Benin

Wallowing in misery: Tremor, by Teju Cole, reviewed

Tunde can’t explain why he grows addicted to screen depictions of ‘inexhaustible brutality’ The protagonist of Teju Cole’s latest novel is a composite of his earlier creations, which in their turn are partial self-portraits. An artist roaming around with his camera, Tunde photographs hedges and trinkets, contemplates colour and listens to Malian music. Having left his native Nigeria three decades earlier, aged 17, by 2020 he is settled in New England. Meanwhile, Lagos has become ‘a reality of his life so large and at the same time so intimate, so intense and so various’, a feeling that increases whenever he returns to the city in person or in his imagination.

Who really owns the Benin Bronzes?

Should the British Museum return its priceless collection of Benin Bronzes? For years, the museum has stood firm in its refusal to hand back artwork looted from the ancient kingdom of Benin, in what is now southern Nigeria. In doing so, it has defied the trend set by regional institutions in Britain, such as the university of Aberdeen. Earlier this year, the university confirmed that it would repatriate a bust of an Oba, or king of Benin, which it has had since the 1950s. As a result of refusing to take a similar stance, the British Museum has been heavily criticised – but there is a strong case to be made that its