Bob marley

Tuesday

The Spectator

Letters: Rod was right about Bob Marley

Copping out Sir: Both the Police and Crime Commissioner Dr Andrew Billings and your recent correspondent John Pritchard are partly right (Letters, 16 and 23 March). Policing has gone wrong for two reasons. First, the massive cuts in staff instigated by Theresa May as home secretary resulted in a large number of the most experienced officers leaving. Even the replacement of these officers under Boris Johnson took time and could not make up for the loss of experience. Secondly, the inspection regime under the Inspectorate of Constabulary fails to address the crimes that matter to the public. During the years I was PCC for the Thames Valley, I made household

Tuesday

Ian Thomson

A celebration of the music of Jamaica

In Jamaica, music is the vital expression. Night and day, amid the heat and narrow lanes of the capital, Kingston, rap, reggae, ska, dub, rocksteady, gospel and mento-calypso boom from giant loudspeaker cabinets: a joyous musical beat. Deejay-based dancehall – a digitalised reggae that Jamaicans sometimes call ragga or Yardcore – dominates the club scene and it conceivably influenced hip-hop with its turn-table-styles of delivery known as ‘toasting’ (scatting and talking over records while moving the crowds). But old-time reggae remains the musical voice of Jamaica, just as rai in the musical voice of Algeria and flamenco that of Spain. It is a trance-inducing music out of Africa. In festively

Thursday

Lloyd Evans

Every MP must see this play: Value Engineering – Scenes from the Grenfell Inquiry reviewed

Scenes from the Grenfell Inquiry is a gripping, horrifying drama. Nicolas Kent and Richard Norton-Taylor have sifted through the public hearings and dramatised the most arresting exchanges. Ron Cook, often miscast as a comedian, is superb as the frosty and occasionally irascible inquisitor, Richard Millett. Early on, he asks the witnesses ‘not to indulge in a merry-go-round of buck-passing’. Later, he comments acidly, ‘That invitation has not been accepted.’ Every witness has something to hide and something to be ashamed of. A fireman searching for a child on the upper floors can’t explain why he didn’t rouse families from their flats and help them escape. A witness describes the inferno’s

Thursday

Nicola Christie

How the British musical conquered the world

What do Henry VIII’s wives, a Rastafarian musical icon and a drag queen have in common? They are all the subjects of new stage shows that are heralding a golden age of the British musical. Let’s start with the court of Henry VIII. A pair of friends at Cambridge University, Toby Marlow and Lucy Moss, decided to write their own musical four years ago because the student theatre society couldn’t afford to pay the royalties for an existing one. They based it on the life stories of the six women who were unfortunate enough to marry Henry VIII. Six, as this debut effort came to be known, opens on Broadway

Wednesday

Max Décharné

The musical gravy train: Leaving The Building, by Eamonn Forde, reviewed

Musicians cast a long cultural shadow. Politicians may wield considerable power in their time, but although today’s young people are still generally aware of John Lennon, they are less likely to have heard of Sir Alec Douglas-Home, despite the fact that he was running the country during the year the Beatles first came to international prominence. This is not the place to discuss the relative merits of writing ‘I Am the Walrus’ as against introducing the Resale Prices Bill (1964), but try offering T-shirts of both gentlemen on eBay today, and see which one sells. While the recordings, compositions, the images and even the signatures of certain deceased popular musicians