Charles manson

Unhappy band of brothers: the Beach Boys’ story

Film noir was the term coined by the French in the late 1940s to describe the genre of Hollywood crime movies which probed the darkness that lay in the shadows cast by all that bright Californian sunlight. The Beach Boys, who broke through in the early 1960s with a repertoire that hymned, in five-part harmonies, the Golden State’s promise of sun, sand and waves, bronzed bodies, beach-party ‘babes’, hot rods and open highways, were – and remain – the quintessential Californian band. But their story, an unhappy family saga featuring the three Wilson brothers (Brian, Carl and Dennis) and cousin Mike Love, is, like that of California’s itself, as dark

Startlingly sadistic: Once Upon a Time in Hollywood, by Quentin Tarantino, reviewed

There’s no doubt that Quentin Tarantino is a movie director of brilliance, if not genius. But can he write? Well he can certainly tell a good story. What we have here is Tarantino’s ninth feature film, a 1960s Hollywood yarn about a fictional actor and his stunt double, but rendered in book form. Rick Dalton is the TV and B-movie actor, while his stuntman, Cliff Booth, ruined his own career by beating up Bruce Lee during a shoot. He’s now reduced to being Rick’s driver and drinking buddy. The two of them are on the slide, but things start to look up when Rick lands a role in a new