Death

Last suppers

You don’t need headphones to appreciate, and catch on to, the unique selling point of radio: its immediacy, its directness, that sense that someone is talking to you, and you alone. In fact, if anything, headphones take away from radio’s ability to reach out to the isolated and the lonely, to create that connection between you, the listener, and that someone else, the person behind the mic. With headphones the voice gets inside your head, but it’s not like having a conversation. That USP also explains why listening in the car works so well, creating a companionship while driving alone along a road empty of human contact, surrounded by fast-moving

Listening habits

Here’s a thought. Matthew Bannister, former Radio 1 controller turned presenter of programmes such as Outlook on the World Service and Radio 4’s The Last Word, has just announced that he’s leaving Outlook, which goes out several times a week, to ‘join the world of podcasting’. In fact, he’s already launched his own podcast, Folk on Foot. It’s as if he now believes that podcasting is where the exciting new challenges in audio (note, not broadcasting) can be found. We wireless-lovers should pay attention. Bannister is a radio man through and through. Does he really believe that podcasting is the future? We’re still waiting for the podcast that truly challenges

The sense of an ending | 17 May 2018

The timing of the Today programme’s series about hospices could not have been more apt, coming as it did so soon after Tessa Jowell’s death was announced with its array of tributes and the poignant interview with her husband and one of her daughters. In themselves such personal testimonies are not always that helpful — everyone’s situation is individual and the actual outcomes necessarily different. But what Jowell’s family said about her last hours and their evident acknowledgment and acceptance of their situation gave a real sense of purpose on Monday to Zoe Conway’s report from the North London Hospice. This was part of the Dying Matters campaign, urging us

A year full of birds

Deborah Levy draws her epigraph for The Cost of Living from Marguerite Duras’s Practicalities: ‘You’re always more unreal to yourself than other people are.’ Practicalities (1987) is a series of interviews Duras gave to a young friend with all the questions left out and the interview format effaced. Levy’s book is, similarly, one side of an intense conversation about life, love, power, home-making and writing. Her interlocutors, many of them dead but still living through their words and work, include Simone de Beauvoir, Louise Bourgeois, Emily Dickinson, Barbara Hepworth and Elena Ferrante. Levy is a playwright and novelist whose Swimming Home (2012) and Hot Milk (2016) were shortlisted for the

High life | 19 April 2018

New York Remember when the internet, Twitter, Facebook and other such useless gimmicks were supposed to usher in an era of transparency and knowledgable bliss? This technology makes George Orwell’s Nineteen Eighty-Four redundant: no longer science fiction; more Knights of the Round Table. Big Brother is more powerful and more all-knowing than ever before, and we have that Errol Flynn lookalike Mark Zuckerberg to thank. There is no such thing as privacy any longer, unless of course one writes letters by hand and does not possess a smart telephone. (Include me out — I own a mobile but use it only when on board a sailing boat.) Yes, the world

Death at a funeral

Something very odd occurred at a funeral I attended last week — somebody died. I don’t mean the person who was being buried. They had died a few days earlier, obviously. I mean one of the mourners passed away during the service. That was shocking in its own right, but what made it surreal is that the other mourners carried on as if nothing had happened. The funeral took place in the deceased’s garden, where her family had arranged for her to be buried, and at the conclusion of the service someone announced that wine and food would be served. The 100 or so people in attendance formed a queue

Talking heads | 16 November 2017

Under the central dome of UCL — an indoor crossroads where hordes of students come and go on their way to lectures and lunch — there’s an intriguing exhibition on at the moment about death. ‘Human remains are displayed in this exhibition’, it says in white lettering on the floor atall four entrances, to warn any passing snowflakes. The real head of Jeremy Bentham, who died in 1832, glass eyes staring out at you from behind a vitrine, is indeed a bit queasy-making. This is the central object of the exhibition. Bentham still has his long dark-grey hair at the back and sides of his bald pate, and his whole

Laura Freeman

Pulling through

Grief is not being able to eat a small boiled egg. ‘Could you face an egg?’ the widowed Jean asks her daughter Eve in Susie Boyt’s sixth novel, Love & Fame. It is not long after Jean’s husband, Eve’s father, John Swift, a sitcom actor, a national treasure, has died. Eve can’t face an egg; Jean has lost her appetite for anything but eggs. One small boiled egg, morning, noon and night. This is a clever, wise, often sad book about failure, dashed hopes and bereavement. It could be bleak, but Boyt is fiercely funny, skewering fads and self-help trends. A professional de-clutterer in the Marie Kondo mode is called

Face time | 14 September 2017

The inimitably pukka voice of Jacob Rees-Mogg echoed through Radio 4 on Thursday morning. He was not, though, talking about nappies, nannies or even Brexit; his topic instead was death masks and specifically that made of his father William, the newspaper editor and vice-chairman of the BBC, who died in 2012. Not long after Rees-Mogg had passed from this life, his facial features were immortalised in wax and silicon rubber by Nick Reynolds, godson of Ronnie Biggs and son of Bruce Reynolds (whose names you may recall from the great train robbery of August 1963). In Death Masks: The Undying Face (produced by Helen Lee), Reynolds talked us through the

A matter of life and death | 7 September 2017

Before he died, the former Archbishop of Westminster, Cardinal Cormac Murphy-O’Connor, reassured his diocese that he was ‘at peace and [has] no fear of what is to come’. But surely, as a sinner facing a god of judgment, he should have been terrified out of his wits? In ancient literature, it was only cowards or second-raters who were terrified of death. Philosophers had no qualms. As Socrates (5th C bc) said: ‘To fear death is to think oneself wise when one is not; for it is to think one knows what one does not know. No one knows whether death may not even be the greatest of all good things

Books Podcast: Clive James

In this week’s Books podcast I speak to Clive James. Since he was diagnosed with leukaemia, Clive has been as it were on borrowed time. But what use he has made of that time: the last couple of years have seen a great late outpouring of poetry, most recently the wittily and wanly titled collection Injury Time.  I travelled to his home in Cambridge to talk to him about poetry, fame, late style, discovering Browning, being silly and serious, watching box sets, facing the end, and why he wants to be buried back home in Australia. You can listen to our conversation here: And if you enjoyed that, do subscribe

Whatever happened to Alice?

