Bbc

Thursday

Tanya Gold

A culinary wasteland

The Allis is a restaurant inside the new Soho House at White City — it is called White City House — and it is every bit as ghastly as it sounds. I do not really object to Soho House’s attempt to colonise the entire planet and furnish it with purple velvet armchairs, which are now being replicated in people’s homes, leaving us in a sort of velvet fun palace you cannot escape, while silently crying. It also feels like a poor model for capitalism, even late capitalism. I quite like the one in Dean Street — if you can ignore the people, that is, which you can because they don’t

James Walton

Unintelligent design

On Wednesday, BBC Four made an unexpectedly strong case that the human body is a bit rubbish. Our ill-designed spines, for example, guarantee that many of us will suffer from chronic back pain. Our joints wear out long before we do. Our skin even gets damaged by sunlight. So what can be done about it? Obviously the answer is not much — but that didn’t prevent Can Science Make Me Perfect? With Alice Roberts from pretending to give it a go. The premise was that Roberts would draw on other, less incompetently constructed life forms to create an improved version of herself — the way she’d be if evolution hadn’t

Richard Bratby

Darkness visible | 14 June 2018

Oh, what a beautiful morning! In Jo Davies’s production of Oklahoma! the audience spends the overture staring at the side of a barn. Then, as birdsong rises from the orchestra, corrugated-iron doors slide open on a dustbowl farm of the 1930s. Aunt Eller (Claire Moore) is fixing a tractor, and a wind pump spins slowly against an orange dawn sky. It’s mildly surreal: the light falls as if in one of those New Deal-era western landscape paintings, with a jagged, David Smith-like sculpture of pitchforks and shovels serving as a tree. And then, with throwaway ease, Dex Lee as Curly launches into that greatest of all Broadway opening numbers. Davies

Thursday

Andrew Montford

Why weather apps can’t be trusted

The Times reports this morning that Bournemouth business leaders are hugely annoyed with the BBC, whose weather app predicted thick cloud and thunderstorms for the recent bank holiday. In the event, it was sunny and warm, but the damage had already been done, and takings on the seafront were said to be down by nearly 40 percent as people decided to stay at home rather than risk a soaking. While weather forecasting is undoubtedly getting better, it seems fairly clear that ultra-local forecasts of the kind you find on weather apps can be very misleading: reducing the whole forecast to a single icon, as most apps do, removes all the

Saturday

Charles Moore

How to fix the BBC’s Brexit bias

Starbucks will close all its outlets for four working hours to train its staff out of ‘unconscious bias’, a decision which surely shows unconscious bias against all customers who might want a cup of coffee that day. The training was ordered after a member of staff called the police when two black customers came in and one asked to use the lavatory without buying anything. I wonder if the BBC might try such a shutdown on a grander scale. It would take at least four weeks — possibly four years — to train its staff out of unconscious bias on Brexit, Christianity, the sex war, paedophile accusations, immigration, Israel, Trump,

Thursday

Charles Moore

The Spectator’s Notes | 31 May 2018

To understand how the European Union works, and how it doesn’t, it helps to think of it as an empire. Empires are not fashionable just now, but they have their uses. At their best — Rome, Britain — they are capable of upholding common standards, preserving peace and prosperity, and helping civilisation flourish. The EU has often achieved some of these things. But when empires are challenged by significant numbers of their inhabitants, their fundamental lack of legitimacy is exposed. The EU has now reached this stage because of imperial overstretch and imperialist doctrines — the euro and mass immigration being the most important. Anti-imperial independence movements take many forms.

James Walton

Fresh and wild | 31 May 2018

I recently came across a theory of the American poet Delmore Schwartz’s that Hamlet only makes sense if you assume from the beginning that all the characters are drunk. Given Schwartz’s own fondness for booze, this idea perhaps smacks of drunken hyperbole itself. But it certainly sprang to mind while watching BBC2’s King Lear (Monday), where Anthony Hopkins spent quite a lot of the first half swigging enthusiastically from a hipflask. After all, this did appear to explain much of Lear’s behaviour: the constant alternation between belligerence and sentimentality; the combination of self-dramatisation, self-pity and — the way Hopkins played it — self-amusement; and maybe even that initial decision to

