Book review

Thursday

Martin Gayford

Exactly how much fun was it being an impoverished artist in Paris?

What he really wanted, Picasso once remarked, was to live ‘like a pauper, but with plenty of money’. It sounds most appealing: the perfect recipe for a bohemian life, dreamed up by a supreme master in the art of having it both ways. To begin with at least, however, Picasso had to make do only with the half of his formula: living like a pauper with scarcely any cash at all. La vie de bohème, this enjoyable book makes clear, might have been romantic but was also hard. Sue Roe has written a portrait in words of an era, through which are threaded the stories of the various people who

Charlotte Moore

In love with the lodger

Champion Hill, Camberwell, 1922. A mother and daughter, stripped of their menfolk by the Great War, struggle to make ends meet in their genteel villa. Servantless, Mrs Wray keeps up appearances while her daughter Frances confronts the reality of hands-and-knees housework. Reluctantly, they advertise for ‘paying guests’, and are rewarded with Leonard and Lilian Barber, who are young, noisy, sexy and vulgar, with a whiff of the music-hall about them. This is perfect territory for Sarah Waters. Women reshaping their lives without men, social barriers dismantled through economic necessity, notions of respectability challenged by the world convulsion of the preceding years. It’s a setting in which she can explore the

Christopher Howse

Floating bodies, seeing hands, rippling skies – is Jerry Uelsmann’s photomontage a tragic dead-end?

An untitled photograph by Jerry Uelsmann from 1991 shows a rock like Magritte’s floating in the sky between an Ansel Adams mountainside of conifers on one side and a bare mountain on the other; concentric ripples on a lake in the foreground are mirrored in the sky above. It will, I fear, remind readers of that BBC2 ident with Zen-ish sky-ripples. Each of Uelsmann’s photographs, always in black and white, is composed from three or five negatives meticulously aligned to make a single composite print. Naked female bodies float above water or clouds; anonymous silhouetted male figures observe from doorways; cupped hands grow from a tree stump. The connotations are

Dan Jones

When boxing ruled the world

The early 1970s was a good time for heavyweight boxing. Indeed, it was probably the last truly great age for the sport. Flamboyant fighters contested brutal matches in exotic locations, from the Philippines to the Caribbean. The world watched open-mouthed. The marketing slogans attached to some of those fights remain instantly recognisable: who has not heard of the Rumble in the Jungle or the Thrilla in Manila? During these years boxing, and particularly American heavyweight boxing, was the most prominent and glamorous sport on the planet. Boxing in the early Seventies was also culturally important in a way that it is not any more. The sport was briefly about more

Ian Thomson

The real Dad’s Army was no joke

Dad’s Army, the sitcom to end all sitcoms, portrayed the Home Guard as often doddery veterans. In one episode, Private Godfrey’s genteel sisters are seen to prepare their Regency cottage for the feared Hitler invasion. ‘The Germans are coming, Miss Godfrey,’ Lance Corporal Jones warns. ‘Yes I know, so many people to tea,’ she chirrups, adding: ‘I think I’d better make some more.’ In contrast to Godfrey, the sitcom’s street-smart spiv Joe Walker could be relied on to come up with the goods. In his rakish trilby indeed he supplies the platoon with contraband cigarettes and is familiar with the legendary backs of lorries what things fall off of. Leo

Honor Clerk

Ali Smith’s How to be Both: warm, funny, subtle, intelligent – and baffling

Pity the poor art historian writing a survey of painters from Giotto to, say, Poussin. In order to produce a history that is as gender-balanced as possible it is absolutely necessary to include every woman painter ever heard of, some perfectly worthy of their place, some less so. How the art historian might envy the novelist who at the stroke of a pen can change the sex of a little-known 15th-century painter — Francesco del Cossa, say — from male to female. Make the painter in question a woman disguised as a man, make her story the product of a teenager’s imagination and the trope is not only complete but

A.N. Wilson

Peter Levi – poet, priest and life-enhancer

Hilaire Belloc was once being discussed on some television programme. One of the panellists was Peter Levi. The other critics expressed their doubts about the old boy. Levi leaned forward in his chair to say, with passionate intensity, ‘But Belloc is worth discussing… because he was… very nearly a poet.’ At the time, I thought this judgment a trifle snooty. Could the words ‘very nearly a poet’ not be applied to Levi himself? In the years since he died, however, revisitations of Levi’s work have convinced me that, uneven and florid as his poetry is, he was very definitely a poet. True, you can hear echoes of his masters in

