To Herne Bay in Kent for the UK International Radio Drama Festival: 50 plays from 17 countries in 15 languages broadcast over five days to the festival audience. It’s an opportunity to find out what radio plays sound like in other countries, but also to experience a different kind of listening. About 25 of us
It’s a tough listen, Paradise Lost on Radio 4 at the weekend. In bold defiance of the demands of a broad audience, Milton’s 10,000 lines of high-flown, complex verse runs for two-and-a-half hours (broadcast in two parts on Saturday and Sunday). You need to concentrate and take in every word, not be busy with something
As Bob Shennan, the BBC’s director of radio and music admitted this week, there are almost two million podcast-only listeners in the UK who never tune into BBC Radio. They’re captivated by specialist music (Heart, Absolute, etc), specialist talks (mostly religious such as Premier Christian) or specialist news and current affairs (the Economist, Monocle). And
‘Close your eyes and be absorbed by the storytelling,’ urged Jon Manel (the new head of podcasting at BBC World Service) as we settled into our chairs. We were just about to hear the ‘world première’ of the latest podcast from the BBC World Service, launched dramatically in the Radio Theatre at Broadcasting House in
You can’t move for women’s voices on the airwaves at the moment — Julie Walters on Classic FM leading off its new big series on turning points in music. Kate Molleson and Georgia Mann joining Sarah Walker and Fiona Talkington on Radio 3 (which this week also gave a big nod to female composers such
It feels like a long time since the launch of Home Front on Radio 4 back in June 2014, retracing day-by-day events of 100 years ago as Britain went to war. It is a long time. Yet still the violence in Europe rages on while back home the families of the men and boys in
This week’s edition of Ramblings with Clare Balding did all the usual things: a walk in the country (cue breathy conversation as we followed her up hill and down dale), braving the elements (there’s always rain at some point) with a dog in tow, and in the company of someone for whom the walk has
Some of us grew up worrying about reds under the bed, which was perhaps not as foolish as all that if a report on Saturday morning’s Today programme on Radio 4 is to be believed. Amid a cacophony of weird-sounding bleeps and disembodied voices, Gordon Corera, the BBC’s security correspondent (always clear, calm and collected,
When the BBC’s Arabic-language network went out on air for the first time 80 years ago, on 3 January 1938, its mission was to provide ‘reliable news’ to a region that was being fed German and Italian ‘propaganda’ via short-wave transmissions from those countries. News is still its main focus, says Bassam Andari, news-gathering editor
It’s a pity Will Self didn’t embark on his bus tour round Britain before the Brexit vote. If he had, we might have all had a better understanding of what’s going on in the shires. In his series of ten short programmes on Radio 4, Great British Bus Journey (produced by Laurence Grissell), Self sets
If you were to ask me by the end of the week what I had written about in this column at the beginning I would probably look blank, fumble desperately through a foggy recollection of plays, news items, snatches of interviews and then reply, ‘I’ve no idea.’ This business of forgetting so soon what was
On paper and on air, there’s nothing to suggest that the Radio 4 series Across the Red Line will have sufficient listening power to draw you in so that once you’ve reached home and need to get out of the car you’ll rush straight in to switch on the radio. The billing in Radio Times
What an incredible statement we heard on My Perfect Country. ‘I can walk into a boardroom and forget I am a woman,’ pronounced Isabelle Masozera, a PR executive, on the World Service programme, which this week visited Rwanda to find out what is happening there to make it qualify for ‘my perfect country’ status. Her
It’s racing up the UK podcast charts, overtaking (as I write) the established favourites such as No Such Thing as a Fish, Kermode and Mayo’s Film Review and This American Life, and only just behind the reigning number one, My Dad Wrote a Porno (don’t ask; it’s meant to be funny). Briefly, at the height
The season of Advent, for most children, means anticipation, gleeful waiting, the counting down of days. But after a certain age the build-up to Christmas changes its nature, becomes more like anxious preparation. It can, though, be thought of as a time of reflection. Radio 3’s Christmas Around Europe has for years nourished that feeling
It’s been heart week on Radio 4, celebrating the anniversary of the first ‘successful’ heart transplant in 1967, which was performed, controversially, by Dr Christiaan Barnard in South Africa on a patient called Louis Washkansky (who survived the operation and lived for 18 days). The heart, that mysterious, almost mystical organ, is freighted with such
At the launch of the Christmas radio schedules last week, James Purnell, director of radio (and much more) at the BBC, stressed repeatedly the need for radio to be ‘reinvented’ for this new digital age. But what did he mean by reinvent? Was he hinting at the need for a new, leaner radio, the sound-only
Wally Funk is on a mission — to make real her dream that a woman will walk on the moon in her lifetime. She was one of 13 female pilots who trained at Nasa alongside the Mercury 7 astronauts as they prepared to go to the moon. But when the Apollo programme was abandoned in
It’s 50 years since the first local radio stations were launched by the BBC in yet another instance of the corporation working hard to stay ahead of the game, on this occasion responding to the challenge of the pirate stations, whose audiences were local and known to be very loyal. Radio Leicester was the first
It’s always odd to hear a familiar voice on a different programme, playing an alternative role. They never sound quite as comfortable behind the mike, as if they are wearing clothes that don’t quite fit. The voice has a different timbre, as it did on Sunday when Garry Richardson, who since 1981 has been keeping
