Theatre

The script’s a dud: Antipodes at the Dorfman Theatre reviewed

The Antipodes, by the acclaimed dramatist Annie Baker, is set in a Hollywood writers’ room. Seven hired scribblers are brainstorming a new animated feature under the direction of a mysterious, bearded multimillionaire, Sandy, who seems thoroughly bored with the movie-making process. The script is in its early stages and Sandy decrees that the central character

Why the Royal Court is theatre’s answer to Islamic State

The Royal Court is the theatre’s answer to Islamic State, a conspiracy of nihilists fascinated with death, supported by groups of self-flagellating puritans, and committed to inflicting pain on all who stray into its orbit. The latest fatwa from Sloane Square concerns the imminent demise of the Welsh language — an emergency for which there

A surefire international hit: Lungs reviewed

No power on earth can stop Lungs from becoming an international hit. Duncan Macmillan’s slick two-handed comedy reunites Matt Smith and Claire Foy from The Crown. It’s short (90 mins), it has a minimalist set (‘arty’), and it makes no intellectual demands on the crowd (phew!). Best of all, it parrots all the ecological prejudices

A hoot from start to finish: The Man in the White Suit reviewed

The Man in the White Suit, famously, is a yarn about yarn. A brilliant young boffin stumbles across an everlasting polymer thread but when he tries to profit from his discovery he faces unexpected ruin. There are only three beats in the story — breakthrough, triumph, disaster — so it needs to be elaborated with

Circus routine rather than theatre: Noises Off reviewed

Michael Frayn’s backstage comedy, Noises Off, is the theatre’s answer to Trooping the Colour. Everyone agrees that it’s an amazing display of synchronised choreography but does anyone actually want to see it? Yes, to judge by the press-night crowd at the Garrick. The joint was packed. The show opens at the dress rehearsal of a

Is it time to give up on the Ibsen adaptations?

Pub quiz question: what do John Osborne, Brian Friel and Patrick Marber have in common? The answer is they’ve all written their own versions of Hedda Gabler. Although none of them, it should be noted, to any particular critical acclaim. Is it time to give up on the Hedda adaptations altogether and just stick to

Tony Slattery is still a miraculously gifted comedian

Some of the marketing efforts by amateur impresarios up in Edinburgh are extraordinary. I was handed a leaflet for a poetry show called Don’t Bother. I didn’t. Tony Slattery appears in Slattery Will Get You Nowhere (a good pun that advertises the content), in which the ageing comic takes the audience back to the 1990s.

Best of the Fringe

Clive Anderson’s show about Macbeth, ‘the greatest drama ever written’, offers us an hour of polished comedy loosely themed around the Scottish play. Shakespeare’s material is still topical, he says, ‘a clever Scot with a rampantly ambitious wife, like Michael Gove and Sarah Vine’. He prefers Macbeth to Hamlet which is ‘about some bloke who