Cancel culture

When the Kuwaiti authorities banned nearly 1,000 books from the Kuwait International Literature festival including Dostoevsky’s The Brothers Karamazov, the move was rightly met with outrage from the Western literary community. The press was full of talk about the perils of artistic censorship. That was twelve years ago, but this grand-standing was on display again last year during the Abu Dhabi literature festival. Stephen Fry and Noam Chomsky signed a letter to the United Arab Emirates government, castigating them for ‘promoting a platform for freedom of expression, while keeping behind bars Emirati citizens and residents who shared their own views and opinions.’ What would have struck us as dystopian a decade

In the Spectator Christmas issue, musician Nick Cave was asked about mercy and cancel culture. Here is his reply: Mercy is a value that should be at the heart of any functioning and tolerant society. Mercy ultimately acknowledges that we are all imperfect and in doing so allows us the oxygen to breathe — to feel protected within a society, through our mutual fallibility. Without mercy a society loses its soul, and devours itself. Mercy allows us the ability to engage openly in free-ranging conversation — an expansion of collective discovery toward a common good. If mercy is our guide we have a safety net of mutual consideration, and we

Spectator contributors were asked: Which moment from history seems most significant or interesting? Here is Andrew Doyle’s answer: The Synodus Horrenda of January 897 is one of many bleak episodes in history that the Catholic Church would probably rather we forget. This is when Pope Formosus was put on trial for perjury and violating canon law. The twist is that by this point he had been dead for eight months.  The trial was an exercise in score-settling by his successor, Stephen VI. He had the corpse exhumed, dressed in his sacerdotal garb and propped up in the papal court. Pope Formosus was even provided with a defence council, but the

Roald Dahl was a proud antisemite but if it’s real courage you’re after, look to his family who, a mere 30 years after his death, have finally acknowledged that the children’s author wasn’t keen on the Jews. The Sunday Times reports that the family ‘recently met for the first time in several years to discuss the problem and published a discreet apology for his racism on his website’. In the statement, buried deep on the official Roald Dahl website, his family ‘deeply apologise for the lasting and understandable hurt caused by some of Roald Dahl’s statements’, though they make no mention of what these ‘prejudiced remarks’ were or to whom

I’m often asked why Channel 4 recently banned an episode of my show The IT Crowd because of ‘transphobia’. I blame spell check. Before the internet, people who sent in crazy, entitled, demanding complaints were known as the ‘green ink brigade’ because of their tendency to write letters in what they thought were attention-grabbing colours. These same lunatics are now taken seriously because spell check means they no longer confuse ‘there’, ‘they’re’, ‘their’ and ‘antelope’. It’s still the same crazies, but these days they’re on Twitter and jumpy executives carry out their every wish. A Sydney production of the musical Hedwig and The Angry Inch was cancelled because the lead

The future of offices Sir: I agree with much of Gerard Lyons’s article about the future of the capital (‘London in limbo’, 8 August), but there is more to consider. Before the virus, many organisations considered having staff working from home. However, there were always objections: people needed to be at meetings; the technology wasn’t good enough; questions over whether workers would work their contracted hours. With the onset of the virus, working from home was forced upon many, and has proved to work better than could ever have been expected. Will these workers ever want to come back to the office? Many will miss the social side of work,

Arnold Schwarzenegger’s late-Eighties to early-Nineties comedies have not gone down in history as great triumphs. Films like Junior and Twins – in which he played a pregnant man and Danny DeVito’s unidentical twin respectively – are movies only arch nostalgists could love. But now we learn that Kindergarten Cop, another product of that strange period, is not just a bit crap, but basically white supremacist, too. This is the news that Northwest Film Center (NWFC) in Portland, Oregon, has pulled the 1990 action comedy from its summer drive-in series after woke complaints. In it, Schwarzenegger plays a cop who goes undercover as a kindergarten teacher to apprehend a drug dealer.

‘Cancel culture’ is a horrible term because outside of a dictatorship nobody can actually be ‘canceled’ or otherwise ‘disappeared’. All that can happen is that people can be found to have trodden across one of the orthodoxies of the age. A small number of bullies then come for them. And a larger number of otherwise decent people then fail to stand up for them. It is this last part of the matter that is worth focusing on. It is the only part that is fixable. All ages have their orthodoxies. And if writers, artists, thinkers and comedians do not occasionally tread on them, then they are not doing their jobs.