David McVicar

The National Youth Orchestra showed that they’re the equal of any professional band

13 January 2018 9:00 am

Everyone knows — don’t they? — that the National Youth Orchestra of Great Britain is the UK’s youngest world-class symphony…

Quietly devastating: Scottish Opera’s Pelléas and Mélisande reviewed

11 March 2017 9:00 am

‘Perhaps in this world nothing ever happens without purpose,’ sings old, blind King Arkel in Debussy’s Pelléas et Mélisande, and…

Doing a disservice to a lovely opera: Angela Gheorghiu as Adriana Lecouvreur

The opera conductor who’s marginally less popular than Donald Trump

18 February 2017 9:00 am

The story so far: in 1986 English National Opera hired Jonathan Miller to direct Gilbert and Sullivan’s The Mikado. The…

Sweet and sour: Ylva Kihlberg as the Marschallin and Helen Sherman as Octavian in Opera North’s ‘Rosenkavalier’

Is Opera North’s Rosenkavalier’s worth seeing? Certainly. Worth hearing? That’s trickier

15 October 2016 9:00 am

Shiny swags of gold cloth hang in front of the curtain before David McVicar’s production of Der Rosenkavalier, and that’s…

A devastating Jenufa - if you could hear it

5 December 2015 9:00 am

About 15 minutes into act one of Jenufa, the student in the next seat leaned over to her companions and…

Erwin Schrott as Figaro and Anita Hartig as Susanna in Le nozze di Figaro

McVicar’s Figaro looks increasingly fossilised. Time for the Royal Opera to ditch it

26 September 2015 8:00 am

Is there a more extraordinary, more heart-stilling moment in all opera than the finale of Mozart’s The Marriage of Figaro?…

Stéphanie d’Oustrac (Carmen) and Pavel Cernoch (Don José) in ‘Carmen’ at Glyndebourne

Was Glyndebourne right to revive Donizetti's Poliuto? No, says Michael Tanner

30 May 2015 9:00 am

It’s been a busy operatic week, with a nearly great concert performance of Parsifal in Birmingham on Sunday (reviewed by…

OperaUpClose’s production of Elixir of Love is by far the best update of an opera Michael Tanner has ever seen

2 May 2015 9:00 am

Three staples of the Italian repertoire, performed and seen in very different circumstances, have confirmed my view that they deserve…

Andrea Chénier, Royal Opera House, review: like a Carry On - but without the jokes

24 January 2015 9:00 am

Who on earth could have predicted that a hoary old operatic melodrama set in revolutionary France would find resonance in…

Alice Coote and Sarah Tynan in ‘Xerxes’ at ENO

Royal Opera's Rigoletto: your disbelief may wobble but your excitement won't

4 October 2014 9:00 am

One of the greatest tests of how an opera house is functioning is the quality of its revivals. Both the…