Death

Anthony Horowitz’s Diary: Dinner with Saddam, anyone?

I have written a play, but a month after it was sent to half a dozen theatres, I have heard nothing. Either they’re being slow or they’re so shocked that they cannot bring themselves to respond. The play is called Dinner With Saddam and takes place in Baghdad on the evening of the Allied bombardment. It’s a comedy. Is it even possible, I wonder, for an English writer to portray an Arab family in a humorous way without laying himself open to charges of racism? And when all things are considered, was it good or bad timing to send the play out just one day before the Isis forces launched

The cruellest present you could give a hated old in-law

It takes a special sort of talent to be able to make drawings of your own 97-year-old mother on her deathbed funny. The person with that gift is Roz Chast. Subscribers to the New Yorker will already be familiar with her marvellous cartoons, which often feature elderly and over-neurotic parents shouting dire imprecations to their rather dazed and mild-looking adult offspring. Their warnings tend to concern such mortal perils as crossing the road, running to answer the telephone or touching the handrail on public transport (the germs!). The subjects are from Brooklyn, but the appeal is universal: visiting a friend in Athens the other day, I saw a Chast cartoon

DNR notices: A matter of life and death

It was Janet Tracey’s family who brought about a change in the law regarding Do Not Resuscitate notices on patient’s notes in hospital. Thanks to their efforts, hospitals will now have to consult patients and their families before instructing medics that they shouldn’t go out of their way to provide life-saving treatment. Mrs Tracey had made perfectly clear that she wanted to be in on her own case; didn’t matter – she got a DNR notice anyway. I’m not sure whether I was in quite this situation a couple of years ago when my mother was in St Mary’s Paddington after a fall. She succumbed to an infection which she

An introduction to Death Cafés

listen to ‘The Death Café’ on Audioboo Spectator readers who were listening to the Today programme this morning would have experienced the sense of déjà lu from a segment on ‘death cafés’. These events, where people talk about mortality over a macchiato and a Danish pastry, have interested Spectator writers for some time. Last July Mark Mason visited a ‘death café’ and remarked how refreshing it was to hear people use the ‘D-word’. The cafes are for taboo-breaking rather than mourning. Mark found that people had been drawn to them because society is so reluctant to talk about death, which is strange when one considers that death is life’s only certainty. Death cafés may

The California spree killer: why is that loser’s face all over the media?

Last Saturday a young man in southern California murdered six people. I’m not going to name him or link to his picture because you would have probably seen it anyway, and he does not deserve to be remembered except by his family. He achieved nothing. One of the depressing inevitabilities of such atrocities is the eagerness with which people in the media jump to some sort of political explanation; since many of these killers are men hateful of women or other people generally, and are obsessed with guns, some commentators put this in a wider context of political conflict where scant evidence actually exists. If we were to draw a

I am ready to talk about my death. Is anyone else?

It is October 2012 and my ovarian cancer is back. As we wait to see the consultant I say to my best friend, ‘We are going to Mexico this weekend to get that stuff so I can kill myself. We’ll probably get killed by drug barons.’ My consultant says I have three years. I agree to more chemo and ask: ‘Can I go to Mexico?’ She looks baffled. It is February 2013 and the consultant is discussing hospices. She is eight months pregnant. I don’t tell her about the Mexican barbiturate in the fridge. I do tell the nice hospice counsellor, though. She goes white. ‘The drug dealers seem to

Burning foetuses to heat hospitals: a perfect metaphor for modern Britain

By way of a metaphor for the way the NHS and, come to that, the law regards foetuses, you can’t really better the reality, viz, that foetal remains from abortions and miscarriages are being incinerated in NHS hospitals and possibly used to heat that hospital. If a foetus lives less than 13 weeks, it could, in Addenbrooke’s Hospital, for instance, be used as fuel as part of the hospital’s waste-to-energy schemes. And 13 weeks is just over three months’ gestation – the point at which wanted foetuses register as recognisably human on the scans that prospective parents take home and show their friends. Meanwhile, the unwanted foetuses, or the ones