Cressida Connolly

This thriller is as good as anything by Hilary Mantel

A few years ago, after a lifetime of wearing white shirts through which the straps of my white bra were plainly visible, I discovered a remarkable fact: if you wear a pink or even a crimson bra underneath a pale shirt, it doesn’t show. For several weeks I passed on this gem of truth to all my women friends. Was my enthusiasm met with relish, gratitude? It was not. They all said the same thing in response: ‘Oh, didn’t you know? I’ve always known that.’ I expected it would be the same in the case of Andrew Taylor. While reading The Silent Boy I was so overexcited by its brilliance

Philip Hensher

Germans see the best of their soul in Weimar. Everyone else, on the other hand..

Thuringia, a region of former East Germany, occupies a special place in the thoughts of Germans, who like to regard it as the origin of all their best virtues. It’s an alluring place, full of wonderfully untouched stretches of densely forested hills; the occasional small historic town seems hardly to have changed for decades, and the tourist can spend a happy week pottering from Schmalkalden to Ilmenau to Eisenach in the illusion that none of those unpleasant realities of the last century ever touched this place. I once asked the guide at the Wartburg, the magnificent medieval and mock-medieval castle on a snowy crop outside Eisenach, what this place meant

Thursday

Wynn Wheldon

Sorbet with Rimbaud

The Bloomsbury of the title refers to the place, not the group. The group didn’t have a poet. ‘I would rather be a child and walk in a crocodile down a suburban path than write poetry, I have heard prose writers say,’ wrote Virginia Woolf, albeit tongue-in-cheek (maybe). Nonetheless, unsurprisingly, these non-poets steal the first chapter of this amuse-bouche of a publication. They are allowed to so that the author, or rather his sources, may describe the rather dull area of London that abuts the eastern end of the Euston Road to the north, and to the south High Holborn. ‘A cold grim house in a cold, grim district,’ wrote

David Gilmour

A Hello! magazine history of Venice

When Napoleon Bonaparte captured Venice in 1797, he extinguished what had been the most successful regime in the history of the western world. The Venetian Republic had lasted over 1,000 years — longer than ancient Rome — without a revolution, a coup d’état or a successful foreign invasion.  Yet after 1797 it was never to be independent again: it was given to Austria, taken back by France, allotted once more to Austria and finally, in 1866, handed over to the young Kingdom of Italy. Most visitors to Venice are interested in its distant past, in the struggles to build a city on the mudbanks, in the glories of its gothic

Lee Langley

A novel that will make you want to call social services

Nina Stibbe has a way with children. Her first book, a memoir, was a deceptively wide-eyed view of a literary Hampstead family observed in all its turbulence by the teenage Stibbe, working as the nanny. Written as letters home to her sister, Love, Nina won over fellow writers and critics; reviews spoke of a quirky, life-affirming comic genius. Now she’s written her first novel, and again she has the domestic arena in her sights. Man at the Helm is a wicked anatomising of a dysfunctional family seen through the eyes of a nine-year-old narrator. Think What Maisie Knew with laughs and four-letter words, plus a touch of The Young Visiters

Leanda De-Lisle

Thomas Cromwell: more Tony Soprano than Richard Dawkins

The travel writer Colin Thubron once told me that to understand a country and its people he first asks, ‘What do they believe?’ This is also a good place to begin when writing about the past, not least when your subject is Thomas Cromwell, a key figure in the English Reformation.  But Tracy Borman’s Cromwell doesn’t have beliefs so much as qualities: ones that will appeal to fans of the fictional Cromwell of Hilary Mantel’s Tudor novels. Borman’s Cromwell likes women, and is nice to the poor. True he fits up Anne Boleyn on treason charges, and has the illiterate nun Elizabeth Barton executed without a trial. But then he

