Careers

Never the doctor, always the nurse: the fate of women in post-war Britain

For fans of Ysenda Maxtone Graham’s unique blend of high comedy and shrewd social observation, a new book is cause to leap on to the nearest chair and emit several loud shrieks. Jobs for the Girls is the third in the author’s trilogy on ‘lost worlds of Britain’. These are recent, touchable lost worlds, she stresses in her introduction, ‘still in living memory’, as recalled vividly – and often hilariously – by people who were there in her earlier books, Terms and Conditions, about life in girls’ boarding schools, and British Summertime Begins, on what children from all walks of life got up to in the school holidays. Jobs for

Most artistic careers end in failure. Why does no one talk about this?

It is a standard narrative in all showbiz reporting, and one that arts hacks seem to be duty-bound to abide by. It is the fairy tale of ‘Making It’; the story of a star whose career took time to get off the ground but, thanks to perseverance and self-belief, went stratospheric. It goes like this: ‘I was a nobody, and I was turned down from everything. And I nearly didn’t go to that final audition, but whaddya know? I turned up and… Shazam! Oscars raining down and a mini-series on Netflix.’ There is an encyclopaedia of stars who toughed it out before making it big. Type ‘stars who were failures’