David Hockney

‘The Japanese’ by Hans Makart, 1870–75

How do artists vanish?

23 September 2017 9:00 am

Here’s an intriguing thought experiment: could Damien Hirst disappear? By that I mean not the 52-year-old artist himself — that…

Frankly dreadful: ‘The Renaissance of Venus’, 1877, by Walter Crane

Would the artists in Tate’s Queer British Art show have approved of being included?

15 April 2017 8:00 am

‘There is only one thing worse than homosexual art,’ the painter Patrick Procktor was once heard to declare at a…

‘Absent Friends’, 2000–1, by Howard Hodgkin

Howard Hodgkin claimed not to be an abstract artist. So what exactly was he?

25 March 2017 9:00 am

The late Howard Hodgkin stated emphatically that he was not an abstract artist. So what exactly was he? asks Martin Gayford

‘Ossie Wearing a Fairisle Sweater’, 1970, by David Hockney

Colour, heat and sex: David Hockney at Tate Britain reviewed

11 February 2017 9:00 am

No Californian could have painted Hockney’s pools. No La-La Land artist, raised on sun and orange juice, would have done…

‘Salvador Dalí, New York’, 1947, by Irving Penn

A great ad for the optical benefits of rehab: the Elton John Collection reviewed

7 January 2017 9:00 am

‘Radical’ is like ‘creative’, a word that has been enfeebled to the point of meaninglessness. Everybody seems to want to…

‘Bolshevik’, 1920, by Boris Mikhailovich Kustodiev

The USSR, USA, David Hockney and plywood: Martin Gayford on the visual treats of 2017

31 December 2016 9:00 am

Martin Gayford looks forward to two big Russian shows coming to London next year – and to other visual treats on offer in 2017

David Hockney and Martin Gayford on how pictures literally emerged from the shadows

22 October 2016 9:00 am

In an edited extract from their new book, David Hockney and Martin Gayford discuss how pictures emerged from the shadows

Caravaggio blasts everything else off the walls in the National Gallery’s new show

15 October 2016 9:00 am

We don’t know what Caravaggio himself would have made of Beyond Caravaggio, the new exhibition at the National Gallery which…

‘The Deluge’, 1920, by Winifred Knights

Piero della Francesca meets Dalí: Winifred Knights at Dulwich Picture Gallery reviewed

9 July 2016 9:00 am

‘Hidden beauty is best (half seen), faces turned away.’ So noted a young English painter named Winifred Knights in 1924.…

Britten and Pears, photographed by Cecil Beaton

The Britten-Pears relationship: no longer an (open) secret

2 July 2016 9:00 am

‘You are the most adorable man and artist, intelligent, gifted, simple, loving and noble… I am really very, very lucky…

Richard Chopping’s design for The Fly (1965)

A guide to 20th-century British painting and promiscuity

11 June 2016 9:00 am

Somewhere I have a couple of neat letters from the artist Richard Chopping, politely declining my requests to interview him…

'Lion Hunt', 1861, by Eugène Delacroix

Galleries are getting bigger - but is there enough good art to put in them?

2 January 2016 9:00 am

Martin Gayford recommends the exhibitions to see — and to avoid — over the coming year

‘May Day’, 1866, by Julia Margaret Cameron

Julia Margaret Cameron: the Leonardo of photography

21 November 2015 9:00 am

Ruskin dismissed Julia Margaret Cameron’s photographs as untrue. But, argues Martin Gayford, the same could be said of any picture

With rain threatening, Jane Bennet departs for Netherfield — with her mother’s approval. Illustration by Hugh Thomson for Pride and Prejudice (1894)

Rain, shine and the human imagination — from Adam and Eve to David Hockney

12 September 2015 9:00 am

‘Pray don’t talk to me about the weather, Mr Worthing,’ pleads Gwendolen in The Importance of Being Earnest. ‘Whenever people…

‘Turning Road (Route Tournante)’, c.1905, by Paul Cézanne

I can’t stop thinking about the Courtauld’s Unfinished exhibition

15 August 2015 9:00 am

A while ago, David Hockney mused on a proposal to tax the works of art stored in artists’ studios. ‘You’d…

Art has ceased to be beautiful or interesting — but we are more obsequious than ever to artists

16 May 2015 9:00 am

Two ambitious volumes of interviews with artists have just been published. They are similar, but different. The first is by…

‘The Life Room’, 1977–80, by John Wonnacott

The death of the life class

6 December 2014 9:00 am

‘Love of the human form’, writes the painter John Lessore, ‘must be the origin of that peculiar concept, the Life…

David Hockney at work in his studio, c.1967

David Hockney interview: ‘The avant-garde have lost their authority’

22 November 2014 9:00 am

David Hockney talks to Martin Gayford about 60 years of ignoring art fashion

Has the rake progressed?

28 June 2014 9:00 am

Hogarth’s A Rake’s Progress has been a rich resource for artists. Film-makers recognise his modern moral subjects as an ancestor…

Christopher Sykes’s diary: David Hockney, Bridlington lobster, and the risks of a third martini

6 July 2013 9:00 am

I began my week with a trip to Bridlington, the closest seaside town to my childhood home. ‘Brid’, as it’s…