Dali

‘The First Days of Spring’, 1929, by Salvador Dalí

As a visual experience it is less than overwhelming: Dalí/Duchamp reviewed

21 October 2017 9:00 am

During a panel discussion in 1949, Frank Lloyd Wright made an undiplomatic comment about Marcel Duchamp’s celebrated picture of 1912,…

Aubrey Beardsley’s ‘The Climax’ — an illustration for Oscar Wilde’s play Salome

From anchorites to zeppelins: the giddy range of Levitation

12 August 2017 9:00 am

Levitation. We all know what it is: the ‘disregard for gravity’, as Peter Adey puts it in his new book,…

The cast’s talents are not put to good use: Thomas Adès’s Exterminating Angel reviewed

29 April 2017 9:00 am

The Adèsives were out in force at Covent Garden last Monday for the UK première of their hero’s third opera,…

Brand ‘Picasso’: the artist surrounded by a portion of his 45,000 works, in Cannes, 1956

The squalid afterlife of artists' estates

17 September 2016 9:00 am

Artists’ legacies were once controlled by opportunist collectors or vengeful harpies. Stephen Bayley meets the German lawyer trying to civilise the process

‘Apple Blossoms’, 1873, by Charles-François Daubigny

The man who who invented impressionism

23 July 2016 9:00 am

The last boat I saw in the galleries on the Mound was a canoe that the Scottish painter Jock McFadyen…

Lankily elegant and exquisitely dressed: Peter Watson (right) with Oliver Messel

The Mad Boy, Peter Watson, Cecil Beaton and the limo — by Sofka Zinovieff

23 May 2015 9:00 am

It would not have surprised their friends in the 1930s when Peter Watson had a fling with my grandfather, Robert…

The art of Coke

7 February 2015 9:00 am

The Coca-Cola ‘contour’ bottle is 100 years old. Stephen Bayley salutes a design classic

Chico, Harpo and Groucho Marx (left to right) enjoy a day at the races

What unites Churchill, Dali and T.S. Eliot? They all worshipped the Marx Brothers

10 January 2015 9:00 am

Ian Thomson celebrates the anarchic genius of Groucho and his brothers

Alan Beeton, ‘Reposing’, 1929

The secret world of the artist's mannequin

1 November 2014 9:00 am

A 19th-century London artists’ supplier named Charles Roberson offered imitation human beings for sale or rent, with papier-mâché heads, soft…