the question won’t come up. The poetry will get to us first. Suppose you’ve
‘You’re not losing; we don’t care for that type of play here. Just cash in your chips and collect your check.’ Thus the Caesar’s Palace pit boss to your reviewer in the Sixties when in fact, contrary to what the author says, the casinos did already know about, and object to, players counting the cards
A group of bored American fighter pilots liven up their posting in cold war Germany with round-the-campfire joshing, petty squabbles, and some traditional extramarital frolicking. But hey — it’s all locker-room stuff: the banter is kept within acceptable boundaries. For safety’s sake a code of behaviour, however peculiar, is observed. Everyone seems to know the
Waking Raphael has all the ingredients one could hope for from a thriller set in Italy: corruption, art, religion, food and very nasty, mafia-style murders. Among the characters are a prim English art-restorer ripe for unbuttoning, a bimbo television presenter, a dodgy aristo, and a butcher who sings as he slaughters. The result is imaginative
In Waxwings Jonathan Raban triumphantly transfers the skills of an award-winning travel writer to his second novel. (The first was written 18 years ago.) Like the author, the principal character has moved from Britain to Seattle, ‘where herring gulls were a traffic hazard and all streets led down to the water’. Tom Janeway is Distinguished