Death brings out everyone’s inner Mary Whitehouse

Shortly after Bob Crow’s death was announced on Tuesday, Nigel Farage sent the following tweet: ‘Sad at the death of Bob Crow. I liked him and he also realised working-class people were having their chances damaged by the EU.’ Cue a predictable storm of Twitter outrage. Farage was attacked for trying to make political capital out of Crow’s death. The following tweet, from the ex-FT journalist Ben Fenton, was typical: ‘Bit off-key for @Nigel_Farage to link a tribute to Bob Crow to his own anti-EU rhetoric, I think.’ Now, some of those criticising Farage had a political axe to grind. They were claiming Farage had broken an unwritten rule that

Rod Liddle: Neknominations – this is what the internet is for

Wouldn’t it be boring if everyone behaved much as you behave? If everyone expressed themselves similarly? Let a thousand flowers bloom, I say. Take the case of Torz Reynolds. You are almost certainly not called Torz and I would guess, too, that you count few people within your circle of friends who abide under that name. I don’t know where it comes from, Torz. A shortening of Victoria, I would guess, although it is not beyond the bounds of possibility that she was actually christened Torz, much as people these days are christened Jayden. Anyway, that’s not the point. Torz, who is 26 and lives in London, decided that she

Rod Liddle

What shall we do about Neknominate?

I wonder if we should start our own Spectator Blog NekNominations? Open to bloggers and readers. I nominate Daniel Maris to drink a small glass of Pinot Noir while watching the early evening news. And Alex Massie to drink a flagon of Teachers while standing on the up line somewhere between Edinburgh and Alnmouth. Maybe on that big bridge over the Tweed. No need to post any photos or film. I’ve written about this latest internet craze for the mag this week: it is the usual carefully and copiously researched investigation, devoid of bigotry and offensiveness. At least five people have died so far taking part in Neknominations and there

Goodbye, Claudio Abbado. You helped us glimpse eternity

Fellini’s credo ‘the visionary is the only true realist’ could also be applied to the life of Claudio Abbado, who died earlier this week in Bologna at the age of 80. It would be wrong to think of Abbado as a dreamer, for conducting at the angelic heights to which he ascended is a matter of serious thought, but he had the gift, rarer than is commonly supposed, of liberating musicians. Being liberated, they gave performances of such beauty and emotional power that those who heard them will consider their lives enriched; in many cases transformed. Milan-born, Abbado grew up musically in Vienna, where he studied with Hans Swarowsky, and

Taki: RIP John Jay, my brave friend who refused to take part in vulture capitalism

I suppose the secret of death is to choose not to expire the same day as famous people. I read in Lapham’s Quarterly that JFK, C.S. Lewis and Aldous Huxley all met with the man in the white suit on 22 November 1963. John Jay Mortimer, a friend of very long standing, died last week and I attended his funeral in Tuxedo Park, the seat of his very old and fine family. After his daughter Minnie gave the reading, Lewis Lapham, the renowned editor of Harper’s and now Lapham’s Quarterly, spoke in a quiet, unemotional tone about his old friend. It seems that at the height of the Cold War,

Here, Mr Gove, is the thrill of raw, unvarnished history

Our unrelenting appetite for historical drama is fed by a ceaseless stream of novels and dramatisations – usually, these days, something to do with those naughty Tudors. Perhaps it is how my generation, dosed on pick n’ mix modules and special options (Industrial Revolution or Origins of WW1 anyone?), recovers lost ground. But it is unmediated history taken straight from the page that gives the real jolt. I recently acquired for the Bodleian a journal kept from 1813-1818 by the engraver and antiquary James Basire (1769-1822). His father was the more famous artist, closely associated with William Blake.  Nevertheless, the journal seemed worth having for all the right academic reasons.

