Bbc radio 4

It’s been heart week on Radio 4, celebrating the anniversary of the first ‘successful’ heart transplant in 1967, which was performed, controversially, by Dr Christiaan Barnard in South Africa on a patient called Louis Washkansky (who survived the operation and lived for 18 days). The heart, that mysterious, almost mystical organ, is freighted with such cultural significance that back then there were some who thought such feats of medical skill were tampering dangerously with our humanity. Change the heart, and the person within would never be the same. Now, though, as Giles Fraser discovered in his series This Old Heart of Mine (produced by Victoria Shepherd), the official definition of

It’s 50 years since the first local radio stations were launched by the BBC in yet another instance of the corporation working hard to stay ahead of the game, on this occasion responding to the challenge of the pirate stations, whose audiences were local and known to be very loyal. Radio Leicester was the first to go on air on8 November 1967, launched by a very plummy-voiced postmaster-general as ‘the first hometown radio station in Britain’. (The BBC executive behind the idea, Frank Gillard, had spent time in America and been impressed by local radio there, wishing to replicate its homespun feel.) Others followed quickly, dependent on whether the local

It’s always odd to hear a familiar voice on a different programme, playing an alternative role. They never sound quite as comfortable behind the mike, as if they are wearing clothes that don’t quite fit. The voice has a different timbre, as it did on Sunday when Garry Richardson, who since 1981 has been keeping Today listeners updated on all the latest sports news, revealed his other passion. Since he was ten, when he was first taken to see the man from Knotty Ash at Blackpool in 1967, he’s been a fan of that extraordinarily tenacious star of the entertainment world, Ken Dodd. In Sir Ken Dodd: What a Beautiful

Mandy was 38 when she was told she was ‘in the end stage’, suffering from COPD and finding it more and more difficult to breathe. Matthew, in his twenties, was given just four to five years of life after being diagnosed with a brain tumour. Vivek, also in his twenties, is confined to a wheelchair because he suffers from Duchenne muscular dystrophy and is already reliant on a ventilator for much of the time. Sophie has stage four lung cancer and tumours in her lungs, lymph nodes, bones and brain. You might think a programme made up of their thoughts, words, experiences would be one of lament and moping, misery

Only Neil MacGregor could do it — take us in a single thread from a blackened copper coin, about the size of a 10p piece, dating from Rome in about 200 AD, to a packed music hall in London during the first world war. In his new 30-part series for Radio 4, Living with the Gods, the former director of the British Museum looks at the ways in which societies come together through shared rituals and beliefs and how these rituals are developed and used to make sense of our place in a universe beyond human comprehension. One side of the coin shows a fire burning within the Temple of

There’s no doubting her passion for the programme of which she is now chief of staff. Talking to Roger Bolton on Radio 4’s Feedback slot, Sarah Sands told us repeatedly how much she loved Today, how it was ‘a privilege’ to be in charge of such a ‘flagship’ programme, how its length, three hours, was such a luxury after years spent in the newspaper business. She was so happy to have so much time to cover big subjects and invite so many experts into the studio to talk about their subject. She relished the challenge of preserving the programme’s ‘depth and resonance’, its ‘great intelligence’ and ‘thoughtfulness’. Sands was responding

‘On air, I could be the most glamorous, gorgeous, tall, black-haired female… Whatever I wanted to be, I could be… That was the thrilling part to me,’ said Lurene Tuttle, talking about her career as a star of American radio in its heyday from the 1930s to the 1950s. She was known as ‘the Woman of a Thousand Voices’ because of her talent for voicing any part, from child to OAP, glamour puss to gangster moll, hard-nosed executive to soft-hearted minion. On Saturday we heard her in full flow on Radio 4 Extra in an episode of Suspense, brought out of the archive from June 1949 for the three-hour special

Three weeks before Classic FM launched, I was on the radio in Hong Kong, introducing hits by Rick Astley and Wet Wet Wet. I’d just turned 21, and was working as a presenter for British Forces Radio. A phone call came from London. ‘My name is Michael Bukht. I’m setting up a new radio station and have heard good things about you. We’d like you to present our afternoon show. By the way, do you know anything about classical music?’ Michael Bukht would not have fared well in today’s consensual media world, where respect is the watchword. He was a bit of a bully, capable of exploding at anyone promoting

Yet another sign that we are living in very strange times: a pair of celebrities, their names made by TV, have switched over to radio for their next project. Not starring in their own series on BBC2 or Channel 4, but on a medium that could have become redundant yet is refusing to give way (the latest Rajar figures indicated that listening is on the up across all networks). Plenty of stars made by radio have gone on to household-name status on TV (Steve Coogan, David Mitchell, Chris Morris). But Eric Monkman and Bobby Seagull, who began trending on Twitter because of their appearances on BBC2’s University Challenge — Monkman,

