Biography

Edward Garnett, radical, pacifist, freethinker, Russophile man of letters, was from the 1890s onwards for many years the pre-eminent fixer of English literature. D.H. Lawrence’s widow Frieda hailed him as ‘the midwife’ of Lawrence’s ‘genius’. And so he was; while he also nurtured Joseph Conrad, T.E. Lawrence, Edward Thomas, Liam O’Flaherty, H.E. Bates and Henry Green. He presided as ‘reader’ over the shoals of expectant manuscripts piling up daily at the publishers — starting out at Fisher Unwin, doing the business for Heinemann and Duckworth, putting in long stints at Dent and ending up at Cape. Jonathan Cape headhunted Garnett for his new firm in 1921 as ‘the best reader’

Difficult Women: A Memoir of Three  David Plante New York Review of Books Classics, 2017, £10.99 Worlds Apart: A Memoir David Plante Bloomsbury, 2016, £10.99 Becoming a Londoner: A Diary David Plante Bloomsbury, 2014, £9.99 The novelist David Plante has been keeping a diary of his life since 1959. Now running to many millions of words, it covers several decades of literary and artistic life in London and Europe, and is archived every few years in the New York Public Library. His first foray into its publication came early, too early, with Difficult Women in 1983. Now, following closely after Becoming a Londoner and Worlds Apart, two substantial volumes covering the 70s and

When I recently asked a sardonic Northern Irish friend what historical figures Gerry Adams resembled, the tasteless reply came back: ‘A mixture of Jimmy Savile and Oswald Mosley.’ There are elements of both archetypes in this new unauthorised portrait, but it stops short of going the full distance. Perhaps we should not be surprised. The Savile reference is to the grisly theme of child abuse in Adams’s family, leading to his brother’s conviction for offences against his own daughter, and the revelation that Adams père had also sexually abused his children. Though no such accusation attaches to the Sinn Fein leader, these episodes have affected him politically as well as

In this week’s Books Podcast I talk to the incomparable Claire Tomalin — veteran literary editor, biographer of Mary Wollstonecraft, Pepys, Hardy and Dickens among others —  about her new memoir A Life of My Own.  Here’s a book that contains extraordinary hardship — domestic violence; the loss of loved ones — narrated with cool fortitude in fine prose. She talks about the sexism of old Fleet Street, the unexpected liberation of widowhood, her renunciation of poetry, and the extraordinary satisfaction, in literary biography, of finding her calling. And why being married to Michael Frayn keeps her from writing plays… You can listen to our conversation here: And do subscribe on

It’s awful, but the surname Rausing (once synonymous only with the Tetrapak fortune) now summons up a terrible stench in the imagination. It’s that of Eva Rausing’s decomposed body, wrapped in a tarpaulin on the marital double bed in Belgravia, buried under a mattress, several flat-screen televisions and a heap of blankets and duvets. When it was discovered by police forcing open the duct-taped bedroom door in July 2012 — more than two months after her husband Hans had left it there, unable to face up to his wife’s death from cocaine-induced heart failure — the only way Eva could be identified was by a fingerprint and the number on

On the evening of 28 October 1908, two unremarkable middle-class women wearing heavy overcoats gained admission to the Ladies’ Gallery, high above the chamber in the House of Commons. Suffragettes had previously hit the headlines by chaining themselves to the railings at 10 Downing Street and, emboldened by this success, the leaders of the women’s movement planned an even more outrageous demonstration. The Ladies’ Gallery was surrounded by a metal grille, and this had huge significance for the suffragettes, as it symbolised their exclusion from the patriarchal political system. The plot was for two of them to chain themselves to the hated grille. One of the women chosen for the

The Enigma of Kidson is a quintessentially Etonian book: narcissistic, complacent, a bit silly and ultimately beguiling. It is the story of Michael George MacDonald Kidson (MGMK, as he was known), who taught history at Eton from 1965 to 1994 and was an influential tutor to hundreds of boys, often the wayward and the damaged. Jamie Blackett, who was taught by him there, has collected Kidsoniana from former pupils, colleagues, friends and acquaintances. What emerges is a portrait of a colourful maverick who bullied and consoled generations of schoolboys into success and happiness. Blackett conjures up a cheerful world where robust and affectionate Springers (Kidson’s Dougal, Boody, Bertie, Charlie, Jed

Before Brooklyn exceeded it in cool, Manhattanites spoke dismissively of BNTs. These were the Bridge ‘n’ Tunnel folk, the out-of-towners who needed civil engineering to help them reach social nirvana. The ambitious critic Norman Podhoretz, a master of self-invention, was one such. His notorious Making It (1967) begins: ‘One of the longest journeys in the world is… from Brooklyn to Manhattan.’ But since 1883 the journey over the East River has only been 5,989 feet, although physical distance was not the measure that pained Podhoretz. That’s the total length of Washington Roebling’s Brooklyn Bridge, the first connection between the outer boroughs and the elite ‘New York’. It was, and remains,

Forgotten? Though I can rarely attend their dinners (in Birmingham), I am a proud member of the Buckland Club (motto: Semper in ventrem aliquid novi). Dedicated to the memory and gastronomic exploits of Francis Trevelyan (Frank) Buckland (1826–1880), the Oxford-born surgeon, natural historian and popular writer who aspired to eat a member of every living animal species, the Club’s repasts are unfailingly interesting, if seldom so ambitious. Frank’s penchant for zoöphagy came from his father, William (1784–1856), a Canon and Dean of Christ Church, where he served up delicacies such as mice on toast, pickled horse tongue, puppies, hedgehog, crocodile and bear. The travel writer Augustus Hare is the source

A film critic friend, astonished that I had never heard of Shirley Jackson, told me to go and read her immediately. That was ten years ago and she has since become one of a handful of talismanic writers I reach for when craving literary succour. An undisputed master of the gothic and the uncanny— We Have Always Lived in the Castle and Hangsaman are both masterclasses in the unearthly and the opaque — she plumbs domestic and familial horror in a way which manages to be both universal and chillingly particular. She is also, in Britain anyway, still ridiculously underrated, even unknown. This new biography by the New Yorker critic

The ten pallbearers at Thomas Hardy’s funeral in Westminster Abbey on 16 January 1928 included Kipling, Barrie, Housman, Gosse, Galsworthy, Shaw and both the prime minister and leader of the oppposition. This distinguished gathering was not strictly necessary for the job at hand, because Hardy’s coffin merely contained his ashes — all that there was room for in Poets’ Corner. At exactly the same time in Dorset, at a smaller funeral, a casket containing Hardy’s unincinerated heart was being borne to its final resting place alongside his parents and his first wife in the churchyard at Stinsford. As Mark Ford observes, this macabre compromise between the nation’s and the author’s

Lady Anne Barnard is a name that means almost nothing today, but her story is a remarkable one. She defied all the expectations governing the behaviour of upper-class women in 18th-century society, yet she made a success of her life. She died leaving six volumes of unpublished autobiography with a stern injunction that her papers were never to be published. For 200 years her memoirs have languished in the family archive, and Stephen Taylor is the first biographer to reveal her secrets. Anne was the daughter of a threadbare Scottish peer, Lord Balcarres, and she grew up the eldest of 11 children in a prisonlike tower house in Fife. Pushed