Biography

Thursday

Mark Mason

The Outsider, by Jimmy Connors – review

As a teenager in the 1980s I liked Jimmy Connors. This meant parking my not inconsiderable jealousy that he’d once had Chris Evert as his girlfriend. Magnanimously, I agreed to do so. Not only did the star respond to a shout of ‘come on Connors’ with ‘I’m trying for Chrissakes!’, he was also, you sensed, the real thing: a genuine rebel. John McEnroe played at it, but — like Ian Botham in cricket — always had a faint air of the knob about him. Connors’s anger, he reveals in his autobiography The Outsider (Transworld, £18.99), stems from the day he was eight and saw his mother beaten up on a

Thursday

Andrew Roberts

My last chance to follow in Napoleon’s footsteps

St Helena, the island in the middle of the Atlantic Ocean on which Napoleon Bonaparte was exiled and died, is so far away from anywhere else that even pirates never discovered it. The only way to get there is by the last Royal Mail ship in existence, RMS St Helena, after a six-day journey from Cape Town, as I discovered this month when I visited in the course of researching my forthcoming biography of Napoleon. Although the Emperor was violently seasick on his journey there in 1815, the seas were very calm for mine. Indeed, the calmness was almost eerie; for nearly a week we saw no planes in the

Julie Kavanagh

Nijinsky, by Lucy Moore – review

The first biography of Vaslav Nijinsky, which appeared in 1934, was written by his wife Romola with the help of two ghosts — the young Lincoln Kirstein and Little Blue Bird, an obliging spirit called up by a psychic medium to provide information from beyond the grave. Needless to say, the book wasn’t entirely accurate; and nor, two years later, was her edition of Nijinsky’s confessional diaries, a stream-of-consciousness record of his descent into madness, which she censored, restructured and cut by over a third. It took Richard Buckle’s now classic life of the dancer (published in l971 and amended after Romola’s death) to sort fact from fiction and recreate

Wednesday

Nigel Jones

Amy Winehouse and the 27 Club, by Howard Sounes – review

As an early dedicated fan of the Doors, who ran away from boarding school just so that I could catch my idols playing the massive Isle of Wight festival (a gathering of the Hippie tribes that in retrospect marked the end of the peace ‘n love era) I approached this book with more than casual interest. I saw and heard two of its subjects – Jimi Hendrix and my hero Jim Morrison – give what turned out to be their swansongs that sweaty August night on the island. Both were dead within the year. Both were aged 27, as were rock biographer Howard Sounes’s other subjects: Brian Jones of the Rolling

Thursday

Lewis Jones

The Frontman, by Harry Browne – review

According to a story which Harry Browne accepts is surely apocryphal, but which he includes in his book anyway, at a U2 gig in Glasgow the band’s singer silenced the audience and started to clap his hands slowly, whispering as he did so: ‘Every time I clap my hands a child in Africa dies.’ Someone in the audience shouted: ‘Well fuckin’ stop doin’ it then!’ The story is worth repeating because it reflects the way many people, even charitably disposed rock fans, feel about Bono. They think his name — born Paul David Hewson, he appropriated the stage name from a Dublin hearing-aid shop that advertised devices called ‘Bono Vox’

Thursday

Stoker Devonshire

Henry Cecil, by Brough Scott – review

This is by far the best book on racing I have ever read. It combines a truly extraordinary story — one that no novelist would have dared to submit — with brilliant writing by an author who is almost as knowledgeable about horses and the turf as his subject. Sir Henry Cecil had a privileged upbringing and a not very successful academic career; by the age of 20 he still had no idea what he wanted to do with his life and it seems that it was nurture — his stepfather was a flat-race trainer— rather than nature that led him to horses. In view of his superhuman dedication to

Joanna Kavenna

Everest, by Harriet Tuckey

This book, as the subtitle explains, makes a bold claim: Griffith Pugh was the ‘unsung hero’ of the 1953 ascent of Everest, his achievements neglected and nearly lost to posterity. Harriet Tuckey is Pugh’s daughter, so this assertion might be little more than a kindly attempt to revive her father’s flagging reputation. Yet, Pugh was clearly no ordinary father, and Tuckey’s advocacy on his behalf is correspondingly unusual. She casts her father as a ‘uniquely talented, turbulent man,’ ‘truly great,’ ‘difficult, bad-tempered,’ ‘rather cruel’ and ‘totally selfish’. Many pioneers are Janus-faced in this way — those fervent, half-mad, ambitious men and sometimes women who scale mountains, chart the uncharted and

