They say the term ‘car crash TV’ is over-used these days. However, Mr S is pretty sure a case of car crash television occurred this afternoon on BBC news. As a BBC correspondent reported from outside the drink-driving trial of Ant McPartlin – of Ant and Dec fame – a vehicle collision occurred. Well, that footage could come in useful…
Simon McCoy has a reputation for being the BBC’s most gaffe-prone presenter. On Wednesday, he reminded viewers why. As Jane Hill presented the news, McCoy wandered onto the set and walked into the line of the camera: https://twitter.com/liarpoliticians/status/984054620392652802 Here’s a brief reminder of some of McCoy’s greatest hits: Simon McCoy ‘no news’ royal baby broadcast Standing outside St Mary’s hospital in Paddington, McCoy showed no signs of experiencing royal baby-mania: ‘Well plenty more to come from here. Of course, none of it news, because that will come from Buckingham Palace. But that won’t stop us. We’ll see you later.’ 2. Simon McCoy takes a nap… on air We’ve all been
Like a breath of fresh air Martha Kearney has arrived on Radio 4’s Today programme, taking over from Sarah Montague (who will now host the lunchtime news programme formerly presided over by Kearney). Her presenting style is just so different, less confrontational, more investigative, perhaps developed by her because at lunchtime the mood is different, less rushed, more ambulant. The tone on the World At One was always much more reflective than reactive, Kearney pondering events rather than racing through to the next interview, butting in, hustling, flustering her guests. On Monday morning’s Today, she interviewed the author of a book on ‘elastic thinking’. Leonard Mlodinow, a theoretical physicist who
Earlier on this morning, Andrew Marr tried his hand at Urdu. Or was it Punjabi? In any case, he made a point of introducing Lancashire-born and bred Minister Sajid Javid as ‘Sajeed Javeed’. The Communities Secretary didn’t flinch – as you’d expect, given that this is definitely not the first time his name has been mispronounced. He’s probably given up correcting people, or even noticing mispronunciations. But his name is hardly a tongue twister: he’s a northerner, his name rhymes with avid. As all schoolchildren know, words ending in –id are pronounced with a short ‘i’. Lid, kid, hid, quid. So where did Sajeed Javeed come from? As a member
The former director of research at Cambridge Analytica, the data-mining firm notoriously suspended by Facebook for harvesting details of up to 87 million Facebook accounts without their consent, has told Andrew Marr that the 2016 referendum on the UK’s membership of the EU should be re-contested. Wylie’s suggestion comes after it was highlighted that Vote Leave – the official Leave campaign – had employed the services of AggregateIQ (AIQ), a company which Wylie claims to have founded in order to support Cambridge Analytica. AIQ was also suspended from Facebook on Saturday for improperly receiving users’ data, charges which AIQ denies. Wylie argued that Vote Leave’s connections to alleged misconduct by
BBC2 has a new drama series for Friday nights. The main character is a world-weary middle-aged police inspector with an unshakeable commitment to smoking. His work partner is a feisty female officer in her twenties who combines salt-of-the-earth irreverence with being a damn good cop. Between them, they’re investigating the murder of an attractive young woman who their colleagues immediately assumed was a prostitute, and whose death reminds the inspector of a previous investigation that continues to haunt him — which is why his boss is constantly trying to take him off the case. But if this makes you think that The City & The City is yet another identikit
To Herne Bay in Kent for the UK International Radio Drama Festival: 50 plays from 17 countries in 15 languages broadcast over five days to the festival audience. It’s an opportunity to find out what radio plays sound like in other countries, but also to experience a different kind of listening. About 25 of us were invited into a suite of rooms furnished with flock wallpaper, floral sofas and armchairs to take us back to the great age of radio listening in the 1950s. A kettle boils in the background; buttered scones on a tiered rack are sitting ready for us to pounce on at the next pause between plays.
