Bbc 1

There was certainly no lack of variety among new TV dramas this week, with a standard British thriller up against more glamorous American competition in the shape of some extravagant Victorian sci-fi and an adaption by an Oscar-winning director of a Pulitzer-winning novel. (All three, mind you, did naturally feature a one-dimensional white bloke as the embodiment of sexist and/or racist villainy.) The surprising thing at this stage is that it’s the plucky British show that looks most promising. The Pact began, like many a thriller before it, with a frightened woman running through some dark woods. So far we still don’t know why — unless it was just force

Agatha and Poirot was one of those programmes that had the annoying effect of making you feel distinctly snooty. ITV’s decision to dedicate 85 minutes of primetime Easter Monday television to a books-related documentary was never likely to result in a steely Leavisite engagement with literature. Nor, of course, should it. Even so, it was hard to avoid a dowager-like shudder when, for example, one contributor declared that Agatha Christie ‘will never be surpassed as the world’s greatest novelist’ — especially when the contributor was that well-known literary critic Lesley Joseph. Or when Danny John-Jules suggested that a murder is ‘the last thing you’d expect’ in a book set on

When a drama begins with news of a ‘Chis handler’ receiving ‘intel graded A1 on the matrix’ that causes a ‘conflab with the SFC’, it can mean only one thing: you’re watching a new series of Line of Duty. And just to confirm it, shortly afterwards a bunch of armed police carried out a raid that didn’t go to plan — possibly because it was being led by a bent copper. As ever, too, there’s a big name playing the potential wrong ’un, with Kelly Macdonald (Trainspotting, No Country for Old Men) guest-starring as DCI Jo Davidson, leader of the Murder Investigation Team. More unexpectedly, Jo’s underlings include Kate Fleming