Friday

Steerpike

Watch: Anna Soubry speaks for the nation on Question Time… for once

These days Mr S rarely – if ever – finds himself agreeing with Anna Soubry on politics. The arch-Remainer has made it her mission to keep Britain in the customs union, the single market and ideally – Steerpike suspects – the EU. Yet, on Question Time this week, the Conservative MP managed to briefly strike a chord with many Brexiteers and Remainers alike: ‘Good Lord, no.’ That said, if Soubry does go ahead with her customs union rebellion on the EU withdrawal bill, things may get very fraught indeed…

Thursday

Freddy Gray

The BBC gave Steve Bannon a platform – and it was fascinating

If the BBC really is, as Steve Bannon says, a communications department of the global elite, they messed up badly last night. Emily Maitlis’s 20-minute long interview with Bannon on Newsnight was mesmerising television — even, or especially, if you can’t bear the subject.  It was also the longest advertisement for economic nationalism yet delivered to British viewers. No doubt Raheem Kassam, the close Bannon associate who’s just left Breitbart and has been on Newsnight a few times himself, had something to do with it. By airing the discussion, the Beeb disproves the Bannonite idea that it is part of an elite conspiracy to silence populist points of view on immigration.

James Delingpole James Delingpole

Notes on a scandal | 24 May 2018

Every time a friend succeeds, I die a little, so you can imagine how sickened I was by the magisterial TV adaptation of John Preston’s A Very English Scandal (BBC1, Sundays). I’ve known Preston for years. It’s himI have to thank for the compendious collection of CDs rotting in my attic, from the ten years or so I spent working under him (he was the arts editor) as the Sunday Telegraph’s rock critic. But though I’ve hugely enjoyed all his quirky, low-key, sardonically amused novels — loosely on the theme of ‘quiet desperation is the English way’ —I never imagined he’d luck out quite so spectacularly as he has with

Kate Chisholm

Faulty connection | 24 May 2018

‘Do you ever imagine your audience?’ was a question thrown at James Ward, creator and presenter of The Boring Talks podcast, at a recent seminar on podcasting organised by the BBC. ‘I try not to,’ Ward replied.‘I wouldn’t want to meet them.’ Such antipathy is all part of Ward’s alternative persona. The Boring Talks’s USP is to explore those topics usually considered too dull to explore, let alone talk about for half an hour. It’s become very popular, emerging from the Boring Talks conferences that have been held annually now for eight years. But his comment was very revealing. You can really tell when listening to his show that he

Sunday

Steerpike

Watch: Emma Barnett skewers Barry Gardiner over Brexit comments

Oh dear. Although Theresa May’s divided government is currently in a state of deadlock over Brexit, the Prime Minister can at least take heart that the Tories aren’t the only party experiencing difficulties here. This morning Barry Gardiner was the victim of a car crash interview on the Andrew Marr show. With Marr on sick leave, Emma Barnett was Gardiner’s interviewer – and she did not hold back. The BBC presenter took the shadow International Trade secretary to task over comments he made about the Irish border in March while at an event held by the Rosa Luxemburg Foundation. At the event, Gardiner described the Good Friday Agreement as ‘a shibboleth’

Sunday

Charles Moore

Why the BBC weather forecasts wind me up

One of George Santayana’s most famous dicta is that ‘To be interested in the changing seasons is a happier state of mind than to be hopelessly in love with spring.’ This may be a metaphor for life, but it is also literally true. It matters in countries such as ours, where no season is so extreme that it cannot be enjoyed. If you agree with Santayana, you will be irritated by our BBC weather forecasts, which misrepresent the weather as a constant, and generally losing, battle to get warmer. In their language, temperatures are forever ‘struggling’ — always to rise, never to fall. This is an extract from Charles Moore’s

Friday

Steerpike

Watch: Martin Lewis schools Labour MP on Question Time over tuition fees

In the flurry of excitement over the local elections, Chi Onwurah’s Question Time appearance has been cruelly overlooked. Happily, Mr S is on hand to right this wrong. The Labour MP’s attempt to criticise the Tories over student loans backfired last night. The Labour MP spoke of her apparent fears that a working-class student could be put off university by the amount they would have to pay back. But Onwurah didn’t account for a furious Martin Lewis, who was also on the Question Time panel, taking her to task for her comments: Astonishing scenes on #bbcqt as a furious moneysaving expert Martin Lewis destroys Labour’s Chi Onwurah over her attempts use student debt

