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Collectors

What did John Lennon, Jacques Cousteau, Simon Wiesenthal and Freddie Mercury have in common?

Robert Irwin – novelist, historian, reviewer and general all-round enthusiast and scholar of just about everything – died last year. It might seem odd that a man whose previous works included the definitive one-volume introduction to The Arabian Nights and a controversial critique in 2006 of Edward Said’s Orientalism – not to mention what is one of the great novels about Satanism, Satan Wants Me (1999) – should have spent his final years working on a book about stamp collecting. But fear not. This is not some weird aberration in a career of weird aberrations; it is, in fact, another weird aberration. The Madman’s Guide to Stamp Collecting, Irwin announces

Learning the art lingo: the people, periods and -isms

When she first starts working as a security guard at the Guggenheim Museum in New York, Bianca Bosker is so bored that she prays someone will touch the art. ‘Do it, I urged silently from my spot by the wall. Do it so I can tell you not to.’ She’s to stand for hours on end, staring into space, reporting anything that could pose a threat. On the first day she radios her supervisors to alert them to a stray leaf: ‘Not exactly a suspicious package, but I needed something to interrupt the tedium.’ Wheedling your way into a self-contained world about which you know next to nothing is no