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There aren’t many dramas featuring the rise of the Nazis that could be described as jaunty, but Outrageous is one. Oddly, this seems to be the first ever TV drama about the Mitford sisters – and, faced with the choice between playing it for laughs, going for a big historical soap opera or exploring the increasingly dark politics of the 1930s, the show’s writer Sarah Williams has, perhaps wisely, opted for all three. At times, admittedly, the clash of tones can be jarring, but generally in a way that feels like an authentic reflection of a story that remains irreducibly weird. The show also strikes a neat balance between acknowledging

Bad Behaviour is a decidedly solemn new Australian drama series with plenty to be solemn about. It was billed in Radio Times as ‘slow-burning’ – which feels a little tactless, given that the opening scene featured a girl in a boarding-school dormitory setting herself on fire (and burning quite quickly). We then cut to the same girl, Alice, ten years later looking surprisingly well as she gave a cello performance in a venue where the catering staff included a fellow ex-pupil called Jo, who greeted her warmly. Perhaps understandably, though, Alice was reluctant to reminisce about the old days at Silver Creek. It’s one of those shows where you can’t

If you don’t subscribe to every last detail of the LGBTQ+ agenda, then basically you are a Nazi. This was the subtle message of Eldorado, a documentary that pretended to inform us about the real-life background sexual milieu to Cabaret and Babylon Berlin, but was really much more interested in promoting its political view that Weimar Germany with its sexual promiscuity, rampant drug use and anything-goes view on ‘gender’ represented some kind of paradise on Earth which we should seek to emulate. A voice-over told us what to think: ‘They feel intimidated by this rapid change. The pace of change is a source of frustration to just about everybody. If

When TV makes shows about TV, it rarely has a good word to say for itself. In the likes of W1A, The Day Today and, savagest of all, Victoria Wood: As Seen on TV, the industry has looked in the mirror and ripped itself to shreds. What all these comedies say, in their own way, is that most TV is bombastic, brain-dead, two-star crap put together in a blind panic and a moral vacuum by idiots and monsters. Second only to politics, it’s the satirists’ biggest sitting duck, the gift that can’t stop giving. The Newsreader, a new newsroom drama, turns out to be cut from different cloth. It’s set