Royal reporters make it all up – doesn’t everyone know that?

Seeing the royal hack pack in full cry on Monday reminded me of the week I spent with the late James Whitaker, the Daily Mirror’s chief royal correspondent. This was for a profile I was writing about him in a colour supplement in 1993. It was a memorable experience, not least because of the message he left on my answering machine the day the piece came out. ‘I know I said I didn’t care what you wrote, but you could have at least got your fucking facts right,’ he said. He then started listing the facts I’d got wrong: ‘Number one, the Princess of Wales did not call me “the

Stoner by John Williams – review

Faced with a book as simple and true as Stoner, it’s easy to fall into the trap of intentional fallacy. It is the portrait of a quiet farm boy, who receives his Doctorate of Philosophy, teaches literature at the University of Missouri, then dies at the age of sixty-five. His colleagues hold him in no particular esteem. We know all this from the first page. This story of hard graft without recognition, gratifyingly, for literary sleuths, has parallels with the author’s life and the reception of his work. John Williams’ grandparents were farmers and, after completing his PhD in Missouri, he taught at the University of Denver for the following

Clive James – laughing and loving

Clive James was a recurring presence in last weekend’s literary press. There was, I regret to say, a valedictory feel to the coverage. Robert McCrum, of the Guardian, was not so much suggestive as openly morbid: ‘If word of his death has been exaggerated, there’s no question, on meeting him, that he’s into injury time, with a nagging cough that punctuates our conversation.’ If those words and others like them made little impact on the reader, then the photograph of James that illustrates McCrum’s interview might. Old age looks no fun; serious illness even less so. But, James’ spirit does not seem to have been shaken by the indignities visited upon

Recycled graves – coming soon to a cemetery near you

Two marble graves are side by side. One is grey and encrusted, with moss growing over the top. The other is smooth and shiny white. It looks new but, in fact, like the grave next to it, it’s more than 100 years old. It’s not just been cleaned — its top layer has been shaved off completely. On its front are potted plants, hydrangeas and a can of Guinness. These are tributes to its new resident. Its old resident, Robert John, died in 1894. His inscription is still there, on the back of the headstone. His remains are there, too, if they haven’t disappeared into the soil. John’s grave is

Alexandria, by Peter Stothard – review

This subtle, mournful book is many things. It is a diary of three weeks spent, during the tense winter before the outburst of the Arab Spring, in off-season Alexandria, where nothing comes ‘except birds to the lake, most of them when they have lost their way’. It is also a series of fragments rescued from Peter Stothard’s rich life as Essex schoolboy, Oxford student, Times editor and lifelong classicist. Another part, but only a small one, is a history of Cleopatra — and the story of Stothard’s seven previous, failed attempts to write about her. Classical scholars, however, will recognise this book for what it really is. The poets of

Life’s too short to read tedious books

‘My friend and I were working out how many more books we’ll read before we die,’ a customer said to me in the bookshop, the other day. ‘We read a book every couple of weeks, so we figured around 500.’ I rapidly did the maths. Twenty years. It seemed a little pessimistic for someone who can’t have been much older than fifty. Those of you who feel inspired to do your own calculations might feel depressed by how few books you’ve got left, or overwhelmed by how many you’ve yet to read. At 29 years old, I’m not so far from the beginning of my reading life and it feels

Interview with a writer: John Banville

The salubrious surroundings of the Waldorf Hotel seem like a very apt setting to interview a master of style and sophistication. When I arrive in the lobby, John Banville is nowhere to be seen. Peeping into the bar, I notice a grey haired man with a moustache, wearing a tuxedo, softly playing a grand piano. Taking a seat, this strikes me as the kind of place that Alex Cleave would enjoy a drink. Alex is a semi-retired actor, and the central protagonist and narrator of Ancient Light; a novel that recalls a passionate love affair that took place over fifty years ago. The object of Alex’s desire was Mrs Gray,