Bbc

Will the BBC go back to ignoring grooming gangs?

The future of modern Britain looks set to be an unusually complicated affair. Take just one piece of news that came out of the trial of Darren Osborne over recent days. According to relatives of the Finsbury Park attacker, the first trigger towards his radicalisation was watching the BBC drama Three Girls about the Rochdale grooming gangs. Evidence suggests that this drama put him on the path to deciding to hire a van and drive it into a group of Muslims in Finsbury Park a few weeks later, murdering 51-year old Makram Ali. Now of course the BBC’s drama department should not be held responsible for the death of Mr

The right stuff | 1 February 2018

Geoff Norcott is lean, talkative, lightly bearded and intense. Britain’s first ‘openly Conservative’ comedian has benefited enormously from the Brexit vote and he’s popular with television producers who need a right-wing voice to balance out the left-leaning bias of most TV output. ‘It’s funny meeting TV types,’ he tells me. ‘They say, “We really want to hear alternative viewpoints.” And I’m thinking, “By alternative you mean majority,”’ Norcott, 41, was raised on a south London estate. ‘Both my parents were quite political. My dad was a trade unionist who got quite high up in the NEC [Labour’s national executive committee] and my mum ran as a Lib Dem councillor. So

What the BBC won’t tell you about the leaked Brexit forecasts

The leaked government Brexit forecasts have this morning been reported by the BBC just as its leakers intended: as embarrassing proof that Brexit is bad for the economy. If it had any vague interest in being impartial, perhaps the Beeb would have bothered to make the rather obvious point: not only have we seen such forecasts before, but the new figures are more optimistic than HM Treasury’s last effort. The government’s April 2016 analysis said that the economy would be 3.8 percentage points smaller than it otherwise would have in 15 years if we were to stay in the EEA; that has now been revised down to a 2pc hit.

The Spectator’s Notes | 18 January 2018

The BBC programme The Coronation, on Sunday evening, was extremely interesting, principally, of course, because of the Queen’s appearance on it. But what was left out was notable. The programme gave a careful narrative, and some explanation, of the stages of the service and of the jewels and regalia (the Queen’s main supporting actors in the show). It never explained or even mentioned that the ceremony in which the anointing and the putting on of the crown were framed was the communion. It told us that, in 1953, the anointing had been considered too sacred a moment for the cameras to film. It did not tell us that the same

Rod Liddle

Women’s pay could bankrupt the BBC

I hope you are enjoying the BBC drama series Hard Sun. It is described as pre-apocalyptic science fiction, set in the present day UK. The head of MI5 is a Nigerian woman and everybody else in it lives in a mixed-race family — so, if you are a racist, you might well query that aforementioned description pre-apocalyptic: it’s upon us! The rest of us will simply think it’s ludicrous and bears no relation to the country in which we live, and might become irritated by the BBC forcing this PC social engineering down our throats at every possible opportunity. Although we may already have filled up our beakers of irritation

Carrie Gracie’s first-world problem

Carrie Gracie is more or less in the right, but I did laugh out loud when I heard her, on the BBC programme she was herself presenting, say that her resignation from her post as China editor over the equal pay issue had brought wonderful sympathy from ‘across the country and internationally’, as though speaking of the plight of the Rohingya. People who earn six-figure salaries and are allowed, by the organisation which employs them, to complain on air to millions about an aspect of their pay are not easy for most of us to regard as persecuted victims. Even Ms Gracie’s ‘resignation’ from her Beijing post seems to permit

Watch: Question Time audience member calls out Labour hypocrisy over Toby Young

This week Question Time moved to Islington. David Dimbleby chaired a panel comprised of Dominic Raab, Labour’s Dawn Butler, Gina Miller, comedian Nish Kumar and Piers Morgan. However much of time was spent discussing Toby Young, who resigned from the Office for Students this week. With various derogatory comments made about Young, it fell to an audience member to address the elephant in the room: Labour’s hypocrisy. He said that it was inconsistent of Labour to call for Young’s sacking while they had only suspended Jared O’Mara, the MP for Sheffield Hallam, while the party investigates misogynistic and homophobic comments he is alleged to have made online: ‘Labour and the Tories can

The Spectator’s Notes | 11 January 2018

Gavin Stamp, who died just before the year’s end, will be mourned by many Spectator readers. For years, particularly in the 1980s, he was the paper’s main voice on architectural questions, notably as they affected the public space. His voice, both angry and compassionate, would be raised whenever he thought someone in authority — in church, state, local government, big business — was damaging what belonged to the people. He was very important at changing official attitudes imbued with fag-end modernism. No one expounded better the conception of a building’s public purpose, so to hear him talk about, say, Lutyens’s Memorial to the Missing of the Somme at Thiepval, was

Lessons from Rwanda

What an incredible statement we heard on My Perfect Country. ‘I can walk into a boardroom and forget I am a woman,’ pronounced Isabelle Masozera, a PR executive, on the World Service programme, which this week visited Rwanda to find out what is happening there to make it qualify for ‘my perfect country’ status. Her words hit home because of the BBC’s current difficulties over equal pay and opportunities. It appears that the corporation has been less than speedy or judicious in its response to the revelations last year about the substantial differences in earnings between some of its male and female employees. Badly handled, it led to the bizarre

Equal pay matters – that’s why I have resigned as BBC China Editor

I have been a BBC journalist for three decades. With great regret, I have left my post as China Editor to speak out publicly on a crisis of trust at the BBC. The BBC belongs to you, the licence fee payer. I believe you have a right to know that it is breaking equality law and resisting pressure for a fair and transparent pay structure. In thirty years at the BBC, I have never sought to make myself the story and never publicly criticised the organisation I love. I am not asking for more money. I believe I am very well paid already – especially as someone working for a