Wynn Wheldon

Z, by Therese Anne Fowler, Beautiful Fools, by R. Clifton Spargo, Careless People, by Sarah Churchill – review

The Great Gatsby is one of those great works of literature, like Pride and Prejudice, that appeals as much to the general reader as to the literary bod. It’ll always be around, if not as a movie (there have been five since its publication in 1926) then as an opera or a ballet. Last year a staged reading ran for weeks in the West End, to critical acclaim. It is a short book — a long short story really — about wealth and sex and hope and disillusion and partying. These are the themes, too, of the lives of its author and his wife Zelda. Theirs was a relationship that

David Crane

Byron’s War, by Roderick Beaton – review

On 16 July 1823 a round-bottomed, bluff-bowed, dull-sailing collier-built tub of 120 tons called the Hercules made its slow, log-like way out of the port of Genoa. Roderick Beaton writes: Aboard were a British peer, who happened to be one of the most famous writers of the day, a Cornish adventurer, an Italian count, a Greek count, a doctor and a secretary (both Italian), half a dozen servants of several nationalities, five horses, two dogs and a prodigious amount of money in silver coin and bills of exchange. The Hercules was not the most glamorous vessel to carry Lord Byron towards Greece and immortality, nor was the ship’s company the

Friday

J P O'Malley

Jesse Norman interview: Edmund Burke, our chief of men

When he arrived in London, Burke had a very brief career in law. He soon dedicated his time to critical thinking, writing and politics. Burke published a number of ground breaking books, including: A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful, and Reflections on the Revolution in France. In his new book, Edmund Burke, Jesse Norman dissects Burke’s outstanding intellect, and his career. He then asks how these ideas might be applied to modern politics. Jesse Norman is Conservative MP for Hereford and South Herefordshire. In 2012 he was named as the Spectator’s Parliamentarian of the Year. He is a member of the Treasury

Thursday

Philip Ziegler

Margaret Thatcher: The Authorized Biography, by Charles Moore, and Not for Turning, by Robin Harris – review

It is a measure of Lady Thatcher’s standing that her death has been followed not only by the mealy-mouthed compliments from political opponents which are normally forthcoming on such occasions but also by robust denunciations. Nobody would have sung ‘Ding, dong, the Wizard is dead!’ after the deaths of Jim Callaghan, John Major or Alec Douglas-Home. Even the more controversial Harold Wilson got a bland send-off in his obituaries. Ted Heath was asked by a journalist whether it was true that, when he heard of Margaret Thatcher’s eviction from the party leadership, he had exclaimed ‘Rejoice! Rejoice!’. No, he replied, after some deliberation. ‘What I said was “Rejoice! Rejoice! Rejoice!”

Anne Somerset

The Devonshires, by Roy Hattersley – review

Recalling being taken as a teenager on repeated outings to see Chatsworth, Roy Hattersley disarmingly confesses that in those days ‘I was impressed by neither the pictures nor the furniture’. Over the past three years, while working in the Chatsworth archives on this history of its owners, the Cavendish Dukes of Devonshire, Hattersley would break off from research to roam the rooms and reacquaint himself with the house’s treasures. Yet if he is now more appreciative of its contents, he is not completely under the spell of Chatsworth’s past occupants. The ‘founding mother’ of the Devonshire dynasty was the Tudor virago known as Bess of Hardwick. Aged 20 in 1549

Thursday

Charles Moore

The Spectator’s Notes | 25 April 2013

The first volume of my biography of Margaret Thatcher was published on Tuesday. Since Lady Thatcher had stipulated that the book could appear only after her death, we were, in principle, ready. But it is still a huge undertaking to finish correcting a 900-page book on a Tuesday (the day before the funeral), and get back the printed book the following Monday. Reviewing my endnotes, I came across an interviewee called Rosie Cruikshank. She appeared in relation to Margaret Roberts’s most serious boyfriend. Who on earth was she? Just in time, I remembered. While writing all the ‘love interest’ passages, I had worried that they might fall into the wrong

Thursday

Charles Moore

The Spectator’s Notes | 11 April 2013

It is strange how we are never ready for events which are, in principle, certain. The media have prepared for Margaret Thatcher’s death for years, and yet there was a rushed, improvised quality to much of the coverage when she actually did die. We have a curious habit of all saying the same thing, and feeling comforted by that, when really it is our job to say as many different things as possible. The BBC, which Mrs Thatcher, and even more Denis, detested, has been straining itself to be fair, but fairly bursting with frustration in the attempt. The way for it to express its subliminal opposition to her is

