Biography

Arthur Miller, 1915-1962, by Christopher Bigsby Arthur Miller was born in 1915 in Jewish Harlem, the son of immigrants from the shtetl, enjoying comfortable family wealth until his father’s business collapsed. The key events in forming his political outlook were the Depression, the Spanish Civil War, the Cold War — and the slow-to-dawn truth about Stalinism. The ever-present corollary is ‘New York Jew’. At the outset of a biography encompassing the man and his work, Christopher Bigsby points up Miller’s recurring debt to the classical Greek theatre, ‘where a society could engage with its myths, its animating principles.’ Tall and strong, Miller remarkably was never conscripted during the second world

‘Blinker’ Hall, Spymaster, by David Ramsay The first world war admiral, ‘Blinker’ Hall — so-called for the obvious reason — is less widely known than Jellicoe, Beatty & Co., but his contribution to victory and history was arguably greater. He was the Director of Naval Intelligence (DNI) who ensured the success of Room 40, the 1914 equivalent of Bletchley Park in 1939. Less famous than its successor, partly because radio was less used then, its ability to decrypt German naval and diplomatic ciphers was no less significant. Not the least of its achievements, enhanced by Hall’s outstanding political skill, was the decoding of the Zimmerman telegram, which effectively brought America

The Pursuit of Laughter: Essays, Articles and Reviews, by Diana Mitford, edited by Deborah Devonshire Nancy was the only one of the six Mitford sisters who, throughout her life, bitterly complained of the fact that she had not been sent to school. Her younger sister, Diana, on the other hand, dreaded the very thought of school, and when they were children it was one of Nancy’s favourite teases to pretend she had overheard their parents planning to pack Diana off. ‘I was talking about you to Muv and Farve,’ Nancy would begin, a wicked gleam in her eye. ‘We were saying how good it would be for you to go

My Judy Garland Life, by Susie Boyt The story of Judy Garland is a magnificent example of the truth that life imitates art. Things would surely have been different had she stuck to being Frances Ethel Gumm of Grand Rapids, Minnesota. As it was, the trajectory of her life under the stage name she assumed at the age of 12, as part of a travelling vaudeville act, had a blighted glamour more appropriate to verismo opera than to the cinema screen. Complete with an abusive father and drunken mother, five marriages, abortion and attempted suicide, the entire scenario transcended the wildest aspirations of melodrama. The irony of a drug overdose

James Robertson Justice: What’s the Bleeding Time? by James Hogg, with Robert Sellers and Howard Watson ‘You — what’s the bleeding time?’ Sir Lancelot Spratt, consultant surgeon at St Swithin’s, barks at Dirk Bogarde’s trainee doctor. ‘Ten past ten, sir’ is the sheepish answer. Another cherishable exchange in the long-running series of medical comedies sees a patient complaining about shrapnel up the — ‘rectum?’ offers Spratt. ‘Well,’ comes the plaintive reply, ‘it didn’t do ’em any good.’ Gruff and domineering, Spratt and the actor who indelibly played him were interchangeable — except that James Robertson Justice wasn’t really an actor. He didn’t have any showbiz friends or interests, and drew