Sometimes — really not often but sometimes — a programme that’s good and honest and true slips under the wire of the BBC’s jealously guarded PC agenda and makes a home run. The latest to do so is a deadpan comedy series called This Country (BBC3). It’s so deadpan that it’s easy to see why an earlier pilot episode for ITV crashed and burned. If you were channel-hopping and lingered on it for five minutes, you might easily mistake it for an earnest, worthy, achingly tedious fly-on-the-wall documentary series about the poverty and despair of left-behind rural England. This impression is enhanced by screeds that occasionally appear on screen giving
As Bob Shennan, the BBC’s director of radio and music admitted this week, there are almost two million podcast-only listeners in the UK who never tune into BBC Radio. They’re captivated by specialist music (Heart, Absolute, etc), specialist talks (mostly religious such as Premier Christian) or specialist news and current affairs (the Economist, Monocle). And they never feel the need to cross over into Auntie’s sphere of influence. The BBC’s response, says Shennan, must be to produce ‘a revitalised audio product’ to meet the needs, or rather demands, of these new audiences. ‘Audio product’ seems a long way from Music While You Work or Down Your Way. Soon, Shennan envisages,
Blue Gadoo is one of those cats whose face looks like it’s been bashed flat with a wok. He lives in New York, apparently, and his bulging eyes goggle out from Gerald Barry’s programme note for his new Organ Concerto. Check him out: the Guardian published the full note a day before the performance, which is only right because a Gerald Barry world première really ought to be national news. ‘I saw a photograph of him with a book called Sex and the Sacred in Wagner’s Tristan und Isolde,’ explains Barry. ‘By his expression I knew he was mourning the loss of atonality.’ There’s heaps more like that. Some of
By common consent, including Bafta’s, The People v. O.J. Simpson: American Crime Story was one of the best TV dramas of 2016. Produced by Ryan Murphy, it laid out the story in a beautifully clear, largely chronological way that made us appreciate, all over again, just how strange the whole O.J. business was — not least thanks to the wider social forces at work. Now, we’ve got The Assassination of Gianni Versace: American Crime Story (BBC2, Wednesday), also produced by Ryan Murphy and also tackling an event from the 1990s that manages to seem both shockingly particular and neatly revealing of more general trends. At which point, all similarities end,
Why does almost every BBC programme have to turn into lefty propaganda? For the past few Tuesday nights, there has been a reality TV show on BBC2 called Back in Time for Tea, featuring a Bradford family whose house is transformed into a time capsule – they have ate, slept, worked and entertained themselves one decade of the 20th century at a time. It was a rather good programme for the first few episodes, showing them grappling with old technology and having to eat period food which, in one or two cases, left them bewildered as to how anyone could possible consume such stuff. It was also rather educational –
A well-placed source told me recently that late last year the BBC pulled plans to show the Oscar-winning film American Beauty on BBC1. Why? Because it stars Kevin Spacey, who had at that point just been accused of sexually inappropriate behaviour. Spacey, who is now seeking treatment for his problems, has not been convicted in court of any of the offences levelled at him but the BBC seems to have decided it must shield licence fee payers from works of fiction he has appeared in anyway. No film involving Spacey has been broadcast by the BBC – or any other terrestrial TV channel – for months. The same goes for
ITV’s Marcella (Monday) represents another triumphant breakthrough in the portrayal of female cops on television. Of course, thanks to more or less every other crime show around, we already know that women in their forties can be senior police officers. But what Marcella makes even clearer than, say, Vera or No Offence is that so can women in their forties who are entirely unsuited to being senior police officers. For a start, the eponymous heroine suffers from regular mental collapses during which she often turns violent before handily forgetting — and forgiving herself for — anything bad she may have done. She also seems to specialise in cases where she
I’m cooking almost full-time for my poor old Mum and learning on the job: shepherd’s pie, roast pork, cauliflower cheese. I’m slaving over the stove and recipe book for hours and she hardly touches any of it. ‘Come on. Eat up. Do you good,’ I say, not unconscious of the role reversal. The other day I tried a slow-cooked beef casserole. The BBC website advised browning the meat first. Sheer political correctness. I simply lobbed the ingredients in a pot, poured on the boiling water, shoved the pot in the oven, got in my car and drove to the pub. About once a week, I drive over to my petrolhead
Shortly after my rave review of McMafia eight weeks ago, I got a long message from an old friend chastising me for being so horribly wrong. Could I not see that the series was boring, convoluted and badly acted? Was I aware of how many better series there had been on Amazon and Netflix recently because, if I wasn’t, she could give me a few recommendations… Several other people wrote to me in a similar vein and I felt terrible. Life is short and TV production is so voluminous these days that now more than ever we need critics to sift the bullion from the dross. Sure, reviews are a
Donald Trump’s election as US president has meant the whole notion of ‘fake news’ and ‘alternative facts’ is now very much part of a wider conversation. But for decades before the Trump era, more honest or open-minded journalists were aware that some of their colleagues often didn’t tell the whole truth about all kinds of matters, or cherry-picked what they reported. And perhaps no subject has been so misreported as the Palestinian issue. Western media has often focused on this issue to the detriment of many other conflicts or independence movements throughout the world. The BBC, in particular, has devoted an inordinate amount of its budget and staff to covering the West
It is 100 years since women got the vote and I have been joining in the celebrations, on public transport — lightly tapping attractive women on the knee or gently massaging their lovely shoulders and saying, cheerfully, ‘Well done, babes!’ Some react with anger and irritation to my heartfelt congratulations, especially when I ask for their phone numbers so that we might discuss suffrage further — which is, I suppose, an indication they did not really want the vote in the first place. Certainly it imposes a terrible pressure upon them — they are forced, every five years, to make a clear decision. The statistics suggest many resent this imposition
When the BBC’s Arabic-language network went out on air for the first time 80 years ago, on 3 January 1938, its mission was to provide ‘reliable news’ to a region that was being fed German and Italian ‘propaganda’ via short-wave transmissions from those countries. News is still its main focus, says Bassam Andari, news-gathering editor for the Arabic service, who has been with the corporation since 1994, arriving in London from Lebanon. He grew up listening to the station during the civil war in that country in the 1970s. ‘My mother would switch the radio on to the BBC every morning to find out what was happening in the world,
Anniversaries are very interesting, of course, but all the same I think a news programme ought to revolve around, well, the day’s news. That is something which increasingly seems to be missing from the Today Programme, once the BBC’s flagship news programme. Overnight, as I have read elsewhere, stock markets have plummeted around the world. Michel Barnier has made further statements on a future Brexit trade deal, again appearing to try to block the comprehensive trade deal which the government, and I suspect most business interests across the EU, want. But these were matters only sketched-over in a bizarre edition of the Today programme which devoted virtually every single item
