Bbc

Thursday

Henry Hitchings

Can giving voice to the horrors of the past re-traumatise?

It is 50 years since Ronald Blythe published Akenfield, his melancholy portrait of a Suffolk village on the cusp of dramatic change. Akenfield was actually a composite of two real villages, Charsfield and Debach, and Blythe’s oral history was a patchwork created from about 50 conversations — with figures including a pig-farming colonel, the over-stretched blacksmith and a rural dean who reported residents being ‘blunted and crushed by toil’. It was an unsparing vision of rural poverty, yet also a homage to disappearing ways of life and the virtues of small communities. Last Saturday’s Akenfield Now, on Radio 4, followed local sixth-former Anna Davies as she surveyed the landscape afresh.

Thursday

Richard Bratby

The joy of Malcolm Arnold’s optimistic, hummable tunes

Never meet your heroes, they say. But if you grew up with classical music in the 1980s, there was fat chance of that. Stravinsky, Britten, Shostakovich, Walton: you’d just missed them. Which is why, in 2001, and finding myself duty-managing an 80th birthday concert for Sir Malcolm Arnold, I inched past his minders and delivered a few trite, polite but entirely sincere words of gratitude and admiration. No response: Sir Malcolm stared blankly ahead. Then he gripped my hand, and started shaking. And kept shaking, faster and faster, his grip tightening like a vice. Raising his head slightly, and pumping my hand with increasing force, he growled: ‘I’m not letting

James Walton

Should we be playing the surveillance state for laughs? Celebrity Hunted reviewed

One of the many great things about The Capture was that we could never be sure whether the British authorities’ capacity for virtually blanket surveillance was a nightmare vision of the future or a nightmare portrait of the present. Celebrity Hunted, though, suggests a third possibility: that virtually blanket surveillance is simply proof of how marvellous the authorities are, and so untroubling that it can be played for laughs. This third series is, once again, part of Channel 4’s annual Stand Up to Cancer season, and features four teams of two, whose job is to go on the run for a fortnight and avoid capture by intelligence experts equipped with

Thursday

Rod Liddle

How the BBC can achieve real diversity

Exciting news from the BBC, where every employee has just received a flyer from the Director-General, Lord Hall, informing them about the creation of a new post — Director of Creative Diversity. Should they all apply? Certainly, when I found out about it, I thought I might throw my hat in the ring. I’d immediately employ some heterosexual weathermen and maybe a white presenter or reporter on the London regional news programmes — and then make Dominic Cummings the head of current affairs, if he has any spare time. That would introduce a little diversity into New Broadcasting House, I think. I might also impel Radio 4 to ration the number of

Tuesday

Hardeep Singh

The BBC’s paranoia about causing offence has reached a new high

If the Naga Munchetty fiasco wasn’t cause for enough embarrassment for the BBC, an apparent attempt to censor a script referring to a Sikh Guru’s martyrdom for fear it, ‘might offend Muslims’ should certainly be. The Beeb’s in-house ‘thought police’ have driven Lord Singh to quit a radio slot he’s contributed to for thirty-five years. It’s a sorry state of affairs – not just because it highlights a new high in BBC paranoia on giving imagined offence to imaginary people, but because it demonstrates how historical facts (not just opinions) are not immune to censorship. In the end, the broadcast went ahead. It did not criticise Islam and unsurprisingly received no

Sunday

Paul Dacre

The BBC’s Brexit coverage is a disgrace

Lord Patten, rejected by voters 27 years ago, is the embodiment of a smug un-elected elite. As former chairman of the BBC Trust, he appointed not one but two director–generals of utter mediocrity. Now he criticises the Corporation for its ‘craven judgment about what constituted balance in its news coverage’ in the run-up to the referendum. He’s partially right. For the first time in memory, the Eurosceptic–hating BBC astonishingly gave equal air-time to both sides of the argument, which may have been a small factor in the result. How pathetic that their former chairman should attack them for this, but then the Corporation (is its Europe editor Katya Adler actually

Thursday

James Walton

A solid costume drama but Dame Helen has been miscast: Catherine the Great reviewed

