Authoritarianism

‘Gliff’ is a word which can mean ‘a short moment’, ‘a wallop’, and ‘a post-ejaculatory sex act’; to ‘dispel snow’, ‘to frighten’, and to ‘escape something quickly’. It’s ‘really excitingly polysemous’, says one of Ali Smith’s characters. It’s certainly an apt title for a book which can’t seem to define itself. At its centre are two children, Briar and Rose, who have been abandoned. Their mother is absent, caring for a sick sister, and their other responsible adult leaves to find her. The children exist in a stock dystopian world (people are surveilled by CCTV cameras and zombified by screens) with a twist: they repeatedly wake up to find that

In 2015, I had lunch with an old chum of Xi Jinping. He described how China’s most powerful leader since Chairman Mao was born into the Communist party’s ‘red aristocracy’ but had to toughen up fast when his father was jailed in the Cultural Revolution. The young Xi briefly became a street hoodlum who swore like a trooper, smoked like a chimney and drank like a fish. He survived by turning ‘redder than red’, climbing the party ladder from a branch secretary in a lowly village all the way up to the top job in Beijing. ‘I am fond of Xi, but he is isolated from his old friends and

No one can accuse Linda Colley of shying away from big subjects. This one is as big as they come — nothing less than an exploration of the origin of written constitutions. It is built around two ideas. One is that the development of national constitutions has to be studied globally, not nationally. Only then can consistent patterns emerge. The other is that there is a consistent pattern. The great generator of written constitutions, she argues, is war. The argument is that war requires an exceptionally high degree of social organisation which makes a formal constitution desirable, perhaps even necessary. The Gun, the Ship and the Pen is a remarkable