Radio

The idea of using objects — salt, cod, nutmeg, silk — to turn history lessons into something popular and accessible has been around for at least a generation. It’s a great way to avoid complicated chronologies and the need to remember dates. A well-chosen object, or trading tool, can tell a narrative story that at

‘I call Zelma Cacik who may be living in London,’ says the announcer, in the clipped RP accent of the BBC in the 1940s. ‘I call her on behalf of her 16-year-old cousin…’ The voice betrays no emotion, no feeling, it’s so matter-of-fact, but the script spares no punches as it tells the cousin’s story

An extraordinary black-and-white photograph of a young black boy taken on the Isle of Wight by Julia Margaret Cameron in 1868 shows him in exotic clothes and a heavy silver-bead necklace, like a chain-of-office or a prisoner’s collar. He looks so sad, reminding me of the caged lions in London Zoo, his eyes heavy-laden, his

‘It’s hard to know how to tell this story,’ she said as she began. ‘Because it’s so loaded. It’s so heavy-duty.’ Lore Wolfson was talking about the death of her husband, Paul, or rather about the onset of the illness that led him a year later to take an overdose of heroin, aged 61. He

The new controller of Radio Three, Alan Davey, was on Feedback this week (Radio Four) talking to listeners about his plans for the network. Roger Bolton, who presents, wondered if Davey was worried about ratings — Radio Three hovers around two million listeners compared with the 5.5 million boasted by its commercial rival Classic FM,

It was called Frankly Speaking and by golly it was. The great screen actress Bette Davis was being interviewed by not one but two men: George Coulouris, with whom she co-starred in Hollywood, and a BBC producer. ‘It’s a little sad for some of us who adore your work that a lot of your best

There was no shortage of Easter music and talks across the BBC networks with a sunrise service on Radio 4 followed by much fuss and fanfare for the ‘live’ relay of Libby Lane’s first Easter sermon as Bishop. A significant milestone for the C of E as women are at last allowed to don mitres

‘You can hear pretty clearly the sound of one of the helicopters and you can see it in the darkness,’ yelled James Reynolds over the noise of helicopters, police sirens, vehicles on the move. It was 8.10 a.m., the Today programme on the morning after the fatal Airbus A320 crash in southern France last week.

To a debate on the future of radio at the BBC where it turns out not to be a discussion on who’s listening now but how they’re listening. The Reithian ambition to inform, educate and entertain needs to change, says Mary Hockaday, controller of BBC World Service English, and become ‘inform, educate and connect’. But

If ever I found myself at a pretentious literary party obliged to play David Lodge’s ‘Humiliation’ game and to confess to the great books I’ve never read, I’d only escape the ignominy of winning (by being the most ignorant) because of the radio and the almost weekly possibility of hearing yet another classic adapted as

After a month cooped up in a Scottish castle, no internet, no TV, and no radio, watching hectic snowflakes billowing through the wooded hillside opposite my window, I realise that what I’ve missed most about this supposed deprivation has not been the news (to which I thought I was addicted) or the chatter, the company

The aching hum of crickets. The susurrus of reeds. The lapping of waves. The unmistakable noise of a sound technician ripping a duster in two as the heroine’s dress was torn, thuggishly, by a character in the heat of passion… The sound effects for Harold Pinter’s adaptation of Joseph Conrad’s Victory (which started life as

No phrase is better calculated to tense the neck muscles of a regular podcast listener than ‘We have something special for you now.’ Having your radio shows downloaded to your phone, music player or computer, rather than plucked out of the air the old-fashioned way, immediately grants the listener a great deal of extra freedom:

LBC likes to tell us it’s ‘Leading Britain’s Conversation’, though in the case of weekday pre-lunch presenter James O’Brien you’ll have to sit through a series of bombastic monologues from the host before any punters get a word in edgeways. O’Brien knows everything, and he doesn’t mind telling you. Still, I understand that running a

Perhaps the news that Radio 5 live will be the only BBC station (under the new broadcasting rights agreements) to broadcast ‘live’ golf will ensure that its audience stays above the six million listeners now dreamt of by its controller Jonathan Wall as the magic number he needs for the network to stay buoyant. (Figures

By some quirk of fate, just as news reached the papers that the Scottish nurse who had contracted Ebola while working in Sierra Leone was now recovered, the guest on that Radio 4 staple Desert Island Discs was the scientist who first identified the virus. This gave a programme that can seem rather outdated and

To have listened to Radio 4’s marathon ten-hour adaptation of Tolstoy’s War and Peace as it was being broadcast on New Year’s Day must have been both wonderful and a bit weird. Like soaking in an ever-replenishing warm bath, indulgent, luxuriant, all-absorbing. Yet at the same time I imagine it was quite hard by the

How many digital radios have you bought over the years? How many are still working? Of the four I used to have, only two are now working and those only in certain parts of the house. I wonder, if a nationwide audit were conducted, how many DAB sets would be found that are still up