It’s possibly not a great sign of a Britain at ease with itself that the historical character most likely to show up in a TV drama now seems to be Oswald Mosley. But the week after his starring role in Peaky Blinders ended, there he was again, right at the beginning of BBC1’s next Sunday-night drama. World on Fire opened with Mosley addressing a 1939 Manchester rally, where he duly whipped up his supporters and reminded the rest of us of the dangers of extremism. Luckily, there were two people in the hall brave enough to protest: salt-of-the-earth northern lass Lois Bennett and her much posher and therefore much stiffer

Monday

Brendan O’Neill

Yes, Trump’s tweet was racist. But BBC rules stop presenters saying so

All of the following things are true. Naga Munchetty, co-host of BBC Breakfast, is a very good TV journalist, one of the BBC’s best assets in fact. That tweet Donald Trump sent in July telling the non-white, female members of the Democratic ‘Squad’ to ‘go back’ to the countries they came from was racist. The BBC was correct, however, to partially uphold a complaint against Ms Munchetty for her on-air suggestion that the tweet was ‘embedded in racism’. Why was the BBC correct to criticise one of its most important presenters for describing a racist tweet as racist? Because it is not a BBC reporter’s job to do that. It

Thursday

Dot Wordsworth

How did BBC’s Late Night Line-Up get its name?

The title of the television review and discussion programme Late Night Line-Up is a curious one. I’d be interested if anyone knows how it was chosen. After the throaty sax notes of Gerry Mulligan’s Blue Boy, Joan Bakewell would leggily engage earnest folk in chatter long after the pubs had closed. Did the guests smoke? I can’t remember, but it was all very b&w. BBC iPlayer has a small selection on show, including a discussion of two Man Alive documentaries on homosexuality with Maureen Duffy, then writing a novel set in the Gateways club in Chelsea, popular with lesbians, Michael Schofield, fresh from his researches for The Sexual Behaviour of

Thursday

Richard Bratby

Simon Rattle’s Messiaen is improving with age

Two flutes, a clarinet and a bassoon breathe a chord on the edge of silence. As they fade, the sound quietly intensifies, morphing into the metallic buzz of cor anglais and muted horn. The third of Arnold Schoenberg’s Five Orchestral Pieces of 1909 doesn’t have a conventional melody, and there’s even less in the way of rhythmic or harmonic activity. It’s entirely about those minutely graded shifts in timbre. And having rendered this idea with such poetry, Schoenberg, being Schoenberg, duly slapped it with a label as clunky as his music was subtle: klangfarbenmelodie, literally, ‘sound-colour melody’. Apologies: it’s too easy to poke fun at Schoenberg. God knows, writing persuasively

Monday

Ross Clark

The BBC’s latest attack on Netflix is galling

Lord Hall of Birkenhead is feeling pretty bullish about the quality of the organisation he leads. “We’re not Netflix, we’re not Spotify. We’re not Apple News,” the BBC’s director general will apparently tell the Royal Television Society on Thursday. “We’re so much more than all of them put together.”     To which the obvious answer is: if you are so confident that the public loves your product, then why are you so frightened about exposing it to commercial competition? Surely, Lord Hall would be relishing the opportunity to get rid of the tax on TV-ownership which funds the BBC and fund itself in the way that all other TV and radio

Thursday

James Walton

I have no clue what’s going on but can’t wait to find out: BBC1’s The Capture reviewed

How did the police ever solve any crimes before CCTV? That was the question which sprang to mind watching the first episodes of two highly promising new crime dramas this week. It’s also the central question now facing the detective in one of them. Part police officer, part career women, Rachel Carey in The Capture (BBC1, Tuesday) is being fast-tracked through the system to the traditional disapproval of her grizzled, old-school boss DCI Alex Boyd — imaginatively known as Boydy. Fortunately, Rachel (Holliday Grainger) won’t be with his unit for long. Having saved Britain from a deadly terrorist attack while working for special ops, she’s been sent there temporarily to

Kate Chisholm

Why 80 per cent of young people in this Macedonian town have turned to posting ‘fake news’

It’s such a relief to turn on the radio and hear the voice of Neil MacGregor. That reasoned authority, his deep knowledge of history and how things have come to be as they are, his measured common sense and ability to see round an argument or story. He’s like the voice of how things used to be, when the world was not so topsy-turvy and the news reports made sense. His series, As Others See Us, returns to Radio 4 this week (produced by Tom Alban), taking him this time to Singapore, the USA, Australia, Poland and Spain to talk to people there about Britain’s past connections, present woes and

