Culture

There’s absolutely nothing polite about political correctness

I hope anyone who sees footage of the two shrieking women at Yale and Missouri will finally concede that political correctness is not ‘all about politeness’. It’s about power, and always has been. The Yale hoo-ha started because the authorities failed to take seriously a letter from the university’s ‘Intercultural Affairs Committee’ warning about Halloween fancy dress costumes being offensive. People wonder how one of the most high-ranking universities in the world can be embarrassed by an argument over adults wearing fancy dress, but that is exactly the point; if the row was over something that mattered, there could be little kudos in winning it. This is about displaying power. You can be very

Who defines what is so traumatic that someone shouldn’t speak to students?

That students are becoming rather hardline about speakers they disagree with visiting their campuses is now well described. Brendan O’Neill first explained the ‘Stepford Student’ phenomenon in the Spectator, and in today’s Times David Aaronovitch described his own encounter with a student leader who believes speakers who may upset students should be banned from campuses. What was particularly interesting about Aaronovitch’s Newsnight discussion last week was that Toke Dahler, his opponent, seemed quite concerned that students shouldn’t suffer ‘trauma’ as a result of a speaker being on their premises. Aside from all the arguments about the importance of a clash of ideas, especially when some of those ideas are foolish

Lord Leveson’s legacy could be the death of investigative journalism

Later this year, or more probably in the spring of 2016, the following scene may play out on the steps of the High Court in London. An editor will appear before the cameras and say: ‘I am instructing my reporters stop investigative journalism until the law is changed.’ The naïve who have failed to educate themselves on the assault on press freedom in Britain will be more confused than outraged. How can this be, they will ask. They will be enlightened by the editor of – well, let’s say it’s my editor here at The Spectator, but it could just as easily be the editor of the Guardian, Observer, Private Eye

How to defend the arts using liberal values

This is a version of a speech I made to the No Boundaries conference at the Bristol Watershed Theatre on how censorship affects the arts, museums and libraries. The organisers asked me to talk about political correctness and the arts; a touchy subject which requires enormous sensitivity to the feelings of others, and long, thoughtful discussions of whether we should use the term ‘political correctness’ at all. Unfortunately, they continued, you have only 10 minutes and there will be no time for any of that. You will just have to get on with it. So forgive me if I belt out arguments like a machine gun, but I must get

Eton’s recipe for success

One of the first things you realise on arriving at Eton is that while you may be at arguably the best school in the world, you’re also possibly among Britain’s most hated. It’s great being surrounded by 15th-century quadrangles and Georgian boarding houses, and your uniform is as dapper as it gets (so long as you don’t mind dressing like a penguin). But you can’t walk into Windsor wearing a college crest, for fear of being mugged, and the papers are filled with stories claiming you’re overprivileged or not actually that clever. It’s a double-edged sword. You have the advantage of a brilliant education, but bear a stigma that can’t

How cool is Britannia?

Is it true that, having lost an empire, we reinvented ourselves as an island of entertainers? Do we channel the same rigour and vigour into film and music and literature as once went into conquering continents? Is there a residual colonialist bias in our arts, seen, for instance, in our cinematic penchant for creating patriotic period dramas such as Henry V or The King’s Speech? How much of our cultural success depends on the US market and the accident of a shared language? To what extent does our cultural expression reflect not our idea of ourselves but an American distortion? Do international smash hits such as Julian Fellowes’s languid TV

Amnesty International has pimped itself out

There is no argument fiercer in feminism than the argument about prostitution. Say you want to ban it and the libertarian feminists denounce you as a ‘whorephobe’. Say you want to legalise it, and radical feminists denounce you as the tool of the patriarchy. Inevitably, Amnesty International felt it had to intervene. And, this week, with an equal inevitability, it plumped for the apparently left-wing position of decriminalisation. I say ‘apparently’ because many on the left disagree. My sister paper the Guardian made the telling point that Amnesty’s leftism concealed rich-world prejudices. [Its]suggestion that the trade be decriminalised but not then regulated is particularly far off-beam. Since when did unregulated