Thursday

Molly Guinness

‘Diana Vreeland’, by Amanda Mackenzie Stuart – review

Over 80 and almost blind, Diana Vreeland was wheeled around a forthcoming costume exhibition at the Metropolitan Museum, issuing instructions all along the way about hats, shoes, lights and mannequins. She seemed, recalled the writer Andrew Solomon, an impossible old lady who couldn’t let go of her control and who was making everyone’s lives miserable for no good reason. And they did everything she’d said, and it was transformed. Her nearly sightless eyes could pick out things my youthful vision could not; enfeebled, she was still supreme at the discipline of chic. From childhood, Diana Vreeland had operated with deep faith in the power of self-presentation. She transformed herself from

Ian Thomson

‘Fanny and Stella: The Young Men Who Shocked Victorian England’, by Neil McKenna – review

Mick Jagger, the Danny La Rue of rock, impersonates a woman on the cover of the 1978 Stones album Some Girls. Vaudeville performers in the Jagger mould love to put on lipstick and ‘false bubbies’ (as Neil McKenna calls them). Boy X-Factor contestants, with their shaved eyebrows, diamond earrings and nails lovingly manicured, present an almost Gloria Swanson-like image of adornment. Perhaps it is merely romantic to suggest that the stylised wigs and gowns worn by our bishops and high court judges also have a homoerotic component. The former Pope Benedict XVI’s ruby-red pumps were nothing compared to the faux ermines worn in the House of Lords. Frederick ‘Fanny’ Park,

Anthony Sattin

‘O My America!’, by Sara Wheeler – review

You might not expect Sara Wheeler, the intrepid literary traveller, to be anxious about passing the half-century point. Surely a person who can survive the mental and physical rigours of Antarctica, as she brilliantly documented in Terra Incognita, can cope with ageing and menopause? Wheeler herself was not so certain. In her restless, creative way, she met the advent of what she calls ‘the Frumpy Years’ by taking to the road, following the trails of six indomitable Victorian women across the United States. The combination of that nation of eternal makeover and of Wheeler’s travelling companions makes O My America! a curious and teasing book. Her work to date has

Victoria Glendinning

‘Daphne du Maurier and Her Sisters: The Hidden Lives of Piffy, Bird and Bing’, by Jane Dunn – review

Jane Dunn is something of a specialist on sisterhood. She has — we learn from the dedication — five sisters of her own; she has already written a book about the sisters Virginia Woolf and Vanessa Bell, and another about the cousins Elizabeth I and Mary, Queen of Scots. Now the du Maurier sisters are in line to capture the public imagination like the Brontës or the Mitfords, their group celebrity fortified by genuine claims to fame. The fascination for readers is the different character and destiny of each sister, plus their relationships with one another and with the dynamics of the family romance —  and few family romances have

Thursday

Stella Rimington

Journalist, novelist, patriot, spy

When I was a new MI5 recruit, working in Leconfield House in 1970, there was a group of middle-aged men who came and went at unusual times of the day, often gathering in the late afternoons, talking loudly and cheerfully. They were the F4 agent runners and I envied them; they seemed to be having a lot more fun than I was. F Branch, the counter subversion branch, was responsible, amongst other things, for monitoring the activities of the Communist Party of Great Britain and in particular for identifying its members, in support of Clement Attlee’s 1948 ‘Purge Procedure’, excluding communists and fascists from work vital to the security of

Tuesday

Andrew Petrie

Roy Lichtenstein: comic genius?

Tate Modern promises that its forthcoming retrospective will showcase ‘the full scope of Roy Lichtenstein’s artistic explorations’, to which Spectator art critic Andrew Lambirth responded acidly: ‘I look forward to being pleasantly surprised.’ And it’s true that once Lichtenstein perfected his dot patterning technique in the mid-Sixties, he stuck with it until his death more than 30 years later. Alastair Sooke’s How Modern Art Was Saved By Donald Duck is available as a Penguin Specials paperback from Tate Modern; elsewhere, it’s in eBook format only. It won’t convince any sceptics of Lichtenstein’s infinite versatility, but it does make a case for him as a supreme examiner of style. ‘Perfected’ is