Constable

On 13 July 1815, John Constable wrote to his fiancée, Maria Bicknell, about this and that. Interspersed with a discussion of the fine weather and the lack of village gossip, he added a disclaimer on the subject posterity would most like to hear about: his art. ‘You know that I do not like to talk of what I am about in painting (I am such a conjuror).’ Perhaps by that he meant he did not like to give away how he did his tricks. As Late Constable, the magnificent exhibition currently at the Royal Academy, makes clear, he was a true magician with paintbrush and palette. Before your eye he

‘When pictures painted as companions are separated,’ John Constable wisely observed, ‘the purchaser of one, without being aware of it, is sometimes buying only half a picture.’ When he said those words at a lecture in Hampstead delivered on 9 June 1833, he had two great paintings by Rubens in mind: ‘A View of Het Steen in the Early Morning’ and ‘The Rainbow Landscape’. At that date they had already been split up, the first going to the National Gallery, the second eventually to be bought by the Marquis of Hertford. Because of the will of Lady Wallace, the eventual heir of the Marquis, or rather the way it was