Cornwall

Poldark review: drama by committee

By my calculations, the remake of Poldark (BBC1, Sunday) is the first time BBC drama has returned to Cornwall since that famously mumbling Jamaica Inn — which may explain why even the lowliest yokel here tends to project from the diaphragm. Leading both the cast and the diaphragm-projection is Aidan Turner as Ross Poldark, initially seen as a British Redcoat in a wood rather unconvincingly captioned ‘Virginia, America, 1781’. The short scene that followed efficiently established that he had a rackety past and some politically radical ideas, before the American rebels attacked, leaving several extras dead. Ross himself suffered injuries bad enough to bring on a severe case of flashback,

The hotels trying to turn Cornwall into Kensington

Mousehole is a charming name; it is almost a charming place. It is a fishing village on Mount’s Bay, Cornwall, beyond the railway line, which stops at Penzance, in an improbable shed; I love that what begins at Paddington, the most grandiose and insane of London stations, ends in a shed. The Spanish invaded Mousehole in 1595 but Drake’s fleet came from Plymouth and chased them away; nothing so interesting has happened since; just fishing, tourism and decline. Now there are galleries and restaurants and what the Cornish call ‘incomers’ buying cottages, in which they place ornamental fishing nets after painting everything white. (For something more ‘authentic’, you can visit

The bonkers (and not-so-bonkers) theories of what the pre-historic people of Cornwall believed

Philip Marsden’s book is about place. He makes a distinction between place and space. In his mind ‘place’ is something resonant, evoking a connection with the land and its meaning. Marsden is obsessed with pre-history and the beliefs and practices of the earliest inhabitants of Cornwall. He cites with approval someone’s judgment that written history is a palimpsest and he is demonstrably eager to see what was written over. Although his area of special interest is Cornwall, he describes expeditions to other European countries in search of a kind of kinship of belief and practice among them. His book is also a personal account of renovating an old but enchanting

When the Welsh go it alone, blame me

Oh dear. I think I may have inadvertently contributed to the dissolution of Great Britain. I’m not claiming sole responsibility. In due course, when the blame game begins, I’ll play second fiddle to the party leaders, Gordon Brown, Eddie Izzard and successive generations of carpet-bagging aristocrats. Nevertheless, when the rise and fall of the British Isles is written, I’ll be deserving of a minor footnote. I’m talking, of course, about the imminent secession of Wales from the United Kingdom. I say ‘imminent’, but it’s contingent upon a ‘yes’ vote in next week’s Scottish referendum, which isn’t yet a foregone conclusion. But I don’t see how a referendum on the future

We need more opinionated English eccentrics making documentaries like, ahem, me…

Is it just me or are almost all TV documentaries completely unwatchable these days? I remember when I first started this job I’d review one almost every fortnight. Always there’d be something worth watching: on the horrors of the Pacific or the Eastern Front, say; or castles; or Churchill; or medieval sword techniques. But now it’s all crap like The Hidden World of Georgian Needlecraft or In The Footsteps of Twelve Forgotten South American Civilisations Which All Look The Same or A Brooding, Long-Haired Scottish Geographer Shouts From Inside A Volcano Why Climate Change Is Worse Than Ever. The presenters have got more annoying too. I mean, I’m not saying

One day I was always going to have to eat quinoa. It might as well be now

As a rule, I tend not to frequent places where there is a sign on the door saying ‘no sharps’. But I thought I would make an exception for the Eden Project. Surely, I thought, as we walked from the ‘Banana’ car park to the ticket office, they must mean sharps as in penknives, or something. The number of people in the queue wearing sandals made from reconstituted tyre rubber was a further warning sign but I chose to ignore it. As we stood amid the rainbow-striped cardigan-wearing clientele and their brightly dyed hairstyles, the builder had a look on his face that said: ‘I think we’ve wandered into the

Not quite romantic fiction, or literary fiction, or commercial fiction – but still quite good

Elements of Raffaella Barker’s new novel, her eighth for adults, suggest commercial fiction: a narrative that oscillates between the aftermath of the second world war and the present day, and two failsafe locations, Cornwall and the Norfolk coast. But From a Distance is not commercial fiction. Barker’s narrative is sparingly studded with quotations, but this is not literary fiction either. There is a strong love interest, which does not blossom into romantic fiction. Barker’s novel is a hybrid, enjoyable, ultimately heart-warming. It lacks the freshness and charm of the earlier Hens Dancing, but recalls some of its vividness and forensically detailed scrutiny of family life. In 1946, Michael, a demobilised

In the soft Cornish air, with the pressure off, I caved in

Just when I was beginning to think I’d had enough, I was offered a free week in a caravan. I took it like a shot, threw a few shirts in the boot of the car, and buggered off down to Cornwall. I arrived in darkness and couldn’t find the electricity switch. But I was so tired I simply climbed into a sleeping bag by the light of my phone and fell asleep. I was woken by sunshine and the cawing of rooks. At this caravan, there is no internet, no phone signal for miles, no telly, no radio. And the air I swear is soporific. It was like crawling out

Kirstie Allsopp’s diary: Why I’m terrified of Woman’s Hour

If you haven’t scuffled you haven’t lived, and our local scuffle is the best of the best. A scuffle is a sort of off-road bumper cars in 4x4s, and it’s one of the highlights of the summer. Our car, The Scuffle Pig, was on her third outing this year. We thought she’d been dealt a fatal blow in 2011, when a foolish friend encouraged a fellow scuffler to get her out of a dip by ramming her. The back windscreen was smashed, and I had to leap out and strip my then 12-year-old stepson down to his underpants in front of numerous spectators in order to get rid of the

Back off, Mencap – let idiot councillors express their idiot opinions if they want to

Having given the matter careful consideration, I have decided that I do not agree with councillor Colin Brewer’s suggestion that disabled children should be ‘put down’ after birth, perhaps in the manner of a farmer smashing a deformed newly born lamb against a wall, as he helpfully put it. ‘You can’t have lambs wandering around with two heads or five legs, can you?’ Colin asked, presumably rhetorically. Colin is a councillor in Wadebridge East, Cornwall, and does not come across as the fullest pasty in the lunchbox. It would not surprise me if some wag has already made the rather bad-taste point to him that if his proposal were adopted,

A toast to Gordon Brown

The unusual sound of a toast to Gordon Brown echoed around a Parliamentary dining room earlier this week. Don’t get carried away: George Eustice was hosting a dinner for his alma mater Truro School, where the new headmaster is unfortunately cursed with the name of Andrew Gordon-Brown. There is still no sign of the real McCoy in these parts. Also missing from the dinner was Danny Alexander’s special adviser Julia Goldsworthy, another former pupil of Truro. The fact that Eustice beat her for their local Cornwall seat by just 66 votes in 2010 might have something to do with that.