J P O'Malley

Stalin’s Spanish bezzie

During the Spanish civil war the single greatest atrocity perpetrated by the Republicans was known as ‘Paracuellos’. This was the village where an estimated 2,500 prisoners loyal to Franco were executed by leftish militiamen between November and December 1936. Even though the facts of this massacre are now widely known, one question still remains: who ordered the killings? In his latest book The Last Stalinist,Paul Preston claims that it was Santiago Carrillo who played a crucial role in signing the death warrants. (Carrillo, who died in 2012, always denied any involvement in the incident). It is worth mentioning this mass murder because history tends to catch up with power-hungry leaders

Peter J. Conradi

The biography that makes Philip Larkin human again

How does Philip Larkin’s gloom retain such power to disturb? His bleakest verses have the quality of direct address, as if a poetical Eeyore were protesting directly into our ear. ‘Aubade’, his haunting night-time meditation on the terrors of death and dying, focuses on ‘the sure extinction that we travel to/ And shall be lost in always’ and offers no consolation. His ‘Next Please’ makes grim fun out of our habit of hope, pictured as a ship we expect to greet us with its full cargo of rewards. But of course ‘Only one ship is seeking us, a black-/Sailed unfamiliar….’ He saw religious faith as a form of self-deception. Moreover,

Thursday

Will Nicoll

Siberia beyond the Gulag Archipelago

Larger than Europe and the United States combined, Siberia is an enormous swathe of Russia, spanning seven time zones and occuping 77 per cent of the country’s land mass. Ryszard Kapuscinski describes the gulags which were placed there as being amongst the greatest nightmares of the 20th century — and that image of suffering has tarnished the region irrevocably. In her masterful study of Siberia’s people, Janet M. Hartley, professor of international history at the London School of Economics and Political Science, argues that this has not only been a place of torture and starvation. While it has certainly endured miserable times, and is likely to suffer many more, it

D. J. Taylor

The hooligan and the psychopath

A Season with Verona (2002), Tim Parks’s account of a year on tour with the Italian football club Hellas Verona’s notorious travelling fans (motto ‘we have a dream in our heads, to burn the south’), contains a memorable scene in which Parks spots a teenage boy screaming abuse at some rival supporters before returning to the mobile to assure his mother that, no, they don’t have much homework that weekend. Here, doubtless, was the raw material for 17-year-old Hellas fan Mauro Duckworth, whose absence from his father’s investiture with the honorary freedom of the city is explained by his confinement in a Brescia police cell after a pitched battle with

James Walton

The case of the amnesiac autobiographer

In October 2002, 28-year-old David Stuart MacLean woke up at Hyderabad railway station. He was standing at the time, and had no idea where or who he was. A kindly tourist police officer reassured him that his case wasn’t unusual: plenty of young people came to India, took too many drugs and ended up similarly ‘confused’. MacLean immediately had a flashback to injecting heroin with a redhead called Christina — but this proved to be untrue. (Nor was the universe, as he then believed, created by Jim Henson at a studio in Burbank.) Instead, after he’d been taken to a local mental hospital, the doctor diagnosed the side effects of

Matthew Dennison

Fifty years of Inspector Wexford – and a new detective on the block

Early on in The Girl Next Door, Ruth Rendell gives the reader a sharp nudge. ‘Colin Quell had very little interest in people, what they might think, how they might act in the future.’ The novel is Rendell’s latest stand alone mystery, the uninterested Quell its detective inspector. Forcibly she announces that neither physically nor temperamentally is this Wexford territory. Quell’s stomping grounds are the outer suburbs of London, where the capital spills into Essex, specifically Loughton, where once the octogenarian Rendell herself attended the County High School. In the present day, though not at the time of the novel’s buried crime, Loughton lacks the residual rural outlook of Wexford’s

Roy Kerridge

Chris Barber should let someone meaner tell his story

Chris Barber, still going strong with his big band, was born in 1930. He heard jazz as a schoolboy on the radio programme Music While You Work and tried to find out more about this wonderful music. He soon discovered that, in his words, ‘black music was the real thing, although some white people managed it pretty well’. By the time I became a secondary schoolboy in the 1950s, Chris Barber’s band was the sensation of the age. Chris played the trombone, sometimes switching to harmonica on blues numbers. He and his glamorous Northern Irish wife, Ottilie Patterson, seemed a golden couple. Ottilie had a superb voice for the blues,