Thursday

Adam Sweeting

Partners in crime

It’s not every day that a television screenwriter is threatened with a trial for sedition, but G.F. Newman was after his series Law & Order aired on BBC2 in 1978. ‘The political fallout was enormous and there was a move to try and get me prosecuted by Sir Eldon Griffiths and a gang of MPs, but it didn’t go anywhere,’ Newman remembers. ‘It would have been a wonderful case had it done so.’ Law & Order rocked the boat by doing the unthinkable, so much so that BBC director-general Sir Ian Trethowan was hauled over the coals by the Home Office minister John Harris (later Lord Harris). It depicted the

James Walton

Recipe for success | 3 May 2018

From time to time, a TV show comes along which is so thrillingly original, so wildly imaginative, that you can’t even begin to think where the makers got the idea. Britain’s Best Home Cook (BBC1, Thursday) isn’t one of them. Nevertheless, it has a serious claim to being the most important new programme of the week — if only to the BBC which, despite the failure of The Big Family Cooking Showdown (whose title I just had to check via Google), clearly hasn’t given up on the possibility of finding a way to replace The Great British Bake Off. But in fact there’s another series that some viewers might feel

Thursday

James Delingpole

Missing the point | 26 April 2018

Because I’m a miserable old reactionary determined to see a sinister Guardianista plot in every BBC programme I watch, I sat stony-faced through much of Cunk On Britain (BBC2, Tuesdays). Philomena Cunk (played by Diane Morgan) is a spoof comedy character who used to appear on Charlie Brooker’s Weekly Wipe and has now been given a full series. Though the character is amiable enough — a heroically thick Northern woman in a smart jacket who goes around Britain making stupid observations and asking celebrity historians dumb questions — I can’t quite work out what the point of the joke is. Is it a send-up of dumbed-down Britain? Is it designed

Richard Bratby

By ’eck, petal, it’s gorgeous

The opening of Mark Simpson’s new Cello Concerto is pure Hollywood. A fanfare in the low brass, an upwards rush and suddenly the screen floods with lush orchestral sound — as confident in its onward sweep as Star Wars or ‘Tara’s Theme’. Waiting, poised, in the middle of it all was the soloist Leonard Elschenbroich, for whom Simpson has said that he wanted to write a concerto that celebrated the cello’s ‘expressive and lyrical force’. He has, too. From the instant Elschenbroich entered, it felt right. The cello soared over a chiming marimba, like in Walton’s Cello Concerto. It lingered over its farewells, like in Elgar’s. And it rocketed headfirst

Friday

Steerpike

Watch: Emily Thornberry booed on Question Time over Russia

This week Question Time moved to Chesterfield with a panel comprised of Liz Truss, Emily Thornberry, Vince Cable, Nesrine Malik and LBC presenter Iain Dale. However, the talk that proved the most newsworthy related to international affairs. Discussing the government’s strikes on Syria over an alleged chemical attack by the Assad regime, Thornberry suggested that the delay in inspectors from the Organisation for the Prohibition of Chemical Weapons (OPCW) testing the site of the suspected chemical attack was the result of the United Nations and its ‘red tape’ – rather the Russian and Syrian governments not permitting their presence. Given that the OPCW were this week prevented from entering the site after a

Thursday

James Walton

The great pretenders | 19 April 2018

For a while now, the Korowai people of Western Papua have been the go-to primitive tribe for documentary-makers. The Korowai were unknown to the outside world until the 1970s — but they’ve certainly made up for it since, with their Stone Age tools, jungle treehouses and penis gourds becoming almost as familiar to TV viewers as Brian Cox on top of a mountain. No wonder, then, that Will Millard’s introduction to My Year with the Tribe (BBC2, Sunday) smacked of mild desperation as he sought to distinguish his new series from its many predecessors. (No fixers laying on anything in advance! Not just one snapshot of Korowai life, but four