Reducing poetry to a science

Is it possible to tell a good poem from a bad one? To put the question another way: are there objective, even scientific, standards for evaluating literature? Helen Vendler has no doubts. Her spiky new collection of essays begins with the insistence that it is possible to prove how one poem is ‘superior’ to another, and ‘those who suppose there are no criteria for such judgments merely expose their own incapacity’. That’s a bold claim, but in her hands, literary criticism is a science, and anyone who disagrees with her judgments is put sharply in their place. I should know: my observation, in a book I recently edited, that the

What does the Tim Hunt saga tell us about the future of democracy?

A friend of mine, who attends a top UK University, recently attended a generic debate on feminism and sexual violence. He made a point from the floor that, contrary to his colleague who argued that unless consent is enthusiastic it constitutes rape, legally speaking consent needn’t be enthusiastic in order to be legitimate. What followed is simply astounding. The next day he was called in to a meeting with a student union official, who informed him that a group of female students had made a joint complaint about him, raising concerns about their safety on campus. They had been going around warning other students that he is, apparently, a potential

The Olympic movement follows Fifa into the gutter

No line has been repeated more often during the Fifa scandal than the instruction that football should follow the example of the International Olympic Committee. In 1998, the received wisdom goes, artful Mormons offered all kinds of bribes in cash and kind to committee members. An Olympic official revealed their plan to buy the right to host the 2002 Winter Olympics in Salt Lake City, and the movement purged itself of corruption. ‘We also know that putting everything on the desk can be a painful experience,’ said the International Olympic Committee president, Thomas Bach, as he advised Fifa yesterday. ‘But it is absolutely necessary to do this as we have

Charlie Hebdo: The literary indulgence of murder

I suppose it is asking too much of a writer called Francine Prose that she write prose anyone would want to read. But on the principle you can only track down terrible ideas by wading through terrible writing you have to endure Prose’s prose. She attempted to deploy her prosaic talent to explain why PEN, an organisation dedicated to protecting the free speech of writers, should not honour the writers and artists of Charlie Hebdo – murdered by Islamists for exercising their right to free speech. The narrative of the Charlie Hebdo murders – white Europeans killed in their offices by Muslim extremists – is one that feeds neatly into the cultural

Gunning for freedom

Like the documentary journalist Iain Overton, author of this book, I was taught to shoot and maintain a gun as a boy. As an adult I joined a campaign to monitor, curb and limit the arms trade. I taught my children good gun protocols and how to shoot. There is an undeniable pleasure in shooting. When I moved to Texas I immediately bought a black powder Navy Colt with which to practise the cowboy spins, rolls and shifts I had learned as a boy. The thing Bible-belt Baptists, Bedouin tribesmen, Brazilian drug-barons and Boer farmers have in common is a love of guns. Guns are in our DNA. Yet statistics

If universities censor, they can’t complain when the state censors them

I spoke at a Guardian debate on free speech before an audience of students at King’s College London last night. I’ve argued with racists and Putinists in my time and – to put it as mildly as I can – these little bastions of academia were up there with them in their contempt for basic freedoms. Contempt is perhaps not quite the right word. Most simply did not understand what freedom was, and could not grasp the need for universal human rights. They could not see themselves as others saw them, or understand that by giving up on basic principles, because they are difficult to live with, they had left

Julie Burchill

Meet the Cry-Bully: a hideous hybrid of victim and victor

In the 1970s, there was a big difference between bullies and cry-babies. Your mum would have preferred you to hang around with the latter, but sometimes the former had a twisted charisma so strong that you found yourself joining in the taunts of ‘Onion Head! ’ at some poor unfortunate creature sporting a cranium of a somewhat allium caste. After a bit, of course, if you had anything about you, you realized what a knob you were being and went off to sample the more solitary, civilized pleasures of shoplifting and reading Oscar Wilde with the bedroom curtains closed. But you could be certain, as you festered in your pilfered