Spotted: a right-wing comedian on the BBC

I just exulted to my wife that Simon Evans had been on Radio Four’s The News Quiz. He’s a very funny man, Evans, but is also regarded as Britain’s only right-wing comedian. There are actually quite a few others – Leo Kearse, for example. Anyway, Evans was in excellent form, defending Donald Trump and describing the NHS as a Socialist Utopia which did not work. The audience wasn’t sure what it should do, and Evans was of course ribbed for his opinions by the other three panellists and indeed the compere. Which is when I thought: hang on, why should I be grateful to the BBC for allowing one single

Grauniad reviews organised crime drama: ‘shades of Brexit’

Although we’re only three days into 2018, the Guardian has put in an early contender for the coveted title of most Grauniad article of the year. Proving that Brexit misery can be found in pretty much anything so long as you look hard enough, the paper has published an intriguing review of McMafia, the BBC’s new glossy mini-series on organised crime The series tells the story of Alex Godman – a man who has spent his life trying to stay clear of his family’s criminal past, but when tragedy strikes, he becomes embroiled in the world of international crime – including money laundering and shootings. The drama has so far

The BBC’s religious programming shake-up could easily make things worse

So the BBC resolves to improve its treatment of religion, to take it more seriously as a major force in our culture. Good. But if clumsily undertaken such intentions can backfire, and deepen the liberal elite’s disdain for religion. Imagine if Thought for the Day was doubled in length, or if Songs of Praise was aired twice a week. The challenge is to find new forms of religious broadcasting that unsettle assumptions. I can only think of one example of this in the last decade: Rev, the sitcom that combined affection for the C of E with satire. Because it was irreverent, it could also be profoundly sympathetic – it

Are driverless cars the future?

  Philip Hammond’s last Budget focused on driverless cars as an example of the brave new technological world. But should we believe the hype? The Spectator arranged for Christian Wolmar, author of a new book on the subject, to meet Rory Sutherland, vice-chairman of Ogilvy & Mather and The Spectator’s Wiki Man columnist, to talk about the future of driving and transport.   Wolmar: Let’s face it: we’re talking about a technology that will never happen. There may be some driverless cars going round Phoenix in a very limited way but the owners, Waymo, which is part of Google, are very secretive about precisely what they’re doing. The hype is being

Lionel Shriver

A purity test for artists is the end of art

However we keep ourselves amused over the holidays this year, two sources of entertainment are off the docket. Amid the deluge of sexual misconduct allegations last month, the BBC dropped an Agatha Christie drama from its Christmas line-up after one of the actors, Ed Westwick, was accused of rape and sexual assault — which Westwick denies, slathering a layer of irony on the mystery’s title: Ordeal by Innocence. Mere hours before the scheduled premiere, the distributor of I Love You, Daddy refused to release the film, in anticipation of an ugly big reveal in the New York Times. The movie’s star, director, producer and writer, Louis C.K., now admits to

Women on top | 7 December 2017

Boy came to me the other night in a state of dismay. ‘Dad, I just turned on Match of the Day to watch England vs Kazakhstan and guess what: they never mentioned this, but it’s the women’s game.’ What bothered him was not so much being forced to watch a slower, less athletic, duller version of real football — though obviously that too — as that the BBC was being so utterly disingenuous about it. This policy of pretending there’s absolutely no difference between men’s and women’s international sporting fixtures has, I know, been operational for some time. But for those of us living outside the PC metropolitan bubble —

Living dolls

This week on Channel 4, we watched a cheery 58-year-old American engineer called James going on a first date. He was meeting Harmony, an extravagantly shapely blonde who was obliging enough to be wearing a low-cut crop top and tiny shorts, and who greeted him with a charming smile. After a spot of small talk and a dumb-blonde joke, she then alternated between assuring him how great he was and inviting him to masturbate over her. ‘You’re awesome,’ a visibly smitten James declared — apparently not at all bothered that Harmony was a robot. This scene — clearly regarded as a heartwarming one by Harmony’s maker Matt McMullen — provided

Family favourites | 23 November 2017

It’s a weird sensation getting your child back for an extended period when for the previous decade you’ve been packing him off every few weeks back to boarding school. Obviously, it’s quite pleasant, amusing and enlightening to study at close hand and at length this alien thing that you’ve bred. At the same time, though, they don’t half become a discombobulatingly overbearing presence. For example, in the old days I would definitely have reviewed Howards End, even though I can’t stand E.M. Forster or the ghastly pinko Schlegel sisters. But now that the Fawn and I no longer have the house to ourselves, we have to fall in with Boy’s

Emily Thornberry fails the socialism test

Oh dear. After a fortnight of government shambles, Jeremy Corbyn can enjoy the weekend safe in the knowledge that his party is… still neck and neck with the Tories. On last night’s Question Time, Emily Thornberry offered an insight into why her party – and it’s plan for 21st century socialism – may be failing to catch fire. Asked by a member of the audience what country was the best advert for Corbyn’s brand of socialism, the shadow foreign secretary struggled to come up with an answer: QT audience member: I’d like to hear of an example where Corbyn and McDonnell’s economic ideas have worked. DD: Okay, you can name

Adult entertainment | 16 November 2017

Any readers of the Sun who excitedly tuned in to Howards End on Sunday night with their pause button at the ready will, I fear, have been in for a disappointment. Before the programme went out, the paper had assured them that this new BBC1 adaptation would ‘do a Poldark’, with ‘a hot cast’ providing ‘a sexed-up remake’ of the 1992 Merchant Ivory film. (The sub-editors may have missed a trick by not headlining the piece, ‘It’s E.M. Phwoar-ster!’) In the event, what they got was a quietly thoughtful exploration of Edwardian intellectual life. The first episode, in fact, didn’t differ very much from the non-sexed-up film version — and