Bold programming by the powers-that-be at Radio 4 meant it was possible to listen to all seven episodes of Ayeesha Menon’s adaptation of Salman Rushdie’s Midnight’s Children in a single day on Tuesday, exactly 70 years since independent India was born, and Pakistan created. Four and three-quarter hours of meticulously crafted drama (directed by Tracey Neale and Emma Harding) ingeniously slotted into episodes of different lengths throughout the day, some just 15 minutes, others a full hour (the adapter having to create and sustain pace in a variety of ways to suit the different lengths). Such cavalier treatment of the schedule would have been unthinkable a few years ago; there’d

As Europe remembers Passchendaele, India and Pakistan recall Partition, just 70 years ago, when Britain so hastily abandoned its Indian empire, exhausted by the costs of war in the world and troubled by the upsurge in violence between Muslims, Hindus and Sikhs as the campaign for Britain to Quit India took root. In Partition Voices on Radio 4 (produced by Mike Gallagher, Tim Smith and Ant Adeane), we heard from those who witnessed the bloody terror that broke out across the subcontinent as it was divided on religious, not political, ethnic or communal grounds, many of whom fled to Britain to make new lives for themselves. Harun, who was a

Two programmes this week presented two radically different world views, or rather ways of life. Aditya Chakrabortty’s series for Radio 4, Decoding the News, looked at five words or phrases which have come to characterise how politics, finance and business operate in the UK. We entered a world of policy wonks and pundits, of words used not to enlighten or explain but to calculate and confuse. A world in which those who tell stories get all the attention, while those who insist on sticking to the facts are ignored or on occasion ridiculed. It made for chilling listening as, for instance, Chakrabortty deconstructed the meaning of that slippery term, ‘shareholder

This week’s column is dedicated to my mother who loved her radio and encouraged us to be listeners. Without her, I would not be qualified to do this. My earliest memories are of sitting under the table while my mother sewed and the theme tune of Listen with Mother echoed through the house. The radio, an old valve model which took a while to get going and whose half-moon dial promised to send us signals from Lahti and Motala as well as Reykj’vik and Kief, was switched on not all the time, that would have inured us to its pleasures, but on and off for a regular sequence of programmes,

By chance on Saturday morning, I tuned into Radio 4 and heard Professor Clare Brant talking on Saturday Live about Dear Diary, a new exhibition at Somerset House in London that celebrates the art of writing a daily journal. It caught my ear because diaries are such a crucial tool for the biographer yet whenever I’ve attempted to write my own it’s always turned out dreadfully narcissistic and infinitely boring. What, asked Richard Coles, makes diaries so fascinating? It’s all in the detail, said Brant. The way reading a diary can take us into another person’s world, not the outward gloss and grandeur but right inside the way the diarist

In such times as these, enough to try a man’s soul, a dose of John Finnemore is advisable. His brand of comedy, as fans of Cabin Pressure will know, makes you laugh out loud (unlike, I fear, a lot of the programmes in that 6.30 p.m. slot on Radio 4). His quirky stabs at the absurdity of human nature are guaranteed to cheer even the most awful of days because they’re so simply drawn, etched in clear, sharp lines, and because they celebrate rather than bewail our frailties; life’s tendency to make you fall flat on your face just as you thought you were about to make it big time.

‘Hell is better than what I personally witnessed,’ says Ben Ferencz, who was one of the American troops sent in to the Nazi death camps to collect vital evidence. ‘Dead bodies mingled with those alive. Piles of bones waiting to be buried. The smell of burning flesh. Those who were still alive pleading with their eyes.’ All of which we have heard many times before, perhaps too many times. But then Ferencz added, ‘SS men trying to flee, running away, and the inmates, those who could still walk, trying to chase them, grabbing at them.’ It was an unusual, vivid detail that captured the attention. Ferencz was talking to Emma

Two extremes of the listening experience were available on Monday on Radio 4. The day began conventionally enough with Start the Week, chaired by the deceptively genial Amol Rajan (now in charge of The Media Show), whose warm, inviting voice fronts a keen, intense intelligence. He guided his guests through a conversation about our post-truth world which, apart from the subject-matter, could have graced the airwaves in the 1950s. This was a masterclass in elevated discussion, so graceful were the exchanges, so theoretical the ideas, yet so clear the meaning. Chief among Rajan’s guests was our former editor Matthew d’Ancona, who has just published a book about post-truth and why

Imagine living in a country where the average age is under 16 (in the UK it’s currently 40 and increasing) so that everywhere you go you’re surrounded by teenagers. It sounds exhilarating. Such optimism and energy; the sheer vitality of young blood coursing through the streets. How brilliant, too, for a country to be unfettered by how things have always been done, no elders to restrain them, hold them back, warn against change. But nothing is that simple. For The Compass: A Young World (Wednesday) on the World Service (produced by Mike Gallagher), Alan Kasujja took us to his native Uganda to find out what it’s like to walk down