Thursday

James Delingpole

Rave revolution

Jeremy Deller’s Everybody in the Place: an Incomplete History of Britain 1984-1992 (BBC4) began with some footage of kids queuing up outside a warehouse rave in Stoke-on-Trent in 1991. It was at once banal and extraordinary: everyone was white; nobody was overweight; none of the clothes were designer, expensive or branded; nobody wore facial hair. This was the England of my late youth and I remember it vividly. But it feels so remote from the present that it might just as well have been a lithograph of extravagantly side-burned men in stiff woollens captioned: ‘The Camp before Balaklava’. Deller is probably a bit more left-wing than me — how could

Thursday

Melanie McDonagh

Cast astray

There’s a cultural problem at the BBC, isn’t there? The Corporation is trying to attract under-35s — the sort who don’t really listen to scheduled radio programmes and who probably listen, if to anything from the BBC at all, to Radio 5 Live. This is the most obvious way to explain what’s happened to Desert Island Discs. It’s the only possible reason why Lauren Laverne, DJ, pop musician, a face for television rather than radio, replaced Kirsty Young for her sick leave. The bad news is that Kirsty isn’t coming back. She was good: she knows everyone, she’s probing and she’s sympathetic. Given that the programme, with its brilliantly simple

Thursday

James Walton

How not to make TV

BBC2’s How the Middle Classes Ruined Britain (Tuesday) began rather promisingly. ‘I’m a working-class comedian who voted Leave,’ announced presenter Geoff Norcott, ‘and I think it’s about time you lot heard some home truths.’ But then came the programme itself — which turned out to be the TV equivalent of a footballer who, faced with an open goal, dribbles about aimlessly before falling over. The first bit of aimless dribbling followed the shock news that middle-class parents often try to get their children into the best local schools, sometimes by claiming to live nearer to them than they do. To prove it, Norcott joined Havering Council’s ‘dedicated team of sleuths’

Wednesday

Katy Balls

Hunt’s Cabinet job refusal presents Boris with a dilemma

There are high expectations among Tory MPs today for Boris Johnson’s Cabinet appointments. The problem? He has more supporters who believe they will be promoted than plum jobs to give. It follows that this evening’s first wave of hires for the most senior jobs will undoubtedly lead to disappointment. Johnson has at least got off to a good start. The first appointment of Mark Spencer as Chief Whip has landed well in the Parliamentary party. Although Spencer backed Remain in the EU referendum, he is well liked across the board and the European Research Group members found praise for him after his role was unveiled on Tuesday. Tory Remainers have also

Thursday

Kate Chisholm

Listening space

Television has the pictures but the most spine-tingling moments in the recordings from the Apollo space missions are the bursts of crackling conversation between the spacecraft and mission control. Never a word wasted, absolute precision and the most surprising clarity even when there are only seconds to spare before total disaster is averted. The wonderful documentary on BBC2 last week gave us those awe-inspiring shots of the Earth emerging from the dark side of the moon, taken by Buzz Aldrin from the Eagle, but it was the World Service’s podcast, 13 Minutes to the Moon, that made real just how incredible those 13 minutes were, when the Apollo 11 lunar

Tuesday

Rod Liddle

The complaints are piling up at the BBC after my Newsnight appearance

For those of you who were not watching, if you have the time, take a look at the interview I did on Newsnight with Emily Maitlis about my book. And tell me if you think that it was an even-handed, unbiased, rational discussion. The complaints are piling up at the BBC: here’s one from a remainer: Dear sir or madam, I am writing in relation to Emily Maitlis’s interview with Rod Liddle on Newsnight yesterday. I have the highest regard for the BBC: over many years, I have relied on the organisation to provide impartial reporting and comment on a wide range of issues. Moreover, I am well aware of

Friday

Katy Balls

Jeremy Hunt’s BBC interview highlights his inconsistencies on Brexit

With less than a fortnight to go before voting for the Tory leadership contest closes, few believe Jeremy Hunt is in with a shot of making it into No. 10. However, Hunt supporters were still hopeful that a game-changing performance in this evening’s BBC interview with Andrew Neil could turn things around. In the end, Hunt put in a competent and confident performance but the interview served as an unhelpful reminder of the candidate’s Brexit flip-flops. Although the Foreign Secretary has been at pains of late to paint himself as a reborn Brexiteer willing to pursue a no deal Brexit in much the same way as his rival Boris Johnson,