Commentary

This is a book about George Orwell’s recognition that desire and joy can be forces of opposition to the authoritarian state and its intrusions. To explore the theme, Rebecca Solnit has produced a sequence of loosely linked essays around the roses and fruit bushes the author of Animal Farm planted in 1936 in the garden of his modest Hertfordshire house. A Californian with more than 20 books behind her, Solnit opens this latest with a pilgrimage to Wallington, where Orwell’s Albertine roses have endured. The blooms instigate a reconsideration of the man ‘most famous for his prescient scrutiny of totalitarianism’, which in turn invites the author ‘to dig deeper’ and

Footling around on the internet recently, I stumbled on a clip of a young woman singing Leonard Cohen’s ‘Hallelujah’ to a full-grown cow. As she sat cross-legged, strumming away not very well on a guitar, the cow lay down beside her and gently nudged her with its huge head as adoringly as any puppy. The sight brought to mind a passage in Robert Burton’s The Anatomy of Melancholy in which he reflects on music as a remedy: Harts, hinds, horses, dogs, bears are exceedingly delighted with it; elephants, Agrippa adds; and in Lydia in the midst of a lake there be certain floating islands (if ye will believe it), that