Cedric Morris

Sunday

Alec Marsh

The blossoming career of Cedric Morris

In the winner-takes-all world of modern art, there’s every chance you might not have heard of Cedric Morris. Why should you? No matter how much you sweeten the tea, the Welshman, born in 1889, was no Pablo Picasso, Mark Rothko or Salvador Dali. Nor from our 21st-century outlook can it be said that the name itself inspires much confidence: ‘Cedric’ sounds about as on-trend as a character from a short story by Saki, and when paired with Morris, the combination offers up all the avant-garde promise of a baked camembert starter at an Aberdeen Angus steakhouse. But don’t be put off, because there’s more to Morris than meets the eye

Wednesday

Laura Gascoigne

This British surrealist is a revelation

When the 15-year-old Maggi Hambling arrived at Benton End in Hadleigh, Suffolk – home of the East Anglian School of Painting and Drawing – with two paintings to show the school’s founders, Cedric Morris and Arthur Lett-Haines, she was ushered into the dining room where Morris was having dinner. He made some criticisms but was very encouraging, then Lett-Haines came in and made the opposite criticisms but was encouraging too. As teachers, both believed in bringing out a student’s native talent – but as artists and characters, says Hambling: ‘They were polar opposites.’ ‘Every time I paint a portrait, I lose a friend,’ Morris regretted One aim of this new