In 1987, the art of opera changed decisively. John Adams’s opera Nixon in China was so unlike the usual run of new operas in its concept that many people, on first hearing about it, assumed it had to be a joke of some sort. Turning the preposterous and reviled figures of Richard and Pat Nixon and Henry Kissinger into operatic heroes — they were all still alive in 1987 — seemed preposterously at odds with the dignity of the form. It was entirely serious. Though the concept was in part that of Peter Sellars, the opera director, the exquisite refinement of treatment was that of the librettist, Alice Goodman. Unlike

Death and childhood

Charlie Gard is incurably brain-damaged, blind, deaf, cannot cry, and cannot move or breathe without help. At the request of his parents, he has been kept alive in hope of a minimal improvement. Ancients did not feel about babies as we do. About one in three died within a month, and about half by the age of five. Putting disabled babies out to die was probably common. There are about 55,000 inscriptions on tombstones referring to ages at death, yet only a handful relate to those under six months. Few ancient authors describe babies behaving like babies; indeed, Latin had no specific word for ‘baby’. Cicero remarked that nature granted

A choice of first novels | 29 June 2017

Patty Yumi Cottrell’s blackly comic and sophisticated debut Sorry to Disturb the Peace (And Other Stories, £10) opens with Helen Moran learning that her brother —adopted, as she was — has committed suicide. Helen lives in New York, working with troubled teenagers who have dubbed her ‘Sister Reliability’. Against familial expectations she returns to Milwaukee to her adoptive parents’ home for the funeral. But Helen has not arrived simply to grieve: Perhaps to investigate his death would revitalise my own life, and if I could communicate my eventual findings to them, it would strengthen and support the lives of my adoptive parents as well. Despite her nickname and these somewhat

High life | 1 June 2017

I feel like an obituary writer, what with Nick Scott, Roger Moore, Alistair Horne — all great buddies — and now my oldest and closest friend, Aleko Goulandris, dead at 90. Mind you, they all had very good lives: plenty of women, lots of fun, accomplishments galore, and many children and grandchildren. And they all reached a certain age — what else can you ask of this ludicrous life of ours? Well, I won’t be writing about the high life this week, but scum life instead. And I’ll tell you why: those innocent young children slaughtered by that Islamist scumbag in Manchester, that’s why. Those sweet young lives deserved better,

Low life | 25 May 2017

‘Jeremy, I want you to sit here next to me — unless you’re frightened of me?’ We were briefly introduced at her father’s funeral party; otherwise our hostess and I hadn’t met before. We were about to sit down in her recently deceased father’s house, which she has inherited, and this, she said, was her first dinner party. Her father and I became friends two years before he died, aged 82. Everyone told me he was a terrible snob with a vile temper but I only ever found him entirely jovial and an erudite and witty conversationalist. ‘Should I be frightened of you?’ I said. ‘I am who I am,’

Teenage kicks | 11 May 2017

Imagine living in a country where the average age is under 16 (in the UK it’s currently 40 and increasing) so that everywhere you go you’re surrounded by teenagers. It sounds exhilarating. Such optimism and energy; the sheer vitality of young blood coursing through the streets. How brilliant, too, for a country to be unfettered by how things have always been done, no elders to restrain them, hold them back, warn against change. But nothing is that simple. For The Compass: A Young World (Wednesday) on the World Service (produced by Mike Gallagher), Alan Kasujja took us to his native Uganda to find out what it’s like to walk down

High life | 4 May 2017

I’m sitting in my office and the place is still. The rest of the house is dark. Everyone’s out and I’m here writing about the death of a friend. I haven’t felt such gloom since my father died 28 years ago. The question why did he have to die is implicitly followed by another: how did he live his life? The answer to that one is easy: recklessly. Learning how to die, according to Montaigne, is unlearning how to be a slave. Nick Scott, who died last week in India, was no slave. Nick went to Eton. He was an army man and a very talented landscape artist and gardener,

A husband to die for

What will we do when there are no longer caches of letters to piece together and decipher; only vague memories of myriad emails? We will be like butterfly hunters flailing around with our nets, hoping to catch some rare specimen with glittering wings among the detritus of daily exchanges. The letters of Ida Nettleship, first wife of the arch-bohemian Augustus John, are a case in point: gathered together here from diverse sources by her granddaughter Rebecca John and expertly introduced by John’s biographer Michael Holroyd, they constitute a rare epistolary treasure trove. Spanning some 15 years, from Ida’s late teens to her early death from puerperal fever at 30, following

Government rows back on plans to raise probate fees

‘In this world nothing can be said to be certain, except death and taxes.’ This famous quote, attributed to Benjamin Franklin, holds as true today as it did at the time of writing in 1789. Given that versions of this sentiment date back to the early 18th century, and continue to be in use in 2017, it seems that death and taxes are two of mankind’s main preoccupations. And so it came as no surprise that a government plan to hike probate fees paid by bereaved families met with fierce opposition. Under the proposed changes, probate fees had been due to rise from £155 or £215 to up to £20,000 for some