Jeremy Clarkson and the Political Correctness of the Right

One of the many delusions of the Right is the myth of conservative robustness. Conservatives don’t play the victim card, they say. They tell it like it is, and don’t care who knows it. They stand on their own two feet, and take it on the chin. They have guts and backbone too. It’s easy to mock the anatomical clichés, but middle-class leftists should worry. Millions of people are about to vote for Ukip, in part because they resent a modern version of Victorian prudery that has stopped robust debate, and allowed sharp-eared heresy hunters to patrol the nation’s language. If fellow citizens are prejudiced, then there is indeed a

It’s not up to Theresa May to define ‘British values’

A month after the Magna-Carta-mangling Counter-Terrorism and Security Bill crept onto the statue book, leaked documents seen by the Daily Telegraph over the weekend reveal Home Office proposals which are likely to have significant, if apparently unintended, consequences for free speech in this country. I haven’t seen the full strategy papers myself, and nor will you. They have been deemed too ‘sensitive’ ever to face public scrutiny, and only a two-page executive summary is due to be published. At this stage, it is worth considering the few choice quotes the Telegraph have dutifully passed on. The leaked papers make some confident claims about ‘British values’, with citizenship and even temporary visa applicants required

You can’t force low-income people to go to an art gallery or the theatre if they don’t want to

I went last week to see the justly praised production of Wagner’s The Mastersingers at English National Opera, and I didn’t see a single black face there, nor even much dark hair (except in the case of Melvyn Bragg who, though now greying a bit, still seems to have Ronald Reagan’s gift for keeping white hairs at bay). This chimed with the finding of the Warwick Commission on the arts in Britain that much the greater part of live-music audiences, theatre-goers and gallery visitors is old, white and middle-class. Even though this wasn’t actually the reason for the Arts Council’s drastic decision to curtail ENO’s funding — this was because

Political correctness: How censorship defeats itself

A cretin writing in this morning’s Telegraph doesn’t understand the meaning of ‘cretin’. Just about every writer writing about Benedict Cumberbatch in every paper yesterday failed to understand that Cumberbatch was not a racist because he had said ‘coloured’ rather than ‘person of colour’. Poor fool that he was, Cumberbatch had wanted to use his appearance on US television to complain about the lack of opportunities for black actors in Britain: ‘I think as far as coloured actors go, it gets really different in the UK, and a lot of my friends have had more opportunities here than in the UK, and that’s something that needs to change.’ After the battering

The perfect job for Britain’s disenfranchised young men: boar hunting

When I went to stay with my German cousin and he showed me the room where I’d be sleeping, the first thing I noticed were the hairy hides on the floor and the spears mounted on the wall. ‘Boar skins,’ he told me. ‘The forest is full of them.’ ‘And the spears?’ I asked him. ‘For hunting.’ I was intrigued. ‘Tell me more,’ I said. He didn’t need much prompting. Apparently, there’s not a great deal of skill involved – only nerve. A cornered boar will charge you. If you turn and run, you’ve had it. But if you stand your ground, they’ll impale themselves upon your spear. This story

How Kraftwerk did more to shape modern music than anyone since the Beatles

Normally, few things in life are quite so tedious as listening to a bunch of academics discussing pop music. However this week’s Kraftwerk Konferenz at Aston University may be the chinwag that refutes this rule. Why so? Well, speakers includes former Kraftwerk member Wolfgang Flur, plus Stephen Mallinder from Cabaret Voltaire and Rusty Egan of Visage – remember them? OK, so these real-life pop stars are still outnumbered by a host of earnest academics, delivering lectures with mind-numbing titles like ‘Kraftwerk and the Issue of Post-Human Authenticity’ and ‘Kraftwerk and the Cultural Studies of Cycling’. However if any band can withstand two days of pointy-headed discourse, it must be Kraftwerk.