Bells

It’s one thing to sit in a comfortable armchair and see the world in a grain of sand. It’s quite another to hear it in a muddy shard of bone, a spool of wire or even an oddly shaped hole in the ground; to go searching for its voice on the sea bed, deep in the ice, beneath deserts, woods and cities. Music archaeology, Graeme Lawson wryly explains, is often the study of ‘small and largely unexceptional fragments’: objects ‘we might easily have kicked out of the way’. And yet the magic, he demonstrates, is all the greater when these fragments begin to connect, slowly coalescing into sounds and stories

Caspar Henderson writes beguiling books about the natural world, full of eyecatching detail and plangent commentary. His Book of Barely Imagined Beings: A 21st-century Bestiary came out in 2012. A Book of Noises is a worthy companion – a pursuit of auditory wonders, a paean to the act of listening and a salute to silence. Item: the music of the spheres. (The planets’ orbits, proving unideal and elliptical, suggested to the musically minded astronomer Johannes Kepler an appropriately sad, minor-keyed leitmotif for the Earth, where, he felt, misery and famine held sway’.) Item: the world’s loudest sound. (The asteroid Chicxulub that killed the dinosaurs 66 million years ago; also an