Colson whitehead

Tuesday

Susie Mesure

The hell of the antebellum South: Let Us Descend, by Jesmyn Ward, reviewed

Jesmyn Ward, America’s only female two-time National Book Award winner, has had more than her share of hellish experiences to fuel her literary life. Her Mississippi-based family endured Hurricane Katrina. Salvage the Bones (2011), set during the catastrophe, was Ward’s response. Her memoir, Men We Reaped (2013), tackled her grief at losing five men close to her, including her brother, who was killed, aged 19, by a drunk driver. In January 2020, Ward’s husband died of acute respiratory distress syndrome. Ward recreates the hell of the antebellum South for the ‘stolen’ people forced into chattel slavery Hell is very much the context for her fourth novel, Let Us Descend. In

Thursday

James Walton

Quietly radiates a wholly justified confidence: BBC 1’s The Pact reviewed

There was certainly no lack of variety among new TV dramas this week, with a standard British thriller up against more glamorous American competition in the shape of some extravagant Victorian sci-fi and an adaption by an Oscar-winning director of a Pulitzer-winning novel. (All three, mind you, did naturally feature a one-dimensional white bloke as the embodiment of sexist and/or racist villainy.) The surprising thing at this stage is that it’s the plucky British show that looks most promising. The Pact began, like many a thriller before it, with a frightened woman running through some dark woods. So far we still don’t know why — unless it was just force