Almeida Theatre

A dignified Johnetta Eula'Mae Ackles as Marjory and a bumptious Jim Broadbent as Hans Christian Andersen in McDonagh's A Very Very Very Dark Matter. Photo: Manuel Harlan

Mean-spirited, muddled, idiotic and puerile: Martin McDonagh's A Very Very Very Dark Matter reviewed

3 November 2018 9:00 am

In the year since it opened, the Bridge has given us the following: a harmless Karl Marx comedy by Richard…

Teen spirit: Karla Crome in Dance Nation at the Almeida Theatre

Its producers should tape a cyanide pill to the programme: The Humans reviewed

15 September 2018 9:00 am

Hampstead’s boss Ed Hall was so impressed by Stephen Karam’s play The Humans that he wanted to direct it himself.…

Vanessa Kirby as Julie and Eric Kofi Abrefa as Jean in Julie at the National Theatre. Photo: Richard H Smith

This adaptation of Miss Julie is a textbook lesson in how to kill a classic

23 June 2018 9:00 am

Polly Stenham starts her overhaul of Strindberg’s Miss Julie with the title. She gives the ‘Miss’ a miss and calls…

A dated and remote two-hour polemic basking in #MeToo topicality: The Writer reviewed

5 May 2018 9:00 am

Ella Hickson’s last play at the Almeida was a sketch show about oil. Her new effort uses the same episodic…

A highly effective Chekhov facsimile at the Almeida: Albion reviewed

28 October 2017 9:00 am

Beginning starts at the end. A Crouch End party has just finished and the sitting room is a waste tip…

You’d have more fun watching jelly set: Against at the Almeida reviewed

2 September 2017 9:00 am

Against by Christopher Shinn sets out to unlock the secrets of America’s spiritual malaise. Two main settings represent the wealthy…

Almeida’s new play about the Sun is exactly as I remember it, says Kelvin MacKenzie

1 July 2017 9:00 am

It was most odd. Four decades after I’d walked into the Sun to start my first shift as a news…

Simpering windbags and self-pitying egoists: Halina Reijn, Jude Law and Gijs Scholten van Aschat in Obsession

Worthless as entertainment, priceless as platitudes-to-avoid-at-all-costs: Obsession reviewed

13 May 2017 9:00 am

Obsession at the Barbican has a complicated provenance. The experimental Belgian director Ivo van Hove adapted the show from a…

Joan Iyiola and Anna-Maria Nabirye in ‘They Drink It in the Congo’

Almeida’s new play blames Britain for the ills of the Congo – when the problem is clearly aid

3 September 2016 9:00 am

In the 1980s, supermarkets stocked a fruit juice named ‘Um Bongo’ with the strapline ‘They drink it in the Congo!’.…